Review – Tech Gear Pencil Case

Finding the right case is a difficult thing, there’re so many options that come in all different sizes, and with features ranging from tons of little pockets and organizational tools to nothing at all. Even where a zipper is positioned can really affect how convenient a product is to use on a day-to-day basis. So today I’ll be looking at an inexpensive pencil case available in a wide range of areas (at least it was when I bought it at a grocery store, but it takes time to properly test a case and I don’t know what’s going on with them now).

The Tech Gear pencil case is a simple thing, being made of mostly black nylon in a rectangular-ish shape that’s about 8” long and 4½” wide. There are two support pieces, one going around the bottom, and another on the “lid” and they keep everything roughly in the right place. Just underneath this support piece is the zipper, which runs along the top edge. When unzipped, the “lid” (which has a rubber logo patch, 5-stripe “design”, and possibly a different color upper half) hinges back along one of the long edges revealing the inside, which is just a “bucket” about 1” deep where you can dump things. This “hinge” is reinforced by another piece of nylon both inside and out.

The inside is a smoother texture than the outside, with several of the seams covered up by a plastic-ish, almost electrical-tape feeling material. There’s a tag that tells you it was made in China, but otherwise it’s just an empty cavern into which you can dump whatever you want that’ll fit. And that is pretty much anything that is the same length or shorter than a standard, unsharpened pencil (about 7½”, you might be able to squeeze longer things in if you’re creative) and about 1¼” thick (even that might be stretching it). And that’s a fair amount of stuff. I’ve been using it to carry around my “to-review” items and never had a problem with space. I’ve only got around 15 items in it now, but it can hold 30 writing implements and a few other bits and bobs comfortably.

But it is a cheap case, so how well does it hold up? Reasonably, I’ll say. It’s been a long time since I went to school (and I just used a Ziploc for my pencil case then) and I know I would’ve been much harder on a case then than I am now, but after carrying it around for a while now there is very minimal wear (a loose thread here and there and the rubber patch on the front is a little scuffed, but nothing significant). Still, I can see a lot of the cheapness in its build quality; most seams are unfinished and liable to tear or unfurl, and the material itself isn’t that strong a stuff in the first place. The zipper works but the material is cheap and soft (and paint already flecking), etc. For someone like me who won’t put it through much hard work it’s fine and’ll probably last for quite a while, but in school I’d say it’s about a 1-year bag.

And that’s pretty much it. The bag has some organizational problems but it’s also fairly small so nothing should get too buried. And it’s got some craftsmanship problems but for the price you couldn’t really expect better. It’s good for what it is and if that’s what you need it’s easy enough to get. So if you just need something to dump your pencils in and won’t worry about having to replace it later because it’s cheap, this one’s a good thing to look at.

Review – Crayola Triangular Crayons

Are regular crayons too small for your hands or prone to rolling off your table and getting all over the floor? Don’t worry, Crayola has your back with triangular crayons that “promote proper writing grip” and are “anti-roll®” (that registered sign isn’t a joke by me, it’s actually on the box). They are available in your standard pack of 8, or, as in my case, 16 (and maybe larger packs, but I can’t find any), and I’ve been seeing them pop up in stores recently*. But are they the right fit for you?

From what I can tell, the colors here are exactly the same as in all other Crayola crayons so I won’t be going over them here (ColorsReview). The pack comes in a standard cardboard box (a little rough around the edges) with a cardboard tray inside and two plastic dividers to hold the crayons in place. It’s a pretty sturdy system and none of my crayons were broken or significantly worn.

The bodies of the crayons themselves are quite a bit larger than your average crayon, being triangular in shape (with rounded corners) with each face being just shy of a half an inch wide. They’re wrapped with a craft-paper-esque standard Crayola wrapper and have a step down about a half-inch from the front followed by a triangular point. From the box they are super comfortable, resting nicely in the hand with the paper being both warm-feeling and giving enough friction to prevent the hands from slipping. They work well both for children without fine motor skills and adults with larger hands (though the grip is actually surprisingly small). And they perform just as well as any other Crayola crayons (that is to say, very consistently and pretty good for a wax crayon, but not much use for blending or layering).

