Category Archives: Reviews

Comparison – Wite-Out Vs. Liquid Paper pens (Shake n’ Sqeeze, Correction Pen)

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Correction fluid is quite a useful tool and an art supply in its own right on some occasions. But those bottles are hard to lug around, and the brush tips difficult to manipulate to really cover what you want. Both of the major correction fluid brands have attempted to rectify this situation with pen applicators for their product. But how well do they really work in comparison? And how do they look head to head?

Both are rather fat, pen-sized items at a little over 5 inches in length. Each is roughly cylindrical with a cap on one end, a squeezable bulge in the middle, and a posting step-down at the other end. The amount of fluid contained in each is surprisingly similar: being 7ml for the Liquid Paper and 8ml for the Bic Wite Out. But despite having only a slightly larger capacity, the Bic pen is noticeably larger in almost every way. It is a little bit longer, the tube diameter is about 125% that of the other, and the squeezable bulge extends out in two humps rather than the one of its smaller counterpart. Each one has a cap with an integrated clip, through the Bic one is translucent and more brittle-feeling than the LP which matches with the rest of the pen. The main color of each pen is an off-white, the differences of which mirror the differences in the colors of the fluids inside, with the Wite Out being a “warmer” and the LP being a “cooler” white. There’s a lot more information on the Wite Out pen, which is printed on a label wrapped around the bottom as opposed to the Liquid Paper which has just enough info printed directly on the plastic. And both pens have a strange “arrow” (triangle) pointing toward the tip molded into their plastic.

Both pens are used in the same fashion: shake it up, remove cap and any little dried bits (there always is some, no matter how well you wipe it off), press down firmly, and then write with it like it’s a pen, squeezing and pressing to increase the flow when needed (then wipe the tip off and re-cap). Both do a pretty good job, but each has its own quirks. The Bic pen is harder to start as the tip is wider and the fluid dries more rigidly. It tends to cover nicely in one stroke but the width of that stroke is a bit unpredictable, and it’s pretty poor at “writing” on its own. The fluid is basically the same as the Wite Out quick dry (or regular), drying fairly quickly and smoothly over the paper, but noticeably sitting on top of it because it is a warmer white than the average piece of paper. The Liquid Paper produces a thinner line that is easier to write with, but can sometimes require multiple, finicky applications to really cover a mistake. The fluid does start to dry pretty fast, but it quickly becomes a bit “gummy”, and if you need multiple coats and aren’t fast enough this can easily lead to unsightly bumps in the finish. If you can get it down smooth, though, it blends in much better with the paper, being closer to the cool white of office copy reams.

Both clips are serviceable when the pen is capped, with the Liquid Paper’s being a little weaker when clipping, but less brittle. As mentioned, both caps have posting stumps on the back. The Wite Out posts quite tightly and securely, while the Liquid Paper, even with no fear of falling off, seems a bit wimpy-er. Both pens have worked for me and not dried up over several months, and I happen to be in possession of another Liquid Paper pen dated 1989, which surprisingly still works (but not as well). I don’t know if that will apply to these new ones, but it’s a good omen. (The differences between the old and the new are minimal: the cap has had ridges added on the sides and a droplet shape on the clip, between the cap and body there is now a green band, that aforementioned triangle has been added, the applicator tip has been modified to add more metal, and the old has an applied label rather than material printed directly on the barrel).

Neither pen is clearly better than the other, so it mostly comes down to personal preference. The Wite Out has: a larger capacity, a thicker line, simple application, and is easier to hold. While the Liquid Paper is: smaller, easier to start, and has a much more true-to-paper tone. If you’re just looking for a correction pen, you can’t really go wrong with either, so I wouldn’t go out of my way to find one or the other. As it stands, I’ll be using the Liquid Paper in my pencil case for on-the-go stuff and the Wite Out at the desk for when I need something more fine than the sponge applicator. And I think both’ll be lasting me a pretty long time.

Book Review – It Can’t Happen Here (By: Sinclair Lewis)

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Sinclair Lewis’ hastily written smear/propaganda novel It Can’t Happen Here has been getting a lot of attention recently, though often in connection to Philip Roth’s The Plot Against America (another one on my “to-read” list), with the election. That is the reason I picked up the book in the first place, but for the purpose of review I’ll mostly be putting Trump to the side in an effort to be more “timeless”. Also, there’s already a ton to unpack here without interjecting any modern politics. The book verges on being one of the tried and tested genre of “essay disguised as novel” (like, say, Starship Troopers) and certainly a lot of time is devoted to both internal and external political debate and theory. But does that really make for a compelling novel-length read?

