Review – Caran d’Ache Sketcher (Non-Photo Blue Pencil)

Pencils are a nigh-indispensable tool for the artist. But usually, especially with ink work, they need to be erased, and that can be a hassle. It’s a lot of work, it risks ruining the drawing (or paper), it takes time, and it becomes harder to correct later. But oftentimes the final work is either a duplicate of the original, or more work is done over inked lines, meaning that using a pencil that simply doesn’t show up in the reproductions saves time and work by not needing to be erased. Non-photo blue pencils were used for this purpose as many image replication processes (mainly cameras and photocopiers that were used to duplicate artwork for printers) have a hard time transferring it, and they still retain a place with modern scanners that will be able to pick the color up, but do so in a way that the image can be easily edited to omit it. But is it really worth it to get a new different pencil like the Sketcher from Caran d’Ache?

photo-264photo-258

The pencil is as basic as one can get: made of wood and hexagonally faceted to limit rolling, one end is sharpened the other has a metal ferrule connecting the body to an eraser. The body is a pleasant blue color mirroring the color of the lead and on one facet neatly stamped and inked in white is all of the relevant information. It looks and feels very much like a standard #2 pencil.

photo-266photo-267

The eraser is well done; it erases cleanly and is dense enough to not float away far faster than the rest of the pencil. The lead is hard to place in hardness; it feels softer than a standard HB but it has a more waxy quality (characteristic of colored pencils) that makes it give a much harder line. So it writes somewhere harder than HB and wears somewhere below. The line it produces can go from very light to surprisingly dark, but even at its most dark, it is barely visible in scans and can be easily isolated and removed. But it is only a tool for pure ink drawings, and its use is limited in other senses. If one were to, for instance, lay a wash over it, it would be harder to isolate and almost impossible to be rid of on scans, and it resists being covered by lighter washes. And if one were to erase before laying down a wash they would find that the ink laid on top of the pencil is cut down severely, with the entire line becoming grey and having several holes that are almost white, basically where the ink adhered to the pencil and not the paper (this effect is present, but much less severe, with standard graphite pencils). A similar set of problems would be encountered by someone wishing to put color down. So using a pencil like this would necessitate an additional step between inking and coloring/washing where the inked drawing is reproduced and tweaked to eliminate the blue (and potentially other errors).

photo-268

I’ve also had a bit of an issue with the lead being soft enough to break inside the pencil. It hasn’t been severe, but it’s worth noting.

photo-265

So am I converted to the blue pencil? Not quite. I really like it, and for a specific type of work-flow it is perfect, but that work-flow isn’t mine. I color/wash my original drawings, and I don’t see that stopping unless I get big enough that I can hand it off to someone else. So the pencil has very little use inside my work environment. I do use it now and again, but it also wears down quite quickly, and having to use a sharpener just drives me back to my mechanical pencils. That being said, it is a well-made pencil that does its intended job superbly. If you need to reproduce or scan in original inked artwork and don’t want the hassle of erasing, I would say this is right up your alley.

Book Review – Genghis Khan: and the Making of the Modern World (By: Jack Weatherford)

Genghis Khan: and the Making of the Modern World is a 2004 book by Jack Weatherford in his series of books about reevaluating the place of certain peoples in history. I got it as a present for my father, who had it on his books-to-read list, and I picked it up after he recommended it (it turns out I already had a copy but that’s neither here nor there). It supposedly illustrates how, unlike our normal ideas about Genghis Khan and his rule, the Mongol Empire was ahead of its time, and was a major factor in the enlightening of our modern era. Is it convincing?

