Category Archives: Art Supplies

Review – Expo Ultra Fine Red, Green, and Blue

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Last week I looked at the Ultra-Fine Expo markers as a whole, and the black color specifically. This week I’ll look at the more common colors in most dry-erase ranges in this size and brand, and see how they work.

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Red- The color red is a problem with many pens, and dry-erase markers are no exception. The red goes on smoothly enough, and is one of the thinner “sticking” inks. The lines it makes are solid, but the shading and their thin-ness is more pronounced. The color is also quite washed out and pink, which I’m not really a fan of, but seems to be a theme in reds.

Green- The green is one of the thicker and smoother colors. The lines are bold and solid. But the color, while pleasant, is also washed out. While it is definitely in the green spectrum, it’s more of a sea-green or something similar.

Blue- And finally the blue. In writing characteristics, it’s more of a mixture between the other two. The lines aren’t as bold or thick, and it’s not quite as smooth as green, but more so than red. The color is the most true and least shading of the bunch. It goes well with the black, and is easy to read even from far away, though it isn’t too dark.

The first set of colors is standard, and while lackluster, they get the job done. I can’t really complain as they weren’t created with art in mind, but rather for ease of use and low odor, which they have. Next week I’ll take a look at some of the less-standard colors available in the lineup.

Review – Expo Ultra-Fine Point Dry-Erase Markers

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When it comes to dry erase markers, Expo is almost the only brand people recognize out there. Their chisel-tip markers are almost ubiquitous in any place that requires a white board, and are generally what people replace the cheap in-package markers from home magnetic boards with. And while I like the markers and always have, I do have a problem with their tip size. Even the fine point markers are large enough to be hard to use for people who like to write fine lines, like I do. Fortunately, there are slightly-less-popular, but still easily available Expo markers with an “ultra-fine” tip. Are they much better?

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The body design is almost identical to the fine tip versions, with a slight taper from the middle to the ends. There is a step-down on the rear to allow for easy posting. There is also a step-down from where the cap is removed to the section. The cap and all of the writing on the pen is loosely in the color of the ink. The section can be a bit slippery, but it’s never a problem. It ends in a small cone with the point that is indeed very fine for a dry-erase marker. The information presented on the side is standard and useful enough.

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The tip is very fine when compared to a regular fine marker. It gets down to a medium/broad on a regular ball or fountain pen. The ink flows smoothly and erases easily, as one would expect from the Expo brand. The black is the standard Expo black, and does the job. It doesn’t start to wash out at this size and is perfectly readable.

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For anyone who needs to mark something with a bit of a finer point (like on a map), wants to write regularly on a dry-erase board, or for those who are artistically inclined and were frustrated when they couldn’t get the various line sizes they needed out of the more standard Expo markers, these work very well. They are of the same quality as the other markers in the line (which is to say as good or better than competitors) and offer a much smaller and more manageable line.

Comparison – Simply Tacky vs. Scotch Mounting Putty

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When looking for some sticky tack to put that poster up on the wall without using push-pins, one usually looks for the Scotch brand. After all, they do know how to make things sticky. But one may also find Simply Tacky a (terribly named) product that does the same thing. Is it worth it to search for the right brand?

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To start off with, both items come with very close to the same amount of product. The Scotch packaging is slightly smaller, and more packed with use information and diagrams. Both are cut into four similarly-sized bars. The Scotch is the only one with a weight limit (of 1lb). Both are quite white, and are easy to pull apart and shape to stick onto a surface. Both are very grippy, with the simply tacky being a little more malleable and aggressive. It breaks into pieces more easily, though.

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As for what they can hold I’d say it’s about equal. The Scotch says it’s up to a pound, but they don’t tell you how much product to use. With a tiny, equally-sized bit of each product (weighing less than a gram) I was able to hold 70 grams (2.4 oz) easily, and I’ve held up to half a pound products stably up with enough (It will do up to a pound, but only in certain configurations of putty and object). Putting that same small piece of product up with a 7oz (198g) item, both failed fairly quickly with the Scotch maybe a little faster, but I’d chalk that up to my tests being not completely scientific.