Starting before the start, my edition has an intro by Perry Meisel, a fact I usually wouldn’t mention save for the fact that I tried reading it and found it slow, boring, and enthusiasm-killing (as many introductions tend to be). I didn’t get very far before stopping, and my memory is (intentionally) hazy so I have no direct criticisms other than I’d recommend skipping it.

The actual novel starts off a bit slow, beginning (as many novels are wont to do, unfortunately) with a description of a dining room and then an event taking place there. You’re introduced to the townspeople (some of whom won’t show up again until more than halfway through), given a bit of foreshadowing, and then the book settles in to its slow-burning start for several chapters. There’s some political chatter, and a few characters that, if one knows the time period, are obvious stand-ins for real historical figures (most of whom I had to look up because this time is a bit glossed over in history classes), but other than that, the start is a rather boring look into the life of a middle-American newspaper man.

That man is Doremus Jessup (dormouse sometimes), a college-educated reporter type who returned to Fort Beulah and ended up buying the local newspaper, the Informer. He’s just your average guy, with a couple daughters, one married one not, a son he hates (and you will too if you read it), a plain wife, a dog wonderfully named Foolish (one of the most clever bits of the book), a super-masculine friend named Buck, and an affair that makes all his points about the immorality of his enemies a little more dull. Though shortly after we, the readers, find out about this affair, it is then “suggested” to Doremus by his daughter with the very strangely written “kind of be lovers”, which I can’t help but feel is an attempt to justify what had just been written, even though it should be plain to the reader that, despite his flaws, Doremus is a better person than the Fascists who start running the place. In any case, I was not persuaded to forgive Doremus, nor like him much more, especially with him being written like a person I’d not want to spend much time with really, but that seems to be one of Lewis’ go-tos.

The book plods along until we get to the actual election of Buzz Windrip, Democratic Party candidate, facing off against boring Republican Walt Trowbridge. At this point, to add to his large cast of political stand-ins, Lewis starts throwing some real people under the bus, most notably Upton Sinclair (I’m not sure how much was motivated by people getting their names mixed up) who’s all in for the obvious pseudo-fascists. Other real people are sprinkled in here and there; Franklin Roosevelt has to be mentioned because he was President at the time, and other people it’s just fun hearing about if you know the time period, like Harvard Nazi Putzi Hanfstaengl. Buzz is a demagoguish (called so by the Saturday Evening Post in the novel) populist styled after Huey Long to the point that it’s heavily implied he’s from Louisiana, though they never tell you outright what state he was Senator for. He gets support from religious radio hosts and everyone who wants to government to give them $5000. Apparently that makes him pretty popular (though, other than people liking money, there’s never really any indication of why he is being supported) and he releases a 15-point program that if divvied up correctly could be the bullet points of either major party currently, with a few “this guy is obviously going to try and be a dictator” bits thrown in for good measure. He then wins because the book has no plot otherwise, and starts making America a hellhole.

It might sound like I’m being pretty down on the book so far, but that’s because I’m trying to give you a bit of the plot, which for pretty much the whole way takes a back seat to Doremus’ political philosophy arguments in his own head. He spends a lot of time thinking about what it means to be a “modern democrat” (or a “Lincolnian democrat”, whatever that could possibly mean) or something and about how terrible the current regime is without doing anything about it, probably because a newspaperman doesn’t make for an exciting action hero and that isn’t how Lewis writes. Doremus seems to disagree with everyone else who proclaims a political opinion, but most of them are either communists or one of Windrip’s “fascist” “Corpos”, and it’s pretty obvious he is actually pandering to the common mindset of those likely to buy the book and read it. Still, it is excellently written and quote worthy. It’s one of those books where you feel like there’s some important message you need to remember on every page. And it’s probably the main draw for the book (which is good considering how much room it takes up) not the tale of the upstart dictator. At the very least it makes you think about and solidify your own positions, a thing Doremus doesn’t do a very good job at.

