Book Review – It Can’t Happen Here (By: Sinclair Lewis)

Sinclair Lewis’ hastily written smear/propaganda novel It Can’t Happen Here has been getting a lot of attention recently, though often in connection to Philip Roth’s The Plot Against America (another one on my “to-read” list), with the election. That is the reason I picked up the book in the first place, but for the purpose of review I’ll mostly be putting Trump to the side in an effort to be more “timeless”. Also, there’s already a ton to unpack here without interjecting any modern politics. The book verges on being one of the tried and tested genre of “essay disguised as novel” (like, say, Starship Troopers) and certainly a lot of time is devoted to both internal and external political debate and theory. But does that really make for a compelling novel-length read?

Starting before the start, my edition has an intro by Perry Meisel, a fact I usually wouldn’t mention save for the fact that I tried reading it and found it slow, boring, and enthusiasm-killing (as many introductions tend to be). I didn’t get very far before stopping, and my memory is (intentionally) hazy so I have no direct criticisms other than I’d recommend skipping it.

The actual novel starts off a bit slow, beginning (as many novels are wont to do, unfortunately) with a description of a dining room and then an event taking place there. You’re introduced to the townspeople (some of whom won’t show up again until more than halfway through), given a bit of foreshadowing, and then the book settles in to its slow-burning start for several chapters. There’s some political chatter, and a few characters that, if one knows the time period, are obvious stand-ins for real historical figures (most of whom I had to look up because this time is a bit glossed over in history classes), but other than that, the start is a rather boring look into the life of a middle-American newspaper man.

That man is Doremus Jessup (dormouse sometimes), a college-educated reporter type who returned to Fort Beulah and ended up buying the local newspaper, the Informer. He’s just your average guy, with a couple daughters, one married one not, a son he hates (and you will too if you read it), a plain wife, a dog wonderfully named Foolish (one of the most clever bits of the book), a super-masculine friend named Buck, and an affair that makes all his points about the immorality of his enemies a little more dull. Though shortly after we, the readers, find out about this affair, it is then “suggested” to Doremus by his daughter with the very strangely written “kind of be lovers”, which I can’t help but feel is an attempt to justify what had just been written, even though it should be plain to the reader that, despite his flaws, Doremus is a better person than the Fascists who start running the place. In any case, I was not persuaded to forgive Doremus, nor like him much more, especially with him being written like a person I’d not want to spend much time with really, but that seems to be one of Lewis’ go-tos.

The book plods along until we get to the actual election of Buzz Windrip, Democratic Party candidate, facing off against boring Republican Walt Trowbridge. At this point, to add to his large cast of political stand-ins, Lewis starts throwing some real people under the bus, most notably Upton Sinclair (I’m not sure how much was motivated by people getting their names mixed up) who’s all in for the obvious pseudo-fascists. Other real people are sprinkled in here and there; Franklin Roosevelt has to be mentioned because he was President at the time, and other people it’s just fun hearing about if you know the time period, like Harvard Nazi Putzi Hanfstaengl. Buzz is a demagoguish (called so by the Saturday Evening Post in the novel) populist styled after Huey Long to the point that it’s heavily implied he’s from Louisiana, though they never tell you outright what state he was Senator for. He gets support from religious radio hosts and everyone who wants to government to give them $5000. Apparently that makes him pretty popular (though, other than people liking money, there’s never really any indication of why he is being supported) and he releases a 15-point program that if divvied up correctly could be the bullet points of either major party currently, with a few “this guy is obviously going to try and be a dictator” bits thrown in for good measure. He then wins because the book has no plot otherwise, and starts making America a hellhole.

It might sound like I’m being pretty down on the book so far, but that’s because I’m trying to give you a bit of the plot, which for pretty much the whole way takes a back seat to Doremus’ political philosophy arguments in his own head. He spends a lot of time thinking about what it means to be a “modern democrat” (or a “Lincolnian democrat”, whatever that could possibly mean) or something and about how terrible the current regime is without doing anything about it, probably because a newspaperman doesn’t make for an exciting action hero and that isn’t how Lewis writes. Doremus seems to disagree with everyone else who proclaims a political opinion, but most of them are either communists or one of Windrip’s “fascist” “Corpos”, and it’s pretty obvious he is actually pandering to the common mindset of those likely to buy the book and read it. Still, it is excellently written and quote worthy. It’s one of those books where you feel like there’s some important message you need to remember on every page. And it’s probably the main draw for the book (which is good considering how much room it takes up) not the tale of the upstart dictator. At the very least it makes you think about and solidify your own positions, a thing Doremus doesn’t do a very good job at.

