Cultural Snowballing Part 2 : How it Grew

(If you haven’t read the previous part, I suggest you do, though it isn’t necessary.)
One of the other problems that could be considered an effect of cultural snowballing is people’s tendency now to “tune out”. It seems like more people than ever are advocating “unplugging” from modern life, whatever that happens to mean to them in particular.

People’s attitudes have gotten worse toward people who use advertising (which seems absurd) and those who try to sell merchandise to support themselves. (strangely, people who just straight up beg for money on Kickstarter, Subbable, and Patreon seem to get much less of a negative reaction). This negatively affects entry into markets which require a lot more serious involvement. One of these is board gaming, which requires serious thought, space, setup, and a good amount of time devotion. I recently attempted a Kickstarter for a board game, and people (even though many people say they like the “little guy”) just aren’t willing to devote the money and the time to a game that was made by one person on a shoestring budget, because if it goes wrong, they’re out a lot, too. (That would’ve worked a few years ago maybe, and especially about a decade ago when platforms such as Kickstarter didn’t exist.) This isn’t helped by the fact that there is huge growth in the market (as there is in many markets: this is just one example) and more established companies are pushing out more and better new products, making entry much more difficult. People who could previously have played every new game every year are now faced with choices, and people generally don’t like more choices. But they do like some choices.

Remember when Myspace was really the only social network (of course there were others, but who’d really heard of them?) and then Facebook came along and everyone switched, and then for a moment it looked like new social networks were popping up and dying all over the place. It seemed like it would just be a cycle of never-ending account imports. But, by the time even Google+ rolled around, people were so tired of the choices no one even used it (people only use it now because of Youtube-based statistics jacking). People like choices, (Myspace and Facebook) but not too many choices (Myspace, Facebook, Twitter, Tumblr, Google+, StumbleUpon, LinkedIn, etc.).

How in the world does that relate to cultural snowballing? Well, in essence it is cultural snowballing. And when confronted with a huge pile of board games or social networks, people do the same thing that they do with “‘The Maltese Falcon” and “The Searchers”: they forget about them. This makes things both easier and harder for the new. On the one hand, new things have a huge problem getting noticed over established giants that people already see, and people often don’t have the time to look at anything else. But on the other hand, if something new does get noticed, the world turns into a huge positive feedback loop as people forget about the old things and start noticing this crazy new thing.

Things just keep getting bigger and bigger. Even new things seem to come with the prerequisite of already being big before becoming super. If it’s already too much to take, where can it go from here? The first answer seems to come in the waves of culture that have become more the norm now. There are certain eras of culture that sometimes last a decade and sometimes a few weeks. These waves are surprisingly well illustrated by the recent ALS Ice Bucket Challenge. By my calculations, this challenge should have reached every human being in the United States in just under 18 days. Soon after that, everyone in the world would be doing it. But not everyone is. This particular challenge caught on, which so few things do. It ping-ponged around for just long enough to be picked up by some celebrities, who of course challenged other celebrities. Eventually the celebrities ran out of other celebrities to challenge, and since they had all done it everyone else was dying to do it. For several days I lived in fear that someone in the world would challenge me, not because I don’t want to support ALS, but because I don’t have the means to dump ice on my head nor the funds to donate to ALS research. Anyway, the math made my fate to look like a jerk on the internet inevitable, but strangely enough, no one challenged me. Things died down before ever getting to me. (this is except for several “community of thousands” challenges, which I think almost no one accepted.) This didn’t seem right, but it happened. People either got sick of it, just didn’t do it, or ran out of important people to challenge. And suddenly the unstoppable cultural juggernaut came slamming into a brick wall to be washed out and forgotten until people browse back through their Facebook feeds. (but ALS research did get MILLIONS of dollars from the thing, which is AMAZING!)

I am not qualified to provide answers for the mysteries of both how that got big and how it just stopped, but it is a speeded-up example of what I’m talking about. All of the things we’re expected to know in time run out of relevance (though this one didn’t,exactly-) and then we simply forget. The money dried up and the time people were willing to devote to it went down. Suddenly everyone’s lives are “normal” and something else big will come along. This has happened on a much larger and longer scale with other cultural things, like comic books, comic book movies, video games, vampires, zombies, etc. Now not each of those things pushed the others out, but they did push some other large cultural block out of the way to get where they are now. It just keeps happening.

Again, this might not be a problem. New people do need to get into the market (although the newspaper comics industry doesn’t want you to believe that). And the breaking of an old cultural snowball for a larger one seems a good way to do that. But, on the other hand, it could create a wide rift between people and success, and successful people and their fans.

Either way it looks like it’s here to stay and possibly speed up. So I’d just suggest you prepare for the avalanche.

Where to Start…

So… I’m gonna talk… About stuff…

But seriously, this article isn’t going to be my usual article (is it too late to say I’m mainly a humor writer? My latest blog/article posts make me think it’s too late.) Not that this’ll be sad or anything, just different.