With his newfound “absolute power” (slightly explained away by him intimidating Congress) Windrip starts to do all sorts of things, like reorganize the states into many fewer zones to be more easily governed, inflate the currency, take a bunch of that money from everyone, and put people that criticize him in jail and later concentration camps. All this is done by replacing the civilian government, the courts, and much of the military with his cronies in the “Minutemen”, who the army is ordered to train, and they obey that order for some reason. The Minutemen don’t start out like your normal fascist gang, though, in fact, their turn to the violence that often characterizes such party movements happens only after Windrip becomes President, and far too suddenly for it to make any sense. They go from jolly marching squad to merry murderers in the space of a page, and most of the rest of the story for our “heroes” hinges on them becoming crueler, which those in such positions would do, but I’m just not sure as quickly.

And of course the potential backlash to all of Windrip’s plans is ignored. Lewis seems completely ignorant of the idea that states had less than 75 years (a larger amount of time has elapsed between the publication of this book and the day I am reviewing it than between it and the Civil War) before fought a war for “states rights”, and that many Americans have guns they aren’t afraid to use. It’s not entirely unrealistic to me that there wouldn’t be a second revolution, or some other large form of armed resistance, but there is no mention for ¾ of the book of anyone fighting the Corpos with guns. All the pushback from the states at being disintegrated, all the fighting men would do if they really saw a government this openly cruel and tyrannical (to white people) is swept under the rug for the convenience of the plot, without even a token reference. At one point the main character gets enraged, goes to his desk, gets out his revolver, and then puts it back into the drawer within moments. The idea of actually fighting back is never even seriously considered, and that infuriates me reading it. I get that he’s a news guy, and wants to win the battle with words, but no one else talks about it either, the only time anyone else even thinks about fighting is when a Minuteman is trying to get with Sissy (Doremus’ unwed daughter) and she mentions it. This general disregard to arm gets a character killed when he barges in on an illegal court proceeding, that follows what he knows is an illegal arrest for simply writing an article critical of the regime, and has the gall to stand there alone shouting at armed men to let the man go. As his character was supposedly a soldier, you’d think he’d have the sense to bring a gun, or a club, or at least an angry mob so he didn’t get singled out and killed so easily, or anything at all save his temper. But the story wouldn’t move along then.

And the story does start to move on, at an increasingly fast pace as Lewis’ writing deadline approached and he attempted to cram in everything he wanted to say. At least that is my inference (he was on a pretty strict “get this published before the election” deadline, though). And his Nobel-Prize-Winning writing style really starts to break down. Lewis himself understood that living up to his prize was difficult if not impossible following his receiving it, and while I’m not trying to determine here what writing deserves a Nobel Prize (though I’ve been reading more by the laureates recently), I think it’s safe to say that the last half of this novel is not why he won any awards. Mistakes begin to increase, plotlines are lost, and the rest starts to fly by at breakneck speed. Nearing the last quarter, at the only time where the book goes back in time for a moment, a character is resurrected magically as the two timelines don’t line up (he’s dead in the end in both, unfortunately for him). Randomly inserted is a whole chapter about a black intellectual who attempts to explain that blacks submitting to the government would be better for everyone and gets killed for it in what I assume was supposed to be an impactful scene but since I had just learned of his existence a few pages before I wasn’t that surprised or interested. And, as with other contemporary books, “nigger” (or negro) is used quite liberally in this chapter (and in a few other parts of the book) while words that are presumably “fuck” or the like are censored with a “     “. And this is followed by the government beginning to unravel in a surprisingly bloodless manner.

The end especially, but the whole thing really, just lacks plot coherency. There is the fire of fascism (though a bit toned down from what we know now even with the torture and the murdering and such), but there is no smoke: the motivations of the antagonists just don’t make sense. And that’s a problem because it’s fairly easy to write characters that could understandably be swayed by a National Socialist agenda (there is one, and for his part Shad works). And to me that can partially be attributed to Lewis just not knowing how people work. He’s terrible at writing children (‘s dialogue), which is fine because there’s only one that does anything, and his other characters seem completely ignorant of that fact that in regular conversation people aren’t as truthful and ridged as an author is capable of being. The way Doremus talks most of the time, or how Sissy talks about affairs and rape, are gratingly inhuman, and others act more like robots for the plot. It’s probably for the better that they are absent most of the book in favor of political semi-treatise. But there’s a whole lot written for not a lot of substance. It all boils down very easily, and didn’t need to be stretched into a novel, but it’s not an egregious offense. There are parts that are quite insightful, or mirror modern problems so well one thinks “when was this book written?”, because it feels like yesterday. And that does give a little hope, that we’ve been worrying about the same problems for so long they obviously mustn’t be that big a deal.