With his newfound “absolute power” (slightly explained away by him intimidating Congress) Windrip starts to do all sorts of things, like reorganize the states into many fewer zones to be more easily governed, inflate the currency, take a bunch of that money from everyone, and put people that criticize him in jail and later concentration camps. All this is done by replacing the civilian government, the courts, and much of the military with his cronies in the “Minutemen”, who the army is ordered to train, and they obey that order for some reason. The Minutemen don’t start out like your normal fascist gang, though, in fact, their turn to the violence that often characterizes such party movements happens only after Windrip becomes President, and far too suddenly for it to make any sense. They go from jolly marching squad to merry murderers in the space of a page, and most of the rest of the story for our “heroes” hinges on them becoming crueler, which those in such positions would do, but I’m just not sure as quickly.

And of course the potential backlash to all of Windrip’s plans is ignored. Lewis seems completely ignorant of the idea that states had less than 75 years (a larger amount of time has elapsed between the publication of this book and the day I am reviewing it than between it and the Civil War) before fought a war for “states rights”, and that many Americans have guns they aren’t afraid to use. It’s not entirely unrealistic to me that there wouldn’t be a second revolution, or some other large form of armed resistance, but there is no mention for ¾ of the book of anyone fighting the Corpos with guns. All the pushback from the states at being disintegrated, all the fighting men would do if they really saw a government this openly cruel and tyrannical (to white people) is swept under the rug for the convenience of the plot, without even a token reference. At one point the main character gets enraged, goes to his desk, gets out his revolver, and then puts it back into the drawer within moments. The idea of actually fighting back is never even seriously considered, and that infuriates me reading it. I get that he’s a news guy, and wants to win the battle with words, but no one else talks about it either, the only time anyone else even thinks about fighting is when a Minuteman is trying to get with Sissy (Doremus’ unwed daughter) and she mentions it. This general disregard to arm gets a character killed when he barges in on an illegal court proceeding, that follows what he knows is an illegal arrest for simply writing an article critical of the regime, and has the gall to stand there alone shouting at armed men to let the man go. As his character was supposedly a soldier, you’d think he’d have the sense to bring a gun, or a club, or at least an angry mob so he didn’t get singled out and killed so easily, or anything at all save his temper. But the story wouldn’t move along then.

And the story does start to move on, at an increasingly fast pace as Lewis’ writing deadline approached and he attempted to cram in everything he wanted to say. At least that is my inference (he was on a pretty strict “get this published before the election” deadline, though). And his Nobel-Prize-Winning writing style really starts to break down. Lewis himself understood that living up to his prize was difficult if not impossible following his receiving it, and while I’m not trying to determine here what writing deserves a Nobel Prize (though I’ve been reading more by the laureates recently), I think it’s safe to say that the last half of this novel is not why he won any awards. Mistakes begin to increase, plotlines are lost, and the rest starts to fly by at breakneck speed. Nearing the last quarter, at the only time where the book goes back in time for a moment, a character is resurrected magically as the two timelines don’t line up (he’s dead in the end in both, unfortunately for him). Randomly inserted is a whole chapter about a black intellectual who attempts to explain that blacks submitting to the government would be better for everyone and gets killed for it in what I assume was supposed to be an impactful scene but since I had just learned of his existence a few pages before I wasn’t that surprised or interested. And, as with other contemporary books, “nigger” (or negro) is used quite liberally in this chapter (and in a few other parts of the book) while words that are presumably “fuck” or the like are censored with a “     “. And this is followed by the government beginning to unravel in a surprisingly bloodless manner.

