Ultimate Pocket Notebook Showdown – Moleskine, Rhodia, Leuchtturm, Gibson, Wal Mart

Okay, enough with separate reviews, they have their place, but it’s time for an ultimate black pocket-sized notebook show down. We’ve got a couple slots for easy comparisons and five different books to do today.

Rhodia Webnotebook

Paper: Great, smooth, thick, fountain pen resistant, archival quality.

Cover: Faux leather, smooth, easily damaged but solid.

Spine: Hardy, doesn’t crease, folds tightly.

Other: Bookmark and back pocket, well put together. Elastic strap.

Size: 3.5 X 5.5

Notes: Has some minor bleed though issues, really dark yellow papers.

Price: $20

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Moleskine pocket

Paper: Thin, bleeds easily, archival quality.

Cover: Pleather, hard cover, like a rock.

Spine: Nice, creaseable, starts to wear near the end of the books life.

Other: Book mark and back pocket. Elastic strap.

Size: 3.5 X 5.5

Notes: Yellowed pages.

Price: $15

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Leuchtturm 1917

Paper: Medium thickness, bleed resistant, but shows through a lot, rough paper.

Cover: Thin, a little flexible, but sturdy.

Spine: Creases easily, but is sturdy, paper could peel off.

Other: Back pocket, bookmark, elastic strap.

Size: 3.5 X 6

Notes: Numbered pages, table of contents, perforated pages.

Price: $12

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Gibson Markings

Paper: Dark yellow, little bleeding, some show through.

Cover: Thick, damageable, bends easily, has stitches around the sides.

Spine: Works well, but creases, is fragile, and can break.

Other: Back pocket, elastic strap, bookmark.

Size: 3.5 X 5.5

Notes: Not very smooth paper.

Price: $5

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Wal Mart Leatherette Journal 

Paper: White, shows through really badly, but doesn’t bleed easily. Not the smoothest.

Cover: Thick, ridged, but flexible, with stitching around the outside.

Spine: Alright, but could crack and fall off.

Other: Back pocket, elastic strap, bookmark.

Size: 3.5 X 5.5

Notes: Elastic strap came off after limited use. Cheap construction. Ink for lines was run off on some pages.

Price: $3

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Review – Rhodia Web Notebook Pocket

Well, it’s that time again, time to talk about a little black book. This one’s particularly good for fountain pens. It’s the Rhodia Web-notebook pocket black version.

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The dimensions are almost exactly the same as the Moleskine, with the exception of it being slightly thicker. The cover is a strange, and easily warped, faux-leather. It is quite pleasant to hold, and the spine sustains much less damage than with stiffer cover books. Not to say the cover is flexible, it is definitely hard, though the Moleskine still holds the record for notebook most like a rock, the Rhodia does have a little give in it. Also on the front cover is a stamped Rhodia logo and an elastic band holds it all together. The standard pocket in the back tops it all off.

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Inside there are the same number of pages as the Moleskine. The pages are thicker though, the first page is unusable and gives you their specks. They are slightly off white with a bit of an orangish tint. This version has them lines with thin grey lines and a slight margin on top. The paper is insanely smooth, as in the smoothest paper I’ve ever written on, right there with Clairefontaine, being made by the same company that makes sense though. It takes ink well, and it even dries relatively fast on there, though there are some problems with bleed through on broader nibs or wetter inks. It should be noted that the paper is different from the larger notebook paper.

So overall, if you have a fountain pen and need a notebook, this is a better choice for you than almost any other notebook on the market. Though if you’re drawing with flex pens or thick brushes be aware that you’ll still only be able to use half the pages in the book. Though bleeding onto the next sheet is something I haven’t seen. Are these the best pocket notebooks? It depends on what type of pen you’re using, and how much you care about the feel of your notebook, because this one does feel quite different.

Review – Clairefontaine Staple Bound Pocket 3.5″ x 5.5″

There is a new contender in the pocket notebook category. Well, not new, but new to me. The Clairefontaine staple bound 9 X 14 cm pocket book. This is not really very comparable to the other two pocket books I’ve reviewed as it is much thicker, but it is still around the same size, so here we go. The book is twice as thick as a Field Notes book and about a millimeter wider, and the rounding on the corners is about the same.

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The cover is a fairly thick but flimsy card stock. There is a website URL, paper weight, dimensions, and page count listed on the back cover, and no other information save the logo. The inside cover is a simple white, while the outside is the standard Clairefontaine cover, which I consider to be fairly ugly. The cover also has a blank space which I assume is a subject line or a name space.

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Inside is 48 sheets of 90 gram Clairefontaine paper, which is superb. This is one of the few notebooks where the page count, rather than the sheet count, matters, as you can write on both sides, even with a fountain pen. The paper is lined with a 7mm ruling, a small margin at the top, and an infinitesimal margin at the bottom. The lines are a very pale purple and not at all intrusive. As far as I know they only come in a lined version at this size. Writing-wise, the paper is buttery smooth. Very easy to write on, but ink resistant enough to have little to no bleed through, except for the nano-liner which can bleed through tables it seems. The paper is also heavy, it takes effort to bend it along the spine to write with it, and once you have bent it, it stays there.