But that does make the political aspect a bit dubious, especially in the modern day. Lewis keeps trying to hit you with the idea that some boisterous snake oil salesman can trick everyone and turn the country into a fascist state, that “it can happen here”, but it just never lands. He just doesn’t have any of the details worked out, he get the broad strokes about the people’s hate for the “’Jewish Communist’ Atheists” and the desire for money and power, but everything smaller seems missing. I get that the “facts” about how the European regimes came to power had not yet been fully established as the history was still being made when the book was written, but as someone who has read more than the average person on how Hitler (and other dictators) came to power, this just doesn’t click. In the same way that today, for all I might not like Trump and his “politics” I can’t call him a fascist, there’s too many pieces missing. Electing Huey Long president would probably have been a mistake, but it wouldn’t have resulted in this book becoming true. And I think the book is the worse for being written as allegory to him on a fairly tight deadline.

I suppose through this review I’ve sounded pretty down on the book, a side effect of it being easier to list faults than to heap praise, but if it had been a truly bad book I wouldn’t have finished it. I was interested the whole way through, and the politics and philosophy are intellectually stimulating. It’s a book that really makes you think about, rescale and reorganize just what your beliefs are. I took copious notes as I read both for this review (which are included below because of the sheer mass of them, especially when considering how few I take for other books) and for myself to read in the future in the form of photos of paragraphs to pages. It really does seem like there is something important to remember on every page, and that the opinions are well-considered and wise. But as a side effect it is quite dense, and the actual story, already a mere ghost, starts sliding to a halt many times. I enjoyed the book and it’s worth a read if you’ve been considering it; I’d recommend snippets before I’d recommend the whole book, though. As post-prize work of a Nobel Laureate it isn’t as good as one would imagine, as a smear book to prevent the presidency of Huey Long it was late but perhaps would have been effective, as an expression of a political philosophy to which you can compare your own and think about heavy decisions it works well, but as a tool for evaluating modern politics, or story about a realistic rise of Fascism in the US it falls a bit flat.

Notes

Intro by perry meisel is terrible  

Why do they always describe the dining room first, it’s a bore? 

Pg 16 “for the first time in all history” I think not

The rarely seen whisper exclamation

When was this written?

I ask again (comic books and radio complaints)

Page 26, error or intentional

Page 31 last paragraph

Spit and image

Pg 40, paragraph after break

I have yet to find an author that can describe characters in ways I can remember

I always loved the idea of the communists being Jews, and then you find out the communists hate the Jews

Interesting list style in pairs with no oxford comma

Jewish atheists said the cardinal

Chapter 6 excerpt

Doremus isn’t the greatest person in the world

Democrats in cleveland

Pg. 58 flags and song

Capitalize the he when referring to God

These 15 points sound like a mixture of both parties today (that’s why two parties doesn’t make sense, they don’t always line up)

Windrup is like dr oz selling fake medicine

Napoleon wasn’t short  

Lincolnian democrat?

I like all the special character œ just isn’t around much anymore 

He doesn’t look as nice as a nazi

Never mentions the state buzz is from

Saturday evening post calls him a demagogue

Lots of real people (putzi)

The colonel speaks in unexpected places where its news to speak

“summer schools  in which well-know writers taught the art of writing to eager aspirants who could never learn to write”

Interesting collection of people voting for him

Trance well foreshadowed

Cherishes the woe(?)

Chapter 13

One problem is it seems every page is worthy if remembering

John ball 1381

Spelling mistake “adanced” 114

“kind of be lovers”

I feel like the daughter suggesting adultery just after we learned about it is just meant to try and make it okay(or maybe she knew)

Just ripping at upton Sinclair, tearing him apart

The states would fight way more fiercely than portrayed here, I feel like he’s hand waving

Firing workers paid a dollar a day(nobody gets their 5,000 dollars)

He pandered to both groups in private. 

Why inflation is bad

Lewis neglects how many people in the us own guns and would form mobs of their own to fight the minute men however small their resistance ended up being (and more soldiers would likely disobey orders {if they saw white people getting hurt})

The minute me are far from the average facist gang, intentionally, but perhaps unrealistically so, their turn to evil seems rather abrupt

Jung

He can’t write children

Will rodgers censored

The book takes a while to get going

“it can happen here” 217

Rexall

Robbed him of bootlegging

Sissy talking about rape is strange

It tasted like saltpeter, was that so hard to say Sinclair Lewis

Plaint

Depreciated? Pronunciation

Why censor words?