The end especially, but the whole thing really, just lacks plot coherency. There is the fire of fascism (though a bit toned down from what we know now even with the torture and the murdering and such), but there is no smoke: the motivations of the antagonists just don’t make sense. And that’s a problem because it’s fairly easy to write characters that could understandably be swayed by a National Socialist agenda (there is one, and for his part Shad works). And to me that can partially be attributed to Lewis just not knowing how people work. He’s terrible at writing children (‘s dialogue), which is fine because there’s only one that does anything, and his other characters seem completely ignorant of that fact that in regular conversation people aren’t as truthful and ridged as an author is capable of being. The way Doremus talks most of the time, or how Sissy talks about affairs and rape, are gratingly inhuman, and others act more like robots for the plot. It’s probably for the better that they are absent most of the book in favor of political semi-treatise. But there’s a whole lot written for not a lot of substance. It all boils down very easily, and didn’t need to be stretched into a novel, but it’s not an egregious offense. There are parts that are quite insightful, or mirror modern problems so well one thinks “when was this book written?”, because it feels like yesterday. And that does give a little hope, that we’ve been worrying about the same problems for so long they obviously mustn’t be that big a deal.

But that does make the political aspect a bit dubious, especially in the modern day. Lewis keeps trying to hit you with the idea that some boisterous snake oil salesman can trick everyone and turn the country into a fascist state, that “it can happen here”, but it just never lands. He just doesn’t have any of the details worked out, he get the broad strokes about the people’s hate for the “’Jewish Communist’ Atheists” and the desire for money and power, but everything smaller seems missing. I get that the “facts” about how the European regimes came to power had not yet been fully established as the history was still being made when the book was written, but as someone who has read more than the average person on how Hitler (and other dictators) came to power, this just doesn’t click. In the same way that today, for all I might not like Trump and his “politics” I can’t call him a fascist, there’s too many pieces missing. Electing Huey Long president would probably have been a mistake, but it wouldn’t have resulted in this book becoming true. And I think the book is the worse for being written as allegory to him on a fairly tight deadline.

I suppose through this review I’ve sounded pretty down on the book, a side effect of it being easier to list faults than to heap praise, but if it had been a truly bad book I wouldn’t have finished it. I was interested the whole way through, and the politics and philosophy are intellectually stimulating. It’s a book that really makes you think about, rescale and reorganize just what your beliefs are. I took copious notes as I read both for this review (which are included below because of the sheer mass of them, especially when considering how few I take for other books) and for myself to read in the future in the form of photos of paragraphs to pages. It really does seem like there is something important to remember on every page, and that the opinions are well-considered and wise. But as a side effect it is quite dense, and the actual story, already a mere ghost, starts sliding to a halt many times. I enjoyed the book and it’s worth a read if you’ve been considering it; I’d recommend snippets before I’d recommend the whole book, though. As post-prize work of a Nobel Laureate it isn’t as good as one would imagine, as a smear book to prevent the presidency of Huey Long it was late but perhaps would have been effective, as an expression of a political philosophy to which you can compare your own and think about heavy decisions it works well, but as a tool for evaluating modern politics, or story about a realistic rise of Fascism in the US it falls a bit flat.

Notes

Intro by perry meisel is terrible  

Why do they always describe the dining room first, it’s a bore? 

Pg 16 “for the first time in all history” I think not

The rarely seen whisper exclamation

When was this written?

I ask again (comic books and radio complaints)

Page 26, error or intentional

Page 31 last paragraph

Spit and image

Pg 40, paragraph after break

I have yet to find an author that can describe characters in ways I can remember

I always loved the idea of the communists being Jews, and then you find out the communists hate the Jews

Interesting list style in pairs with no oxford comma

Jewish atheists said the cardinal

Chapter 6 excerpt

Doremus isn’t the greatest person in the world

Democrats in cleveland

Pg. 58 flags and song

Capitalize the he when referring to God

These 15 points sound like a mixture of both parties today (that’s why two parties doesn’t make sense, they don’t always line up)

Windrup is like dr oz selling fake medicine

Napoleon wasn’t short  

Lincolnian democrat?

I like all the special character œ just isn’t around much anymore 

He doesn’t look as nice as a nazi

Never mentions the state buzz is from

Saturday evening post calls him a demagogue

Lots of real people (putzi)

The colonel speaks in unexpected places where its news to speak

“summer schools  in which well-know writers taught the art of writing to eager aspirants who could never learn to write”

Interesting collection of people voting for him

Trance well foreshadowed

Cherishes the woe(?)

Chapter 13

One problem is it seems every page is worthy if remembering

John ball 1381

Spelling mistake “adanced” 114

“kind of be lovers”

I feel like the daughter suggesting adultery just after we learned about it is just meant to try and make it okay(or maybe she knew)

Just ripping at upton Sinclair, tearing him apart

The states would fight way more fiercely than portrayed here, I feel like he’s hand waving

Firing workers paid a dollar a day(nobody gets their 5,000 dollars)

He pandered to both groups in private. 