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Overall, I’d say both products are really the same on the user’s end. Their uses are the same, price can be more or less in favor of each brand depending on where one shops, and they hold almost equally well. If you’ve got a choice in the aisle, then I’d say take the cheaper one, but it’s not worth another trip to get the right brand.

Review – Zebra M-301 Mechanical Pencil

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The Zebra F-301 is one of my favorite and most hardy ballpoint pens. I’ve used one for a long time, and they have a good record for staying together. But Zebra has several other writing utensils in their “301” line, one being the still-very-popular M-301 Mechanical pencil. Is it as good as its counterpart? Let’s see.

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The body of the pencil is the same as the pen, starting with a sturdy stainless steel click button, and going to a black plastic clip “holder” for a stainless steel clip that does its job if one doesn’t get turned upside down and shaken. The barrel is also a nice, plain stainless steel with the pencil’s information printed on it. The grip section is plastic with a bit of “knurling” that provides some grip and is unintrusive. The real difference between the two bodies is that after the section the pencil has a black plastic taper with a metal pipe for the lead. Unscrewing this will reveal the lead and make it breakable but otherwise not change the operation.

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The push cap operates smoothly, and can be removed to reveal an eraser that does its job, though it has no replacements in the package. Removing the eraser reveals the lead feed, which thankfully does come with more than one lead in the standard version. The lead feeds well, and writes as smooth as one would expect a standard HB to. It is a bit hard, and brittle at times; unlike many pens there is no shock absorber, so keep the lead as short as possible. The pipe and the lack of a shock absorber do make this pencil much more like a drafting pencil than the standard mechanical pencils, and it would work in that scenario in a pinch (or perhaps a bit longer). And its rugged steel exterior make it great for taking anywhere. One would just have to worry about the pipe getting bent or tearing something.

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It’s a great pencil, really, and it lives up to the expectations of its ballpoint relative. It isn’t perfect, but it’s a tough little thing that gets the job done, and for an inexpensive price, considering the materials and drafting-friendly capability. If one can find refills, they will have a pencil they can take anywhere for a very long time, even if it’s not their main utensil.

Review – Tombow Dual Brush Pens Grayscale Set

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Ink-washing is a great way to improve the look of ink drawing, but diluting India ink and using traditional brushes can be messy and a hassle at times. Gray brush pens certainly do help and the Tombow Dual pens have both a brush and marker tip to make using grays easy.

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On either end of the marker there is a cap. One is quite a bit larger than the other, in both length and circumference. Both have ridges for easy removal, and small inner caps to prevent what they’re covering from drying out. The larger cap also has a fin to prevent it from rolling too far on a desk. The caps are made in such a way the that larger cap can “post” over the smaller one, and the smaller one can post into the larger one. They’re both sturdy and work well. The section for the larger brush side is nice and tapering. It’s long and easy to hold. However, the one for the marker side is quite stubby and holding on the body is almost necessary. The body itself is plain: a cylinder with text, Necessary information is there and it works.

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The pack I have is a pack of five grays and a black. The black is fairly understandable and a bit warm. The other grays purport to be “cool” but do vary from cool to warm, in my opinion. Several of them are also far too dark to really be distinguishable, but that also is just my opinion. The N95 and N60 are the most distinctive. Being very light and easy to work with, and very warm, turning to green after a while, respectively. The 45 and 55 are barely distinguishable and the 65 is about halfway between true white and true black, but all three get very dark very quickly and none of the five easily make a smooth edge, they are too varied in color to do so. The colors are all acid free, making them archival quality. And while they are water-based and claim to be blendable, I find that once they absorb into paper or card they are almost immovable. They go on smooth, the brush has quite a bit of variance but can be fragile (it is a sponge-like and not a bristle brush) and the marker is quite consistent and rigid. They can be used for several large projects or quite a few little ones, but can’t be expected to last longer than any other felt-based markers.

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In the end, they are great for someone who is just trying to get a feel for the grayscale washed look but is frustrated with, intimidated by, or doesn’t have to time for mixing up one’s own wash. Some other supplemental brush pens might be needed to get the full effect out of the shading, but these are a good start and the double-ended aspect makes them more useful than similar pens.