Now, I’ll be the second to tell you I’m not the smartest in the world (the people I know who are in school would be the first), but I think I can be a reasonably insightful person. And when I start writing I can write (type) like there’s no tomorrow (but there are hand cramps). The real problem is knowing where to start. Over the years I’ve developed many theories and views that intertwine to the extent that I have no idea where to even begin to explain them, because each piece requires another piece to fully comprehend. The ideal “book” in that case would be circular, one where it simply starts somewhere and then ends in that same place. Even more ideally, the language and concepts would be simple enough that one could simply jump in anywhere and start reading until they looped back around to that point.

Unfortunately, due to the very reason that so many things relate to each other, a book like this would end up being much less like a circle and more like a choose-your-own-adventure book, or a food web, with many complex ideas growing from or branching off of smaller “stepping-stone” or “building-block” ideas.

But what are these ideas that form the basis of all other ideas? Is the idea of a language to communicate ideas the basic idea, or merely a tangential one? And there are even more basic ideas even further down. And higher “ranking” ideas are necessary to understand the smaller ones. We’d need a word made up of letters to express the idea that perhaps a letter is the smallest idea. It isn’t, but that’s what we’d need. The problem here is that new ideas are infinitely majuscule and miniscule. In science (or all of the physical world, really) a Planck-length is the shortest measurable distance, there is nothing smaller, nothing ever gets smaller or acts over a smaller distance. But in our minds we can easily imagine something say… Half the size.

Now what does this have to do with my inability to figure out where to start? Well, first off, it showcases my ability to write something completely tangential to what I intended to talk about whenever I feel I am unable to start something. It also really means that there is no good place to start anything. There are an infinite amount of topics to discuss that could lead to greater understanding of the central (undefined at the moment) topic. Of course, this also means there are an infinite amount of topics that could lead to misunderstanding of the topic as well, and that infinity is likely larger.

Now looking at what I have just written, infinity seems quite large, and diving into something that could lead to infinity seems quite daunting. But I find that the projects I simply start end up being better than all other projects (mainly in that they aren’t really projects until they’re started). So, I guess that’s really the answer: just start, start anywhere, you don’t need a good place, and if you find the “best” place retroactively, place it in front. Make things better, work at them, but start anywhere. Starting is better than staring at the monolith of work in your mind and doing nothing.

Of course you might like to start at the monolith.

Collecting Obscure Fountain Pens

When I’m collecting fountain pens, there is a certain type of fountain pen that I think is interesting. And that is the obscure pen. While it’s nice to find a well-known good pen (I’ve found several Parkers and Crosses) and some rare pens (see those Parkers), there are several pens that I’ve found through my collecting that I can’t find any information on beyond that the pen exists.

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This used to be the case with many Chinese pens, like Hero and Jinhao brand, but recently those pens and facts about them have become more well known. But there are still a great many pens with an unknown history behind them. Some are even obscurely being produced today. Like the Camel (camali)1968 pen which was “discovered” by my brother in our Aunt’s possession. A lot of internet hunting later I found the pen on eBay from a seller that apparently had loads of them, so I bought 10 for what would be the price of a decent western pen. Later, I even found a green one floating around from the same seller. But now there are none there.

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Beyond the examples my brother and I have, I haven’t seen or really heard of this pen (there is a thread on the fountain pen network that was posted around the same time as I was looking for the pens that doesn’t contain any more information, just that they are indeed pens for sale). The pen has no backstory, and unknown manufacturer, and is only available some of the time, and for that reason it fascinates me. I love it.

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Another pen like this that I just found recently is a Marksman pen (there is a modern brand called Marksman, they are not the same) The pen simply says Marksman and Korea (which I assume is the country it was made in). The nib says nothing, but it does have an archer stamped into it. It appears to be a fine, and maybe even an extra-fine, but again, I have nothing to go on. There is a thread on this type of pen (apparently there were a few more models) but again, it just shows that the pens exist, and no one at the moment seems to know where they came from (other than Korea) and what happened to them. From the thread I learned one thing: that I am lucky my pen still has a center ring that can easily come off when taking the pen apart to refill it, as the other pen I saw that was similar to mine didn’t have this part.
Both of these pens have no manufacturer that I know of (well, I can’t figure out if the names are the manufacturer or the model), no history that can be easily found, are found intermittently, and are both surprisingly good writers.

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To some people this lack of detail may be infuriating, and others just might not care, but for me it makes me want to dive deeper into pens, to find out more about what these pens are and where they came from. These little mysteries don’t so much bug me as they make me want to move forward, because if someone does know everything about these pens that there is to know, they aren’t telling anyone right now, and finding the answers will still be just as rewarding.

 

Speak Your Mind 199 #991-995

QUESTIONS

1. Would you rather print or write in cursive?

2. How many students are in your science class?

3. do you think drugs and alcohol were a problem in pioneer days?

4. Do you have a computer at home?

5. Do you think kids who are well behaved in school like school better than naughty kids?

ANSWERS By: Austin Smith

1. It would depend on the writing instrument; with a pencil, ballpoint, or technical pen I’ll do print, with a fountain pen or rollerball cursive.

2. I no longer go to school.

3. Yes, I be they were a terrible problem that is likely under-recorded.

4. People reading this could guess the answer to that quite easily.

5. No, I was well-behaved and hated school.