Why inflation is bad

Lewis neglects how many people in the us own guns and would form mobs of their own to fight the minute men however small their resistance ended up being (and more soldiers would likely disobey orders {if they saw white people getting hurt})

The minute me are far from the average facist gang, intentionally, but perhaps unrealistically so, their turn to evil seems rather abrupt

Jung

He can’t write children

Will rodgers censored

The book takes a while to get going

“it can happen here” 217

Rexall

Robbed him of bootlegging

Sissy talking about rape is strange

It tasted like saltpeter, was that so hard to say Sinclair Lewis

Plaint

Depreciated? Pronunciation

Why censor words?

The the mistake

Defended itself out wards

It starts to ramp up near the end

They know when to break with family

Apparently they re-incarnated swan

So far in the boo there’s been the fire of fascism, but there was never the smoke

Few typos and mistakes near the end, he’s losin’ it (still more mistakes)

That bit about “today’s” youth and all around it seem like thy were written yesterday (and give a little hope)

His rebuke of private corporations and talking if the need for government control seems overly strong

Even then war with Mexico wouldn’t last long at all

Mexican, Ethiopian, and Chinese patriot

Second to last work misspelled

Strange rebellion

Book Review – Haw! (By: Ivan Brunetti)

Haw! is a collection of “horrible, horrible (“indeed terrible”) cartoons” by Ivan Brunetti, a relatively influential person in the comic scene. I’ve read several anthologies (edited) by him in the past (though I couldn’t have told you that without looking it up first). This collection is a set of cartoons done in a similar style (they could almost be considered a “strip” if anyone had been crazy enough to publish it) done in Brunetti’s youth when he was “more angry”. So are they worth reading now?

No, but that doesn’t mean I didn’t like the book. There’s no reason to read this book, there’s nothing insightful, artistically relevant, or particularly moving. Indeed, it is just a collection of terrible, tasteless cartoons that should never really be shared with anyone (even worse than puns {that might be more funny if you read the book}). But they were funny, in the strict “a joke is leading the mind down a path and unexpectedly changing that path” sort of way. It’s the kind of book where I have to keep justifying the fact that I read it and wasn’t disgusted with it. I get the anger and the cynicism, and perhaps Brunetti goes over the line with the delivery with how explicit and graphic it is (certainly equally funny jokes have been told in more friendly ways) but it just becomes a parody of itself after a few panels.

I can’t really make a case for the existence of this book (though obviously I’m against getting rid of things because they’re uncomfortable, so I don’t have a justification to destroy it, either) and I’m not going to make the case for anyone to go out and buy it. The artistic style is interesting, but nothing terribly special, and the humor is like the good times in Cards Against Humanity (being like the jokes they cut up to put in the game so that most of the time you get garbled junk but sometimes you put the pieces back together and it’s funny). And there are even profuse apologies within the introduction and copyright pages to warn you the book might not be something you’d want. But if you were looking into reading you probably knew about those and ignored them anyway.

Basically you probably don’t want to buy it, unless you already knew what it was about and were looking into it, in which case make your own decisions.

2016 The Year of Oops… Redux

Back in the dark ages at the end of 2013 I wrote an article about how that year, mostly in tech but also in other aspects of life, was full of enough flubs that it should probably be forgotten. I lamented that the tech industry specifically and the mountain of humans in charge of things in general had lost touch with reality and were making decisions seemingly based on what they thought was a good idea without doing any testing. I made a few predictions for the future that these tone-deaf companies would roll back what they did and use the “frog in hot water” method to bring them back. I was slightly more accurate than I expected, but I still held out hope that the people in charge would take the hint from their customers (probably in the form of declining sales) and change their tune. Three years later and I couldn’t have been more wrong. So I’m back again to take a look as some of the “facepalm” (I guess) worthy instances of the last year.

