Category Archives: Art Supplies

Review – Sharpie Liquid Pencil Black

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Want the bold line of a pen, but the correct-ability of a pencil? Well, good for you! Erasable pens have moved up leaps and bounds, and Sharpie has one, called the erasable pencil.

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The barrel of the pen is a clear plastic with the branding on it. The grip is a light rubber, but it is more smooth than grippy. The tip is a cone that leads to the tip which is retraceable with a click mechanism. The entire back third of the pen(cil) is the click mechanism, with an eraser and flimsily little clip. Sharpie is written on the clip, but small and indented. The mechanism is cheap, it simply sits on the back and doesn’t fit into place on the back, it wobbles and bounces while one is writing. It makes the pen feel unnecessarily cheap and plastic-y.

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The ink is black, but it is a bit thin and grey, though not nearly as grey as say, a pencil. There is nothing else particularly spectacular about it. It is fairly permanent, but it is less fade- and water-resistant than most inks, because of course it can be erased. And it can be erased. Depending on the thickness of the line it goes away completely, or to such a faint line that it is unnoticeable. It is truly a liquid pencil.

So it doesn’t exactly have the boldness of a pen, but it is more bold than a pencil, and it is erasable like one too. So if you were looking for a happy medium between the two, then look no farther. But if cheap-feeling construction and not-so-bold lines put you off, then I’d suggest looking elsewhere.

Review – Zebra F-301 Ballpoint

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Sometimes even the most pretentious artists or religious fountain pen users have to use a ballpoint pen. Now they could just use a ballpoint insert in a more expensive pen, but they might not want to do that. They also might not want to use a Bic ballpoint. So now we enter the level of not entirely expensive or cheap ballpoint pens. The first being the Zebra F-301 ballpoint pen.

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The pen is made of stainless steel with a round barrel with the model number on it. The (grip) section is a checkered plastic that is grippy and between comfortable and uncomfortable. It really does nothing for me. The cone near the tip is nothing spectacular. The clips is a simple stainless steel, with a plastic back and a metal button. The button does not lock down when depressed so it does shake when one is writing. Otherwise, the body is very study and light. Denting is hard; scratching is fairly easy, though.

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The point is very fine. It writes smoothly and the ink is standard ballpoint black. It is slightly grey and skippy unless one pushes down hard. It is not waterproof, but it doesn’t smudge after drying. I will say that the pen I have used is more prone to globs of ink off the tip than almost any other pen I’ve used.

So overall the additional expense of this pen (which isn’t very much, but still…) over a regular ballpoint is obviously its design. It will hold up better and is much more pleasant to hold than any other cheap ballpoint. The writing experience is about the same, which, to be fair, doesn’t get much better with the more expensive pens. It really is just a matter of taste and how much you want to spend on this one.

Review – Bic Disposable Fountain Pen Black

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If you’re an artist or would like to become one you’ve probably heard that ballpoints are not a good art instrument. While this is not the case, there certainly are better ones. Fountain pens are generally accepted to give a better writing performance than ballpoints. And the Bic disposable fountain pen seeks to combine the smoothness of one with the convenience of the other.

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The body of the pen is a smooth torpedo in the classic fountain pen shape, though a little smaller. The cap has an easy-to-use clip attached solidly to the top that is both sturdy and tight. There is a partial ink window and logos along the otherwise silver-colored barrel, nothing else. Taking off the cap and looking at the (grip) section, the feed(er) is viewable though a clear tube. The section is much thicker than a ballpoint and easy to grip, though it may become slippery and has no lip at the end. The nib (tip) is steel and ground to a medium point. It is unspectacular looking.

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As for writing, it is very good. Most of the money you pay likely went into the nib and it shows. The pen writes smooth and effortlessly for the most part, but can be prone to feedback. The flow of the ink is good and it keeps up well. Speaking of the ink, it is surprisingly black, and unsurprisingly not waterproof. This ink will feather easily and take a moment to dry. I also don’t recommend using cheap paper, as the ink will bleed thorough, though not as bad as many bottled inks. There is a massive supply of the ink, though, so you won’t have to worry about this pen breaking your wallet particularly.

For a cheap pen ($2-4 a pen), this is a very nice one with a lot of okay ink. It writes well and draws the same. If you’re looking to experiment with fountain pens in your art or writing, and would prefer a slightly larger pen, this is certainly one to look up.

 

Edit: I have done a Video Review Here that highlights some major problems with the pen.

 

Review – Speedball Super Black Ink

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Let’s get to inks. If you’re drawing you might want to try out some India inks. I’ve already taken a look at Higgins India inks, but today I’ll be looking at Speedball Super Black. The ink comes in a plastic half-cone container, that is fine for dipping as it is very wide. It is very full though and can be easily spilled at first, so be careful. The cap has a foil lining that isn’t very good and ink gets on the rim and underneath it constantly, so be careful when opening and closing as there may be ink where it isn’t supposed to be.

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Now on to the ink itself. It is black, and when I say black I mean black. It has virtually no greying even when applied in the finest or broadest of nibs or brushes. It goes on black, and it dries black. Though it is a warm black with a hint of yellow brown when applied very thin. It does dry fairly quickly, though not the fastest, and it doesn’t feather on any paper I’ve used, even in large amounts. It doesn’t bleed through the page, but it does have some show through and page buckling in larger dollops, so it should only be applied in one coat. It is quite water-proof as in it doesn’t even move when water is applied to it, though that is because it contains shellac which can clog up pens and brushes if not washed out properly. They recommend ammonia for that but soapy water applied right after use should do the trick if nothing else. It can also be diluted for washes etc, but because it is heavily pigmented this is not the optimal ink for the purpose as it could go bad quickly.

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Overall if you want a BLACK drawing ink and can handle the problems pigmented ink presents this is a fairly cheap ink that may just be exactly what you’re looking for.

 

 

Comparison – Wite Out Vs. Liquid Paper

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Sometimes you make mistakes, and sometimes those mistakes need to be corrected. There are a few ways to do this, and a few brands of correction fluids to buy. Today we’ll be comparing Liquid Paper and Wite Out.

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What do they have in common? They both have similar size bottles (~20ml) and a stick with a sponge-wedge applicator. They are about the same size in application. Those are the only cosmetic similarities. The bottles themselves are very different. The Liquid Paper one is a bit larger with grooves on the side for grippyness, while Wite Out is just in a slim, standard-looking bottle. The Liquid Paper bottle has ridges on the cap that are supposed to make it easy to open, but instead they are slippery and difficult. They also get in the way when applying. The ridges on the Wite Out are much easier and less intrusive.

But now on to the substance itself. And there is no noticeable difference in the application process, as they have about the same viscosity and go on smooth. The brush on the liquid paper feels a bit stiffer. When dry the best I can say is Wite Out is a warm white, and Liquid Paper is a cool white. The are both undeniably white, but neither are true white. You couldn’t say they have tints, they are just warm and cool. After drying the Wite Out is easier to write on, so that is the only other consideration.

It really depends on what paper you have when using these, warm or cool paper. Yellowish will prefer warm. And though Wite Out is easier afterwards, it isn’t too much easier. So it comes down to price if neither of those things matter, as I can say that they both work quite well at what they’re designed for.