genghis-kahn-weatherford-cover

The cover of the (edition I have of the) book says “”Reads like the Iliad… – Washington Post”” I believe that is a terrible thing to say, but then again I don’t like the Iliad. I would be more disposed to saying something along the lines of “it reads like the Iliad would have felt to the audiences of its time”. Meaning, the (first part of the) book is very good; it’s wonderfully written, fascinating, exciting, and enlightening. This first part, which is almost exactly one half of the book, is about Genghis Khan himself, using the (relatively) recently deciphered “Secret History of the Mongols” text and the travelings of the author and his academic companions as a basis for a narrative of the life of Temujin, the man who would become the Great Khan. The detailing is wonderful. The explanation of how Mongol society and the civilizations around them worked are as long as they need to be and not overbearing. Battles are not given an unnecessary (and likely unavailable) amount of detail, and the politics of the relatively complicated situation are related in an understandable way. It was one of the few books where I actively wanted to read more and would take more time out of my schedule to do so. The text in this section is so lovingly crafted, the areas covered so vast and interesting, and the man presented with his faults (but mostly his accomplishments) in such a way that it seemed to be forcing me to read more. And, throughout, one gets the same feeling toward Genghis Khan that they would experience about Caesar when reading a Colleen McCullough book: a grand reverence and fascination.

The same cannot be said about the second half of the book, which the reader collides with almost like a brick wall. This section, detailing the lives and accomplishments (/failures) of Genghis Khan’s dynasty, is at times excruciatingly boring, and seems tacked on and forced. I would get the impression that the author only cares about the history of Genghis himself, but the history of his empire after his death is important only to illustrate how “ahead of their time” (my words, not his) Genghis and the Mongols really were for the relatively short time they were in power. It is, from what I can tell, an accurate summary, if a bit biased toward the Mongols (even as they fail), but there are a lot of accurate technical documents I would rather not read. Compressing the amount of time (more than a few lifetimes of the man himself) into a section the same size as the one about Genghis Khan prevents the type of characterization and wonderful language that made the first half of the book so good, and coupled with the fact that, again, none of these people are people it seems Weatherford actually cares about (I guess they weren’t in the secret history) creates a section that has a very different tone to the previous one. This section that has more in common with a history textbook that bores students than the wonderful tale that came before.

Still I’m not sure the section should have been omitted (perhaps written by someone else) as a book simply about Genghis (with the level of detail in this work) would have been much too short and not have made the intended point. And the book does make a point, however refutable some think it is, while doing a very good job of staying out of the trap of many history-based books with a point, that is, constantly ramming the point down the reader’s throat. It gets worse about this in the latter half but for the most part these retreadings of old ground feel more like helpful little reminders and not an unnecessary constant restatement of the book’s central idea. This main idea is “somewhat” controversial, but perhaps a bit overstated in the title and some of the inside text. What is presented as “the Mongols were the first truly modern empire!” or “the Mongols were so far ahead of ‘X’ civilization!” comes off more like “the Mongol empire and its accomplishments have been largely and unduly overlooked since the Mongols were labeled as ‘barbarians’”. The first two statements are controversial but I feel the third is not so much. And this book does a good job of explaining and showcasing both the triumphs and failures of the Mongol empire, with many of the same lessons that can be learned from studying large empires, but a few that are uniquely Mongolian. It is guilty of minimizing some of the underlying truths; this book and many others are guilty of using the phrase “taken as wives” in place of “kidnapped and raped” to make their “great empires” (and it happened with every empire) less appalling to modern sensibilities. But many books do this, and after all, the point is to showcase the empire’s strengths and “modern-ness” rather than its weaknesses.

A secondary point to the book is how much the Mongol Empire affected the progress of human technology and interconnectedness for the better, an idea that more and more historians have been exploring in recent years. I think it makes the case well that human “progress” was “improved” by the Mongols, and that the state of technology, science, and trade was better during and after their reign that it was before. But then again I came in to the book already believing that idea. Large amounts of land, excess money, and trade (like that accumulated by the Mongols, Romans, British, Arabs, Chinese, and French) always lead to technological improvements and a general raising of the quality of life, though many do have to die for such excess to be available in peace time. The effect the Mongols had in this way is well- (and over-) explained and believable, though I don’t agree with every point. It does seem obvious that the effect of the Mongols on world development has been overlooked. Though I’m still not entirely buying Genghis Khan’s “uniqueness”, the author talks about him like he was doing entirely new things with strategies and technological appropriation, while I was sitting there reading and thinking ‘that sounds a lot like what Caesar did”. And the whole “relying on people based on ability instead of familial connections until it comes to choosing a successor for your empire” thing strikes me as very poor planning.