Starting off strong where I left off: Yahoo! (a company I’m already not a fan of for reasons that could be a post on their own) disclosed that it got hacked (“hacked” always being a relative term) years ago and that a huge number of accounts’ information and passwords were stolen. As anyone who uses the system knows, they now advise you to change your password and personal information. Thank you for telling everyone a few years too late. Your security is so good that I, the “owner of the account” can’t log in, but some other random person who stole millions of accounts data can and I appreciate that. At least it’s good news for Verizon who could negotiate to pay a capitol “B” Billion dollars less in their acquisition that now seems even more questionable than that time they bought AOL. So with Verizon in a slap-fight with Sprint while cutting off customers’ unlimited data plans and Yahoo! (who I’m pretty sure still runs AT&T’s email) bleeding money like it’s done for the last decade it seems like Tumblr is still the most sane member of the family.

My segues didn’t get any better in the intervening years so I’m just going to move on to Apple, who seem to be determined to destroy everything I once liked about them. The Apple watch isn’t doing so hot, even with its second generation. I don’t know why they thought it would work well. I, and others, made fun of Samsung for doing it back in 2013. I guess they probably still made boatloads of cash, so success is relative. Their Macbook Pros finally followed their desktop brothers and restricted users to a single port-type, to which I respond “I get it, I get it, the future is coming, but could you please not shove it down my throat?”. But I guess I’m an outlier. I’m still kinda mad they got rid of optical drives. It seems like their innovation has become more desperate to put out a new model of at least 2 devices each year. Their last iPad had me bored, their touchbar had me snoring, and Bluetooth headphones had me enraged. At least the iPhone 7, while being bigger than a datapad from Star Trek and having the worst audio playback quality of any phone in recent memory, has enough internal storage now to replace my iPod classic that lets me have all the music I want anywhere I want it; thank you very much for not coming up with a suitable replacement. People might just say I’m behind the times with my clunky old devices, but as Apple’s OS’ bugs increase, their product lines diversify in the weirdest, most confusing possible way, and they start to become more locked down. I get the impression that Apple thinks I’m an idiot, and an idiot who can be counted on to buy their chained-down PC’s time and time again without question. They’ll still probably get one more generation of devices out of me, and hey, they’re one of the richest companies in the world, but I’m seeing a downward trend I hope they can pull up from.

But while Apple might be specifically annoying to me (and making some general duds) the whole message coming out of the tech industry this year is one to make them not be trusted. While there hasn’t been too much negative press at the announcements themselves, things like Uber’s new “fleet” of self-driving cars and Amazon’s grocery store show that the ideal future in the minds of emerging companies is one without you (and anti-trust laws). And this latest attempt to begin the demolition of these two huge employment sectors in the US comes after years of union gutting, tax evasion, and price slashing that competitors can’t keep up with, while offering no compensation and spitting in the face of one of the core tenets supposed to keep capitalism in check “if the people working for you don’t earn enough to buy the products, your sales will diminish”. Amazon has gone the pacification route by also introducing a way to donate to charities without changing much of your shopping routine (maybe someone’ll create a charity for helping Amazon’s warehouse workers in poor conditions) while Uber and Lyft decided to stamp their foot down and declare “We don’t need you, you need us!” and pulling out of Austin (and other cities) when a clunky but reasonable local law made it necessary to fingerprint their drivers. Their leaving sends the interesting message that the law, their customers, and their contractors can all go to hell, they’re playing for some imaginary future where they win. The future isn’t quite here yet: Teslas are smashing into trucks they think are the sky, Samsung’s phones are literally exploding (because seriously, maybe they should test their products a little better; they don’t have to release a new pocket-dinosaur every year), and a private company landing a rocket is still something to be impressed at, but as the most recent job-destroyers gain footholds on the coasts, it’s only a matter of time before they start moving inland.

And well… I mentioned politics last time so… Trump, am I right? or more the fact that he created a social-media campaign strategy that no one seems to really understand, even the facilitators like Facebook and Twitter. Presumably afraid that any human interference would be labeled as bias and hurt their image (which did happen) Facebook got rid of human news “editors” and replaced them with an algorithm that gave everyone a healthy dose of fake. I’m still not sure if I’d prefer a biased human serving me up news or a robot feeding me wrong information, because given two bad answers, why choose? (-Apparently Everyone in 2016). Twitter (or Reddit, or really anywhere,) didn’t fare much better, as every attempt at policing they did was interpreted as an infringement on peoples’ rights (which it might be?) and only served to bolster the things they were attempting to be rid of. But public confidence in their ability to be arbiters was only destroyed once they were all that was left after most of the “regular” media came out as crazy biased, as in “blatantly endorsing a political candidate when you’re supposed to be a neutral arbiter of truth” biased. Don’t get me wrong, I’m not happy with the fact that there was an election between, and I don’t have the exact numbers here, about 176,000 people all of whom I hated, but someone had to win, and if anyone stating an obvious political opinion when their job is supposedly based on facts and not opinion, is obviously shooting themselves in the foot. Even sites like Wikileaks that don’t really even have stories, just documents, appear to be extremely biased with the specific documents they release (but who was trusting information from potential traitors anyway?)