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Finally the binding: it’s bent over and squared with two staples each about a quarter of the way in. It seems far from the sturdiest binding, but it can take a fair amount of flex before buckling. Though with no support at the edges they do tend to get a little banged up. Because of its interesting folding style and large page count, the binding does seem a bit weak, in mine the staples aren’t even fully stapled, so pulling this book apart intentionally would be easy. But unintentionally it seems to hold up fine, more due to the paper than the binding. It will buckle and get bunged up at the edges, though. I’m skeptical about it’s ability to take some hard wear and tear for all 96 of its pages to be used.

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Overall this is a great little pocket book. I personally won’t use them as much as some other books because of the terrible, intrusive cover designs and its thickness. But for writing or drawing with fountain pens, dip pens, or ink brushes, this thing can’t be beat. It’s a great, sturdy little notebook with especially good paper.

Notebook Showdown – Moleskine Cahier Vs Field Notes

So another notebook competition today, huh? This time I’ll be comparing the higher end of the pocket book spectrum. It’s time for Field Notes to go head to head with Moleskine Cahiers.

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Starting with the covers the Moleskine is a very heavy, single color, piece of cardboard with an imprinted logo on the back. It’s got a flap on the back that folds in and serves as the famous Moleskine pocket. This pocket is not very well secured by the glue and tears out easily, it also causes the back to be prone to creasing rather than flexing. The Field Notes book has a thin “packing brown wrap” cover with a logo on the front and some identifiers. It also has a little on the back, but on the inside is where it really shines. It’s got name, coordinents, date, and return to blanks right in the front, and the back contains may useful reference items, including a list of uses, and all the materials used in the book. It’s still fairly flimsy, though, and when it bends it stays bent rather than easily popping back into place.

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Size-wise, both books are almost identical, despite the Moleskine having 12 more sheets. The rounding on the corners is also a bit less on the Moleskine. The paper inside the Moleskine is the standard archival quality, but fairly weak, off-white paper the comes with all Moleskines. In the Field Notes is a smooth, bright white paper. The actual type of paper is listed both on the website and in the book for easy reference. Both books come in: blank, ruled, and squared or graphed paper. But some special edition Field Notes have all sorts of different rulings. There is little variation in the ruling size wise, the only major ones being the Field Notes have a wide top margin and slightly lighter lines for the ruling. They’re brownish compared to Moleskine’s grey. One feature of the Moleskine that the Field Notes lack is that the latter half of the pages are perforated for easy removal, meaning you can tear them out without destroying the binding.

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Speaking of the binding, that’s where the really major difference between these books kicks in. The Field Notes are saddle stitched with three staples. The Moleskines however are stitched with 21 signatures. I believe they are also hand bound though I could be wrong on that. The Moleskine binding and cover makes it (like other Moleskines) like a rock. It is much harder to bend, but bends and creases terribly when it does so. The Field notes is a bit more lenient, bending more, but the staples provide great pivot points for bending and creasing as well. The Field Notes binding, while sturdy, can have the book come apart on it, though this rarely happens because of their limited page count. The binding on the Moleskine is much more likely to come undone itself and leave the book behind, though again this rarely happens.

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Really it all depends on what you want. They’re both about the same price so do you want: a better cover, more pages, perforation, and a pocket, or: better paper, better binding, and some useful information? In the end that’s what it comes done to. Also the looks a little bit. Personally I prefer the look of the Moleskine, but the quality of the Field Notes, so I use both. Try ’em and find out for yourself, it’s only like twenty dollars for three of each (at the time of writing).

Review – Clairefontaine Spiral Classic wire bound French Ruled Notebook

Do you have trouble with making your handwriting look good? Do you feel that many of the lined notebooks are ruled just to small for you? Then the Clairefontaine Classic Wire Bound French Ruled Notebook may be for you.

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The notebook’s size is about 6¾” X 8½”. It comes with 60 sheets of 90 gram paper. The paper is a nice, crisp white. And it really is white, it’s brighter than the white in a composition notebook, and is a very stark contrast to most of the higher quality off-white, moleskine-type notebooks.

The quality of the paper is superb. It is buttery smooth and provides a great writing surface. There is no feedback to speak of; so if you like feed back you should be looking elsewhere. The thickness and smoothness of the paper means it handles ink very well. Pencils, ballpoint pens, technical pens, and even fountain pens are handled with ease; though there is a prolonged drying time. Some very wet writing implements, like heavier fountain pens or the Nano-liner, do ghost and occasionally bleed through, but for the most part you can use both sides of the sheet if you so desire.

The ruling on the particular book I have is French ruling, or Seyès if you will. It is designed to make one’s handwriting better. It has five thin lines between each pair of thick lines, which allows for the various heights of minuscule and majuscule letters (upper and lower case). It also has lines running vertically that act as indentation guides for paragraphs and the like. It is great for practicing handwriting or for easy spacing of lines, though it can seem overwhelming at times.

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The binding is a simple spiral that is heavy duty and will allow the book to lie flat easily. The cover is a simple piece of card stock that has nothing special about it. It is covered in a design that I frankly find ugly, but then again I like plain black books so what do I know? It serves its purpose well.

Over all this is a superb book. The paper is incredible, both to write on and to look at. The French ruling is very helpful in writing and can also serve as a general (stress that) guide while drawing little sketches and the like. The binding is nice and simple, doing its job well. It’s not particularly an art book, but it’s a very good writing/note book.