I’d say the gimmick works, if you (or whoever you’re buying them for) were having problems with regular crayons being uncomfortable, held wrong, or in a constant state of rolling off the table. They are a fairly inexpensive solution, though that shows: imperfections in the wax mixture and paper application are readily apparent (with several noticeable chunks of crayon missing in some places). Maybe that’s just my pack, maybe Crayola’s manufacturing standards are going down, or maybe they were always like that and I didn’t notice. In any case, they are effective in design for both children and adults, and probably worth the little extra cost in crayon mass alone.

 

*Despite the fact that I peruse office/art supply aisle frequently I miss things just as frequently, so they might have been there before.

Mini Review – Museum Siam Pencil

I’ve looked at quite a few triangular-shaped pencils recently; they seem to be a trend attempting to make writing more comfortable. While they are obscure, I had heard about them and they make sense. Trending in the opposite direction I have here a pencil from the Museum Siam that is square (with rounded edges). One would think that would be uncomfortable, and maybe that’s why it’s a much less readily available design. Let’s take a look.

The body of the pencil is super simple. It’s a rounded off 5mm rectangular prism with a nice matte black paint. On the side, stamped, in nice red letters are “Museum Siam” and a pictograph of a worker. The back of the pencil is capped with a red material but this is covered with a quite large eraser that is also in the shape of the logo/worker dude.

This pencil is obviously a novelty or keepsake, and while it writes like a fairly normal #2, being a bit toothy and on the soft side, it probably wasn’t meant to be written with very much and most of the normal information you’d find on a pencil is absent. The body of the pencil is surprisingly easy to hold, and allows for a good grip without much cramping, though it will dig in a little more than more standard pencil shapes. The biggest problem is the eraser, which makes the pencil massively back-heavy and almost unusable when attached. I didn’t test its performance because I didn’t want to damage its aesthetics but I suspect, like most shaped erasers, it would perform poorly.

It’s a pretty neat little gift shop item if you’re a fan of weirder pencils, and there isn’t much else to say about it really.

Review – Apsara Extra Dark Triangle Pencil

I’ve been looking at a lot of international pencils recently, and these are no exception. While Apsara pencils aren’t necessarily “hard” to come across in the US, these particular pencils, the Extra Dark Triangular, are virtually nowhere to be found. Are these Indian pencils worth getting your hands on, or nothing special?

The pencil almost couldn’t be simpler. They have a rounded triangular body coated in yellow paint. The back end is also rounded off and capped with a thin amount of shiny black material. Most of your necessary information is stamped on the side and filled in with black paint, though in lieu of a hardness number (they’re 2B by the way) there is instead the vague “Extra Dark”.

They are darker than the average #2 pencil, and quite soft/smooth, losing their point very quickly. I wouldn’t call them “extra dark” but you could certainly get away with it. And it’s nice for sketching or filling in scantron bubbles. The wood that the main body is made of is very light and cheap, with paint that is shoddily applied (it isn’t a nice, even coat, and you can see through it in places) but the triangular shape is comfortable and there’s enough friction to keep it in your hand nicely.

It’s far from the king of all pencils, but it’s comfortable, doesn’t like to roll off tables, and feels like nothing when holding it. It’s a decent test-taking tool (though it lacks an eraser) and an inexpensive* way to get those darker lines when sketching. Personally, the darker lines and triangular shape aren’t my style, but if that interests you and you find one out in the wild you might want to take a serious look. But I wouldn’t go seeking them out until they become more widely available.

*I assume

Book Review – Are You My Mother? (By: Alison Bechdel)

I was very surprised upon finding a copy that I hadn’t heard of Alison Bechdel’s follow-up to the outstanding graphic novel Fun Home back when I was getting more in to comics. Certainly Are You My Mother? had been published by the time I was reading its predecessor and looking up its author. But this “sequel” just slipped through the cracks, it seems. While the original got awards and a musical adaptation, this book didn’t quite seem to find its audience (at least as far as one can tell from the footprint it left). But is that deserved or is Are You My Mother? an overlooked treasure?