But moving on to some things about the physical book, which I have little to say about, but more than I do for most books. The printing is superb. It feels like a Penguin book, which are my favorite books to hold. The cover design is fine, but the spine is a problem: it is way, way, to easy to damage. I finished the book without much wear but that was because I had seen several copies before and held the book carefully to avoid it. While it doesn’t really affect the functionality, I do think it is bad design to have a book made in such a way that simply reading through it in a normal way would leave it visibly “damaged” (worn). The copy I picked up second-hand was terrible in this respect. Inside the book has mainly words, but there are some wonderful ink drawings at the beginnings of some chapters, and a few maps. These maps are… not great. They do convey their message, and to me, someone who reads maps a lot, they are quite legible. But to someone unfamiliar with the geography of the area or without a keen sense of gray-differentiation, they will very easily become confusing. I think it would have been very easy to do them better but they also aren’t the main part of the book and don’t distract too much.

I liked the book, and I would recommend that most fans of history books take a look at it. I’m not entirely on board with every idea presented, but it is a fascinating and exciting look at an often-overlooked culture and empire in the grand, usually European, scheme of the world. The very fact that this book is based off of a historical document that was found recounting the events of foundation of an Eastern empire that westerners were allowed to see and interpret is a historical anomaly worthy of looking into on its own. But that the first half of the book was crafted so lovingly and well, and the usual pitfalls of historical books of this nature so well avoided, brings it above the standard historical work and even overshadows the sub-par (but not awful) second half. As a teaching tool or a “book that will change your life/view/the world” I can’t really say it works, but for a more balanced and interesting look at history I would definitely give it a look.

Review – INC Soft Scripts Mechanical Pencils

Pencils for the office, school, or just someone who loses their pencils a lot can get pricey, fortunately there are a lot of inexpensive options out there. But are they even worth it to try? Sure, there are a lot of inexpensive pencils, but if they don’t “pencil” there is no reason to even consider them. INC Soft Scripts are one such pencil on the less expensive side of the aisle. How well do they work?

photo-252

The design here is pretty stereotypical, with the barrel being a thin, featureless tube of black plastic that tapers at one end to a plastic lead pipe. Near this end is a rubber grip in one of a few (5 in my case) colors that is narrower in the middle and has ridges toward the end, both ostensibly to help with grip, and they succeed in being barely noticeable. On the back end is a colored plastic push-advance mechanism (that matches the grip) with integrated pocket clip and eraser holder. This bit can be removed to expose the lead-holding tube that contains 2 extra leads (for a total of 3 per pencil). The clip is nothing spectacular, with most of the necessary information on it, and fairly brittle. But I feel the entire end piece would fling off before it broke.

photo-253

Performance is what one would expect. The HB lead is middle-of-the-road, leaning toward soft, but there’s nothing particularly off about it. I personally don’t use a .7mm size but it is a fairly standard size and makes breaking less of a problem. The eraser is one of the little white ones that will get the erasing done pretty well, but will seem to disappear almost immediately. The clip is serviceable but I wouldn’t recommend using it. And, finally, the mechanism is quite solid and workable; pushing lead out and holding it in place when commanded to do so.

photo-254

They’re easily usable, but far from spectacular, pencils, with their main benefits being the rubber grip (if you happen to like those) and the fact that they are the ones at the store (if indeed they are the ones at the store). There’s nothing really there to recommend them on, but no reason to tell you to stay away, either. They will perform fine for office, school, car, or other tasks where pencils should be inexpensive because of the frequency with which they are broken or lost. In comparison to others at a similar, price it would really come down to personal preference.