The the mistake

Defended itself out wards

It starts to ramp up near the end

They know when to break with family

Apparently they re-incarnated swan

So far in the boo there’s been the fire of fascism, but there was never the smoke

Few typos and mistakes near the end, he’s losin’ it (still more mistakes)

That bit about “today’s” youth and all around it seem like thy were written yesterday (and give a little hope)

His rebuke of private corporations and talking if the need for government control seems overly strong

Even then war with Mexico wouldn’t last long at all

Mexican, Ethiopian, and Chinese patriot

Second to last work misspelled

Strange rebellion

Review – Sharpie Clear View Stick Highlighter

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I would imagine that somewhere within the companies that produce writing implements there is an R&D department or team, whose task it is to come up with new products that will sell and grab market attention. I would also imagine that this job is fairly difficult at this point. Not only are physical writing implements perceived as being on the way out, but those that are around have been honed for decades to be exactly what the markets are looking for. In other words, I’m not entirely sure the motivation behind “improving” highlighters with the Sharpie Clear View highlighter was actually an intention to make the product better. But maybe it does. Let’s take a look.

The main bodies of the pens are a matte plastic matching the color of the ink. They’re more ovular, rather then entirely cylindrical, and they taper down to the end more in one direction than the other, making their ends appear squished (or chewed on, like the ends of many pens I’ve seen). Underneath the cap is a shiny black plastic section that is slightly more slippery than the body but doesn’t really impede use. This tapers down slightly and from it protrudes a very angular, chisel-shaped felt highlighter tip. Inside this tip is a similarly shaped piece of clear plastic that both holds the tip in place and allows the user to see through it. The cap is made of a frosted plastic to allow one to see the special tip through it and the packaging, while being soft enough to not shatter easily (like many clear plastics would). It has an integrated clip and posts securely, but with a strangle wobbly feel from the “squished” rear.

The three colors that come in the package are your standard highlighter colors: pink, yellow, and green. Each is quite bright and visible, but doesn’t block whatever is being highlighted. Green is the darkest, and is a color almost unusable in some highlighters, but here it is serviceable, if my least favorite because of the “shading” pools that tend to form at the start and end of a highlighted line. Pink is slightly better at this, and of course yellow trumps both in the visibility of words beneath it, its own visibility (in good light), and lack of shading. Sharpie’s smear guard is still working as good as ever and most inks can be highlighted without trouble (but some water-based inks are more unhappy about it than others). And then there’s the main feature. After using it, I don’t get it. It is technically possible to see through the highlighter so you know what you’re highlighting and when to stop. But if you didn’t know that going in what were you thinking? And the angle you have to hold the pen at to see well isn’t a very comfortable one. I mean, I can’t fault it for “not working”, but I just don’t understand how it’s supposed to be used. It doesn’t make anything easier or better, it’s just there.

If you’re looking for a set of highlighters, these work, and if you find them at around the same price as normal highlighters (the price fluctuates) I’d say get them (it doesn’t hurt). But I wouldn’t go out of my way for them, or pay much more. I can’t see their gimmick as anything more than that, and it doesn’t work for me.

Review – PaperMate “Write Bros” Mechanical Pencils (48 pack)

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PaperMate isn’t exactly known for making the most high quality products in the world. But for the most part they do make products that get the job done in an inexpensive and readily available way. And that philosophy is very apparent in the 48 pack of “Write Bros” mechanical pencils, which generally sells for as little as a 2 pack of more well-regarded pencils. Are these the perfect solution for someone looking to supply a group on the cheap/keep losing their own, or are they too fragile to be worth it?

The bodies are similar in size to a normal wooden pencil, but a bit shorter at just over 6”. Molded in a slightly pearlescent plastic and one of 5 average colors, they have a ribbed grip section for the last inch and a half of the barrel, followed by a cheap-looking frosted plastic cone that is screwed onto the end and from which protrudes a small plastic “lead-pipe” and lead from inside that. Near the back of the pencil, there is an exposed click-advance mechanism with an integrated pocket clip that moves with activation. On top of that is a small white eraser, which can be removed to expose the lead chamber and allow refilling. Oddly enough at this price point, the item can be further disassembled by unscrewing the frosted cone on the front, at which point the entire advance mechanism will essentially fall out of the back of the barrel. There is nothing useful that can be done from this point, but it is interesting to look at.