Are You My Mother? is (perhaps in a limiting capacity) linked very closely to Fun Home. Indeed the events and creation of Fun Home are mentioned throughout Are You My Mother?, and I suspect that if one reads the second without the context of the first they will get less out of it. Whereas Fun Home was a memoir half about Alison and half about her father, this memoir is half about her mother (surprisingly). The focus is a lot more on the present than the past, and a surprisingly large chunk is taken up by the few years between the release of Fun Home and this book’s creation. There are also large chunks dedicated to Alison’s dreams, both relating and interpreting them, and her therapy sessions. At many moments is seems to be less than half about (or indeed “about” as it supposedly is) her mother and more about her.

That isn’t necessarily a problem, even if it would mean the title is misleading. But a few chapters in, with the pages filled by enough text to write a novel (if she hand-lettered everything that is an amazing feat in and of itself), lots of allusions to famous works/people, and more than one would expect about the (psycho)analysis of dreams (something I personally find… well, “suspect” would be the nicest way to put it) and I start to understand why maybe this one wasn’t as well read as its ancestor. Similar “faults” were present in Fun Home: it was a wordy graphic novel and perhaps a bit “pompous” in its allusion to grander works. But it was much more “readable”. There is quite a lot more packed onto a page this go around and I can’t help but think Alison wanted to just keep going and going. That packing of information didn’t really stop me from reading, though, and the work is presented in a way that makes the reader want to keep going. I’m a sucker for graphic novels anyway, and this one took about an average time to read: less than 3 days, and I even gave up my nightly novel-reading-time as I got engrossed.

And the writing and illustration are engrossing. The level of artistry (upgraded this time in detailed renderings of scenes that force you to extract information from them as if it was real life) is still incredible in how expressive, understandable, and atmospheric it is. The fact that the only color is red(/pink in its various tints and shades), as opposed to green in the first book really puts you in a different mindset than Fun Home and is expertly rendered to influence the feeling of a page. The writing, likewise, is compelling and human. Alison is understandable (if not-at-all understandable) and while I could never “understand” myself making several decisions (like cheating on a partner {ha! partner…} or attempting to analyze my dreams) I can “understand” her well enough to comprehend why she made those decisions and what they meant in the small amount of her life contained in this book. I’m trying to say that the encapsulation of thoughts and feeling into words is as well rendered as the illustration.

But it just never quite gets up to the level it wants to be at. It’s trying very hard to get to the same resonant place that made Fun Home so successful (and I assume cathartic) but there isn’t as much to draw on, and it’s weighed down by length accounts of Virginia Wolff and Dr. Winnicott. It plateaus just below the breakthrough of its older sister(?) and wanders around distantly. Though I suppose that does capture Bechdel’s relationship with her mother fairly well, and maybe the first was more popular (with me and the masses) because her father’s story was more excitingly tragic.

I feel very strange having mentioned another book so many times in this review. But it seems appropriate that if one knows of both works the two can’t really be separated, especially with the success of the first. I’m sure there’s someone out there that has only read Are You My Mother? (potentially the children’s book and neither of the books I’ve been talking about) but it is a very unlikely scenario, and the stories intertwine so much that catering to such a person seems silly (though I don’t know why they would be reading this review). Together the two books form a whole. But it is a whole you can read the first half of and be relatively okay.

At one point I found a fairly pristine copy of Fun Home in a second-hand store and then put it in my “cart” before I even knew who I was going to give it to, but I knew there “was” someone I knew who I could give it to. Are you My Mother? unfortunately doesn’t make it up quite that high, and I can’t imagine myself recommending it to anyone who hasn’t read Fun Home. It’s a bit pretentious and it attempts to find correlation and causation where there is none, but it is tremendously well crafted, artistically inspiring with a story that is well told and meaningful to people in a myriad of difficult situations.