Review – Cross Jotzone Notebook and Pen

Notebooks are quite handy things, but most of the common ones look a little unprofessional. If the standard spiral and composition books won’t work for you, and Moleskine just seems a little cliché, maybe Cross has the answer for you with its Jotzone series of notebooks.

photo-242

I feel I need to put a bit of a disclaimer here at the front. I usually carry a notebook around with me and try to get through about a quarter of the pages before I do a review on it (that’s why I’ve done so few notebook reviews: it takes time), but on this one I certainly didn’t get anywhere close to that, for reasons that will be explained in a moment.

photo-246

The cover of the book is a nice, smooth faux-leather, black save for a triangle on the lower right of the front where the color varies (mine’s blue). It covers the full 5.5” x 7” paper part of the book, with a ½” extra bit around the spine, which is hollow, creating a “tube” where pens can be stored (it also helpfully says “Cross Jotzone™” on the spine) . “Cross” is nicely but subtly stamped both on the back and the triangle in the corner. An elastic band is attached to the back in a novel way, so that when it is being used to hold the book closed it lines up with edge of the colored triangle. Inside there is nothing special behind the front cover, but inside the back is a small, simple cardboard and paper pocket. It is attached so it is accessed from the top, a decision that with its small size seems to have been made only to avoid comparisons with Moleskine.

photo-249

The paper is very good, a nice 100gsm (70lb) that is smooth, but not too smooth in my opinion (it certainly isn’t as smooth as the Clairefontaine paper fountain pen people love). It handles fountain pens and liquid roller balls quite well; with minimal feathering and show-through under normal usage conditions (I’ve done no test with flex pens or triple broads) and the dry time isn’t that bad, though far from instant. The pages themselves are nice and white with a ¼” grey ruling that stops before the page ends, and a stupid grey triangle in the corners right under where the triangle is on the cover. This area helpfully says “Cross Jotzone™” on every page, and it’s supposed to be where you put your quick summary notes or something so you can easily riffle through the pages and find what you’re looking for. I think this is dumb (and I hate pre-printed words on the pages of my notebooks) but nobody asked me and the paper is good enough that I could easily ignore that (and the ruling that is far too large for me).

photo-247

But now for the reason I haven’t used the book that much, and wouldn’t buy another one. I admit it’s quite petty but I use my notebooks a lot, and I want them to look good. That’s why I still use Moleskine classic hardbacks, it’s very hard to find a notebook that resists damage (page corners bending, cover denting/ripping/bending etc) better than those books. And this one is, cosmetically speaking (it feels easily strong enough to not fall apart structurally before being used up) is the worst I have encountered. After sitting for a day or two in my bag, with the only other items in the bag being non-spiral notebooks the cover became covered (no pun intended) with irreversible scratches and scrapes that are quite noticeable. Basically, if you want to maintain the “Cross” professional look, it’s a desk notebook, and I have reviewed it like a desk notebook. It’s a pretty good if gimmicky one, but I personally couldn’t stand to look at the satin faux-leather cover getting so beat up over time (and I wouldn’t recommend using the spine pen holder, as its made out of the same, easily damaged material). I feel like it wasn’t really thought out, and is more of an “executive gift” that no one is expected to really use, and that’s a shame because it comes with a great pen.

photo-248photo-250

The pen is a very simple chromed metal pen (I would say steel from the weight, it’s quite heavy for a pen of its size) with a smooth cylindrical non-tapering barrel. There is pointed-ish cap finial at the back and a cone at the front leading to the point. It’s retractable, with a twist action, and there is a clear mark and band signifying where the pieces come together (and it is the smoothest action I have ever felt in a pen). The adornment and the clip are minimal, probably to be inexpensive, and while it’s a little ugly, the simplicity makes it easy to overlook. The cartridge is a short version of the standard Cross cartridge in a medium point. It, like most Cross pens, is very smooth, in this case especially when writing cursive. It does have some startup problems, especially when left unused for a time, but that problem can be solved by using it more or getting a new cartridge.

photo-245

In the end it’s an alright notebook, and a good pen. I wouldn’t purchase them for myself, but it does make a very nice looking gift, and it’s functional, with good paper and a nice writing pen. It’s a desk notebook, and a heavy desk pen (but I like the weight) made of good quality materials, but essentially with a disregard for useabilty. I can recommend them as desk materials, but not as daily users.