Without a segue, but with a bad taste in my mouth, I’ll just move back to less political industry topics. Time-Warner Cable was going to merge with Comcast in a deal that was shady enough they were going to give a significant chunk of their subscribers to Charter Communications and create a new company with other divested subscribers that would be controlled by both of them. But even still, it apparently wouldn’t make it through anti-trust regulations so they had to give up and Time-Warner merged with Charter instead creating the second-largest telecommunications company. Now they’re trying to re-brand, meaning people will get the same terrible service with a new uninteresting name: “Spectrum”. They’re even shooting themselves in the foot a bit by continually saying “Time-Warner Cable is now Spectrum”… way to get your name off of it. But at least they’re addressing their criticism, albeit by running away from it, unlike the Youtube/Google/Alphabet (who cares?) machine that long ago figured out it didn’t have to answer to anyone, especially customers. Even as Youtube sparks large controversies that alienate creators (3 in the last year if my (minimal) count is correct) there is no danger of any competitor catching up and thus a negligible number of creators will leave. Google (and Alphabet) like to keep their big mouths shut about how they can control your online lives for the most part (smart tactic I suppose), and Youtube mostly does as well, but its actions affect so many people that they are pretty uninterested in how to run the business so it benefits the creators and the consumers more than it does at the moment. And they’re big enough that they don’t have to answer to anyone, and even though they’re guilty of many of the things I’ve already talked about here nothing sticks. They just put their heads down and barrel forward with only their own internal monologue to hear.

So I guess the moral of the story is that everything is terrible and you shouldn’t trust anyone? I don’t want that to be the case, and while one should be watchful of that potential outcome we aren’t quite there yet. But as these newer companies get larger, they grow increasingly out of touch with regular people. In many cases they’re just sort of forgetting that people exist, and it seems like more often than not they’re being forgiven (or maybe just forgotten) for it. Hopefully, there are greater potential repercussions for these companies than just me and a few other people talking into the internet void, and hopefully that means more of a dialogue between the parties that will lead to more awesome things in the future. But now my internal pessimism disguised as realism begins to show through. I would feel equally confident in a prediction that the increasing complexity of electronic systems will lead to companies focusing even less on the end user and more on simply creating a product that they can put out, and still crashes, bugs, glitches, and hacks will become more prevalent and more disastrous. And even if things get better, I’ll probably be back in 3 years to talk about some other perplexing failure. But hopefully not sooner.

Man, I left the 2013 article on so much less of a downer… Maybe pessimism is just the curse of a thinking people… No that’s not funny! Um… At least we won’t hear “Do it for the Vine” anymore? Maybe… Samsung and Apple should be less conspicuous with their Hitman™ exploding phones… Sure, good enough.

 

Post-Script: Here is a link to a Verge article that, while not being the inspiration for this article, helped guide the direction it went.

Blog 4-1-16 – The Good and the Bad

Hello again. I’m Austin Smith from the Dragon Funnies (dragonfunnies.com), Art Supply Critic (artsupplycritic.com), and Dragon Co. (dragoncompany.org) Blogs. And I have finally and unfortunately reached the point where work, social obligations, sickness, and just life in general have rendered me unable to keep up with maintaining my web endeavors. Over the past few weeks I have failed entirely to keep the deadlines I have set for myself on all three of these Blogs. And with more than 3 years of not missing more than a day that is a huge blow to me.

I will not give up on posting to these sites. And in fact I can see the crest of the mountain where I can go back to the normal maintenance of them. It is disheartening for me to still have this problem even after I have streamlined so much of my content. But it is still just a hobby for me, and it is a hobby I will have to “leave” on this side of the mountain and come back for once I have brought everything else to the top.