Performance is so-so to average. The 7mm HB lead is what you would expect at the price, a bit scratchy and softer than advertised (prone to breaking). The clip technically does its job but I wouldn’t count on it, and the plastic is brittle enough that it would easily snap. As far as erasing goes, the eraser is superb, but it is a small size and virtually vanishes when put to its task. The feeling of the click mechanism is unsatisfying but inoffensive in any way other than it feels like it will quickly break.

Basically you get what you pay for, which in this case is not much. Even PaperMate didn’t bother putting a name on these pencils (I call them “Write Bros” because that’s what’s on the box and online, but the items themselves only say “Paper:Mate”, and “0.7mm”). But there isn’t much terribly wrong with them. If they are intended to be essentially “disposable” mechanical pencils, they succeed. Each has two leads (though many of mine were broken and thus less useable) and an eraser, enough to be useful, but little enough that the poor and brittle construction will be able to survive that use. They don’t seem to be meant to be refilled, as they aren’t worth the trouble, and being used much more would likely result in broken clips and eventually mechanisms (but it is a possibility for a little bit). And putting aside environmental or frugality concerns they are an inexpensive and relatively comfortable way to provide functional pencils to a lot of people, or many pencils to one particularly careless person.

Review – Bic 4 Color Original Pen

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For as much as they are almost “looked down” upon in the world of writing implements, and for as cheap a product as they are, Bic pens are very sturdy and reliable line-making machines, with newer ink formulations making them smoother than any pen in the price range seems to deserve to be. Their simple and effective designs have endured the tests of time, making the Cristal ubiquitous, and others, like the 4 color pen, an oddity many have toyed with and some people swear by. Is combining 4 pens into one really necessary? Probably not. But does it have convenient uses for those who still write thing down? Let’s take a look.

The body of the pen is quite simple, with a retro vibe that probably comes from the design being relatively unchanged from its introduction decades ago. The main barrel is a light blue (or orange for the fine version) cylinder making up 2/3 of the length that begins to taper as it gets closer to the writing end. On top of this is a black band, which connects to the white top. This top section has a very “angular” molded-in plastic clip, a lanyard hole/rotary telephone dialer on top (rather intrusively), and 4 slots in which 4 plungers of different colors sit. When one of the plungers is depressed, a pen tip of a corresponding color pokes out of the front. Unscrewing the blue portion reveals that the mechanism here is quite simple: the 4 ink tubes (with tips) are situated equally distanced from each other inside the barrel. When one pushes the plunger, an ink tube is moved forward and bent via the barrel taper to come out the hole in the center, and a catch holds the plunger down until depressing another one causes it to spring back up. Unfortunately, the way things are constructed, the ink tubes are not replaceable, so if you run out, you’re stuck. The only other thing on the body is the Bic logo and “made in France” molded into the side of the white upper portion. It’s nice that it won’t rub off, but it doesn’t give you very much information to go on.

The performance is decent. The inks are quite smooth for a ballpoint, and don’t cramp the hand too much, but there is more blobbing than I would like and some of the lesser-used colors (like green) often have startup problems from dried ink on the tip. Despite being a shiny plastic, the pen holds well in the hand. Being a bit larger than your average pen to accommodate 4 ink tubes, it has more surface area to hold on to and it isn’t slippery. It might not fit in some smaller pencil holders, though. I’ve taken a look at the more common Bic colors before, and they aren’t changed here. All are a bit more wimpy than I would like, especially the green, followed by the red, but they go down well and are recognizable while having the standard ballpoint advantages like being water-fast. The clip is pretty bad if you ask me, having almost no flex, but it will probably do its job.

For art, this pen probably isn’t worth considering unless you’re challenging yourself. But for those that like stay organized with different colors in their planners, need a red pen and don’t want to keep track of 2 pens, or don’t want to run out of ink on the fly, this is a pretty good option. It’s got a nice retro feel if you’re into that sort of thing (understanding that it’s a little unprofessional) and even through it’s disposable, the materials are quality enough it won’t fall apart on you. For someone like me, who carries around 4 pens in 4 colors this might be a lifesaver. It’s not the end-all pen, but it’s a nice office-weight pen, designed to be inexpensive and get things done, which it does quite well at.