Where to Start…

So… I’m gonna talk… About stuff…

But seriously, this article isn’t going to be my usual article (is it too late to say I’m mainly a humor writer? My latest blog/article posts make me think it’s too late.) Not that this’ll be sad or anything, just different.

Now, I’ll be the second to tell you I’m not the smartest in the world (the people I know who are in school would be the first), but I think I can be a reasonably insightful person. And when I start writing I can write (type) like there’s no tomorrow (but there are hand cramps). The real problem is knowing where to start. Over the years I’ve developed many theories and views that intertwine to the extent that I have no idea where to even begin to explain them, because each piece requires another piece to fully comprehend. The ideal “book” in that case would be circular, one where it simply starts somewhere and then ends in that same place. Even more ideally, the language and concepts would be simple enough that one could simply jump in anywhere and start reading until they looped back around to that point.

Unfortunately, due to the very reason that so many things relate to each other, a book like this would end up being much less like a circle and more like a choose-your-own-adventure book, or a food web, with many complex ideas growing from or branching off of smaller “stepping-stone” or “building-block” ideas.

But what are these ideas that form the basis of all other ideas? Is the idea of a language to communicate ideas the basic idea, or merely a tangential one? And there are even more basic ideas even further down. And higher “ranking” ideas are necessary to understand the smaller ones. We’d need a word made up of letters to express the idea that perhaps a letter is the smallest idea. It isn’t, but that’s what we’d need. The problem here is that new ideas are infinitely majuscule and miniscule. In science (or all of the physical world, really) a Planck-length is the shortest measurable distance, there is nothing smaller, nothing ever gets smaller or acts over a smaller distance. But in our minds we can easily imagine something say… Half the size.

Now what does this have to do with my inability to figure out where to start? Well, first off, it showcases my ability to write something completely tangential to what I intended to talk about whenever I feel I am unable to start something. It also really means that there is no good place to start anything. There are an infinite amount of topics to discuss that could lead to greater understanding of the central (undefined at the moment) topic. Of course, this also means there are an infinite amount of topics that could lead to misunderstanding of the topic as well, and that infinity is likely larger.

Now looking at what I have just written, infinity seems quite large, and diving into something that could lead to infinity seems quite daunting. But I find that the projects I simply start end up being better than all other projects (mainly in that they aren’t really projects until they’re started). So, I guess that’s really the answer: just start, start anywhere, you don’t need a good place, and if you find the “best” place retroactively, place it in front. Make things better, work at them, but start anywhere. Starting is better than staring at the monolith of work in your mind and doing nothing.

Of course you might like to start at the monolith.

Review – Cretacolor Monolith 9B All Graphite Pencil

There are always new things to be done with old inventions. They could just be a novelty, or improve the invention quite a bit. And when searching around for pencils, one may come across the all-graphite pencils that have been around. Today I’ll be looking at one type of these, the Cretacolor Monolith.

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Well, the body of that pencil is nothing to talk about, really. It is all graphite with a thin finish and white text giving standard supply information. There is also a bar code. Really, there is nothing to talk about as all of the pencil is the same material.

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It isn’t particularly fair to say that I’m just reviewing the pencil in this case, as the pencils will vary highly based on the grade of graphite used. I believe they all have the same hard graphite and finished outer shell. But my particular pencil here is a 9B which is very very soft indeed and means that this particular pencil has trouble keeping a point and wears down very quickly. On the other hand, it can be used to create a magnificent array of shading effects. I have had no problems with snapping, even with the points, but I wouldn’t expect to drop it and have a complete pencil come out of it. They do feel quite fragile. There is also the waste factor from sharpening the pencil, especially when it has been well used, will lose a lot of graphite (I’m not sure what this means when compared to all of the wood lost in standard pencils but I thought it worth mentioning) This can be avoided by sharpening the pencil by using it on its side as a shader. Using the pencil in this way also creates a marking area that is larger than almost any other art supply until one gets to brushes.

Overall a graphite pencil has its special uses, most notably with coverage, but is also fragile and not entirely unique. It’s like a charcoal stick that is much more well-behaved. So I would say it is worth a shot to try one and see if you like it. If you’re prone to using only the point of a very sharp pencil this might not be for you. But if you want flexibility in line width and color (especially with a softer pencil), then this might do some amazing things for you.