The real announcement here is, I will be suspending my posting schedule in April. That doesn’t mean things won’t be posted. It just means there will be no schedule. I will finish what I can when I can and then review my situation in May. If everything goes as planned (and things, contrary to how it seems, tend to go as planned, just not on schedule), I will catch up through all of these days by the time I am done. So the amount of content in the end will be the same, but will be posted in bursts rather than daily.

Until that is done there is quite a bit still on the site to enjoy, and I will still be showing my art and books in a gallery here in Alpine Texas from April 1st to 10th. There will be a lot of photos and maybe a few videos from that. And I will be working on a way to get some of the really cool new stuff I made for the show out and available on my site.

-Austin.

Review – Jurassic World Tyrannosaurus Rex Lockdown Playset

As you might have guessed from my last Jurassic World toy review, I am a Jurassic Park fan, and a T. Rex fan. And while most of the toys from the current Jurassic World toyline didn’t interest me, a few did. The first one being the Chomping T Rex I previously reviewed, and the second being the T. Rex lockdown playset that I will be looking at this time.

jurassic-world-tyrannosaurus-rex-lockdown-playset-hasbro-toys-pre-order-ships-july-16

The first part of this set is a T. Rex figure that is just a repackaged Basher and Biter T. Rex. It has the same paint, the same terrible proportions, and the same poor gimmick. I’m not as bothered by the many easily visible screw-holes as others seem to be, but they are a mark of getting a lesser quality product. Overall, it’s a disappointing figure that I wouldn’t have purchased on its own. It does offer some play value with its head biting and thrashing gimmick (this is accomplished by moving the tail) but there are too many faults to catch up on. At least it is almost the right size to look like a juvenile next to the larger Tyrannosaurus figure.

jurassic-world-tyrannosaurus-rex-lockdown-playset-hasbro-toys-4

The other parts of the set that are not the fence are even more disappointing. The gyrosphere is really bad. It is a small sphere of plastic with a cardboard cutout of a person inside. And there seems to be a problem in the manufacturing/packaging of this product that scratches each ball in the same place (though this could be dino-damage, another thing Jurassic park toys have been doing forever that I’m not really a fan of). I just wish this set had come with a human figure to get eaten, even if he was one of the little dinky figures the rest of the line came with, instead of this ball of plastic that can barely be played with and almost (if not entirely) breaks the suspension of disbelief in toys. The other thing is the net launcher, a weird looking hook with a spring that you put a piece of rubber on and fling it across the room. I guess it’s relatively safe and it will knock the dinos down, but it won’t look like you “captured” them with a net. Still I can almost see it being a fun toy to mess with; I just wish they had used that plastic to go toward something better. If they had combined the gyrosphere and net launcher plastic and made a better version of one or the other I would be happy, but here I’m just disappointed. Both of these items went back into the box.

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And finally, there is the good part of the set, and it doesn’t disappoint (for the price and size of the set at least): the fence and gate. Both of them look like redone (and slightly smaller) versions of the Jurassic Park gate that came with the command compound all of those years ago. It’s more film accurate to the Jurassic Park original than the sequel, but it looks quite nice, and the logo sticker is well done. The gate itself is smaller so older vehicles won’t fit through, and while the fences are smaller they are more solidly built, and it seems like this set should stand up to play pretty well. Some of the assembly points for the gate might be weak, but they are still stronger than the older version. There is also a secondary gate with a silly gimmick for the gyrosphere to smash through. It looks good when stood up, but I think the “shock” gimmick could have been improved. Still, it’s a decent play feature. The fences and gates are pretty well sized to keep the small bashers and biters figures in, but not really any of the larger ones.

I should mention at this point that I didn’t pay the MSRP of $25-$30, I paid $20 for this set. And, as a collector, I think the fences and gate were worth the money. But I’m not sure I would pay an extra $5-$10 for all of the rest of the junky plastic in the box. The dinosaur, gyroshpere, and net launcher are sub-par toys and display pieces, and the fence is a bit smaller than I think it really should be. I still don’t regret the purchase. I like it, and most collectors know of the problems with the Jurassic World toyline. As a toy for kids it would highly depend on the kid whether or not the set is worth it. It’s just bordering the price line where exactly how much they will like it really counts. Fun can be had with the set, but I might look elsewhere first for higher-quality toys. And as for collectors, I’d recommend waiting to get a deal on this one. It is one of the two pieces of the Jurassic World toys I would say are essential for fans, though, and maybe a little expense is justified.