Category Archives: Tools

Review – Uni Kuru Toga Roulette

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I’ve previously looked at one of the most liked (and according the to the Wirecutter the best) recent mechanical pencils, the UniBall Kuru Toga; I was under whelmed. Recently I was able to get a hold of the upgraded version, the Roulette. Is it worth the upgrade? Should you skip the regular model and get this one? Let’s take a look.

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The back end of the pencil is a plastic and metal lead advancer; it works and doesn’t dig into the skin. There is a rubberized ring around it for reasons I don’t quite understand. Removing the advancer reveals a super tiny eraser that won’t last long but does indeed erase. Below that is a clip, which is fit onto the barrel in a way that would allow removal, but with difficulty. Japan is stamped into the side of the clip, and the name and size of the pencil is written on the barrel just beneath the clip. The barrel is plain until one gets to the section, which is metal and extended, the bottom half is knurled, but not aggressively so; it provides a good grip. There is a small hole in the grip that allows one to see the fact that the pencils mechanism is turning (but no the mechanism itself). Down from that is a tip very similar to the regular Kuru Toga, but extended is some ways. On this model this oddly designed step down cap is still not necessary, but covers up an otherwise ugly portion.

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Now on to the part everybody loves, the mechanism. I mentioned that I was under-whelmed by this previously, and I still am, but I know why now. The window in the grip section allowed me to see clearly when the mechanism was turning and when it wasn’t. And while it was possible to do this in the cheaper versions I was a bit harder to see. The mechanism itself by the way, as far as I can tell, is identical in both pencils, but there is no way to open them and find out exactly without possibly rendering them inoperable. But the answer to when the mechanism was turning when I was writing with the pencil was… never. I tested it, the mechanism works, it just never moves when “I” write with it. My writing, and drawing, are much too light to get it to rotate the lead, and thus I never see the affects. The packaging (for the inexpensive one, my roulette came in all Japanese packaging) says that the mechanism helps with the point of the pencil, and to prevent breakage. I really have never had a problem with either of these things, partly because I flail the pencil around compulsively when writing and drawing, and that rotates it such that my lead is always at a point. Now I guess I know that I write far too lightly to have a problem with breakage. But man, if I write lightly, some people must really press down on the things. So yes, it works flawlessly, but if you write like I do it isn’t really a selling point. And finally I wouldn’t worry about the mechanism wearing out, it is extremely well made and there have been no complaints about such a thing occurring, so if it does by that time you’d be able to just get a new one, it’s popularity means it likely isn’t going anywhere.

So, it is a good pencil? Yes. Is it worth the money for the upgraded version? Yes, even without the mechanism. The pencil is solid, well made, and solves the comfort issues I had with the less expensive version. The weight is good, the feel is good, the metal gives one a good grip and the writing is nice and fine. And if one does press hard enough to activate the mechanism I’ve heard nothing but good things. I wouldn’t take it over my Graphgear, but that’s just personal preference. I like the thinner body a little better on that one. So if you write with a lot of pressure, the Kuru Toga is the pencil for you, if you don’t you have other equally good options within the price range in my opinion. Even then it’s definitely worth a look.

Review – Master’s Touch Palette Knife

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I’ve been painting recently, and have a new appreciation for palette knives (foolishly I never used them before), both for controlling paint on a palette, and for painting. Unfortunately I’ve found no real resource that says if there are consistent sizes and shapes for palette knives, and I don’t believe there really is. So instead of this being a review of a specific size or shape of knife, this will be a general look at the quality of the Master’s Touch brand of inexpensive and easily accessible palette knives.

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The particular knife style here is slightly unconventional, and appears in the least amount of photos I see online, though it is the shape used by Bob Ross, so it’s got that going for it. The handle is a light, okay finished wood with a lanyard hole and the Master’s Touch logo imprinted on it. It’s sturdy enough and it works. Following that is what appears to be a “brass” “section” ring that is dented and losing its finish. It holds the blade in place, fairly sturdily, but also not centered. The blade is stainless steel, quite flexible and tapers down to a very usable edge. It is finished well enough, and doesn’t get thin enough to cut easily, but I suppose if one really tried they could make it dangerous. In some places the brushed finish isn’t nearly as well done, but these places don’t really matter in the scheme of things.

Overall it’s a nice introductory tool. It obviously has some quality control issues, but they aren’t major and don’t prevent the tool from functioning or make it dangerous. It’s inexpensive, and I would recommend it to anyone who isn’t sure if they really want to paint and are just trying to get into it, upgrading in the future is always possible and still isn’t a lot of money. And even if one doesn’t this tool will likely be able to last a painting lifetime.

Review – Q-Pins Pushpins

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Pushpins can be a problem. But they are what they are, right? There’s no getting around them. That’s what I would’ve thought until I heard about Q-Pins pushpins, which claim to have updated the pushpin to a more modern and easy-to-use design. How do they hold up?

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Full disclosure before I begin: I was sent these to review by the company. With that out of the way, let’s look at the features: Q-Pins are designed to deal with the problems one encounters when using regular pushpins. They’re shaped like a capital “Q” and use the tail to hold paper to the board, rather than the pin itself. If one doesn’t use the pin on a regular pushpin, the amount of force required to hold the document up will leave an unappealing mark. I used to get around this by using thumbtacks, which has less grip for your fingers, but more for the document. I’d best describe Q-pins as a cross between the best parts of a pushpin and thumbtack, with a little more ergonomics. The edges of the bowl on the Q are curved inwards, creating a nice grip for the thumb and index finger that is more than enough to get it out.

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They come in either packs of black and white opaque or a pack of green, blue, purple, and yellow translucent. Personally I wish there were more color sets, but these work well.

Now, it’s kinda hard to talk about what a pushpin does, even though I have done that quite a bit, it looks like. In any case, I decided to try and beat up a q-pin by throwing it across the room and at the floor with a moderate amount of force. The results were not a scratch, and I’ve seen pushpins shatter under similar conditions (though rarely). I tried bending the tail off, and my fingers began to hurt as the plastic started bending. I’m sure they can be broken, but it almost has to be intentional. And for a bit of fun, I grabbed the metal pin itself with pliers and pulled firmly in both directions. The pin and its plastic case are not easily separated.

So, are they better than pushpins? Yes. Are they perfect? No. If one is very careful or hangs up thick documents, the pin can be used to hang an object without a mark.  But sometimes even a natural amount of force can lead to a straight indent in the document being hung. This is certainly better than a hole, and in my opinion it’s also better than the circular indent coming from a pushpin or thumbtack used with friction. In this scenario, the Q-Pin also has superior holding capability, though it is quite close. Removing the Q-Pin is also much easier than either of the two other options. It’s a clear winner, but it is a bit more expensive. If you don’t lose things and want a better pushpin, possibly for life, you should try some Q-Pins.

 

Review – General’s Kneaded Rubber Eraser

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So what’s something every artist needs but no one talks about? If you answered eraser, congratulations! You get a digital cookie. Now then, let’s talk about a good eraser, a General’s Jumbo Kneaded Rubber eraser.

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Kneaded rubber erasers are really cool. They bend and twist into any shape you like, they don’t leave any shavings behind, and they can be used for a long time. They “clean” themselves a little when you knead them, allowing you to use them more regularly, and without smearing. They are rubber, so they come apart and back together. This particular brand comes in a nice square and works perfectly.

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All-in-all, even though there’s little to say about them, they are amazingly handy tools to have around, and much superior to any other eraser you’ll find, though much more expensive.