Category Archives: Intermediate Supplies

Review – Fisher Space Pen Stowaway

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The Fisher Space Pen has a reputation for being a very good pen, with many models being used by many people for many different things. But I feel that some models of space pen get more attention than others. And for some reason, the stowaway isn’t one of them, but it might be my favorite and I think it’s deserving of a look today.

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The body is very simple. It’s a black metal cylinder with a plastic end cap and another slightly larger black cylinder fitting over it. Fitted to this top tube is a clip, which is longer than most pen clips I’ve seen and has “Fisher” stamped into it (not much else to say, it works as a clip should). On the section there is a slight but smooth step down, and then a taper to the point.

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Writing is fairly smooth, though it does require a bit more pressure than some of the more modern pens (but less pressure than the cheap ones). The pen itself is very thin in diameter, meaning one’s hand will begin to cramp if writing more than a few notes. The body is also very short, and generally requires the cap to be posted (placed on the back of the pen) in order to lie in the webbing of one’s hand and be comfortable. This small-ness is very useful when traveling, as this pen can fit just about anywhere (but not an Altoids tin or some similar sized case, which might be why “preppers” don’t use them very often). And even though it’s metal it weighs next to nothing. In most cases it will “stowaway” very easily.

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I really like this pen. It goes with me almost everywhere (and I found an almost identically-sized pencil I will be talking about soon). Its slim body and black color make it very low profile and professional, while its all-metal construction and space pen (underwater, upside down, in space etc.) writing ability make it a very rugged writer. I did dent and scratch mine within a day of owning it, but I haven’t put anything on it since (and besides, that just adds character). The cartridges are even replaceable so you don’t have to throw out the pen each time as with many pens of this size. So, if you’re looking for an on-the-go sketching/writing/note taking pen that could also fit in with any of your other stuff at a moment’s notice, I’d say check this guy out.

Review – Pentel Sharplet-2 .9mm

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Recently I was gifted several mechanical pencils from someone who is a fan of larger lead sizes, and they were attempting to convert me. I have to say I’m not convinced, but the pencils themselves were ones I hadn’t had previous experience with. That isn’t really surprising, considering the vast array of mechanical pencils on the market from companies like Pentel, such as the gift I’m looking at today: the Pentel Sharplet-2 in .9mm.

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The pencil has a very classic and simple design that’s been around the block. At the back there is a plastic, cylindrical cover for the eraser, which is the standard tiny variety and placed over the lead tube. This back bit also serves as the click-advance mechanism. The barrel is the same diameter as the back cover, and consistent all the way down. The clip is one piece of metal that is friction fit around the barrel; it is a little stiff but keeps the pencil where you clip it. The only other features of the barrel are the brand and model information (that is engraved in as well as painted on, making it harder to wear away than on most writing implements), and about an inch of tiny ridges on the “section” (there is no separate section so that is for you to decide) for grip. The plastic cone that screws on the front is straight and unspectacular, ending in a metal pipe that makes the pencil more drafting-friendly.

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The leads pencils normally come with are all pretty standard, straddling the line between super dark and super light. The wider leads, just by virtue of being larger, require less pressure to write darker, and write (or sketch) in general with a wider and darker line. There are no real problems or tricks one has to get used to when writing. The eraser is similarly plain. It erases well, but can have trouble getting rid of darker or thicker lines like all erasers of its size that come packed in with mechanical pencils. The pencil does come in different versions for lead sizes; these are color coded for easy identification (it looks like there is some variation in the eraser color, as well).

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Pentel makes a solid pencil, and this is no exception. The design is simple, comfortable, and durable. It’s really a no-frills pencil. Everything is basic and has a function, it’s easy to disassemble and parts could be easily replaced (though it isn’t expensive enough to justify the hassle of that, it certainly isn’t a disposable pencil, though). The mechanism is satisfying to use, the grip is not slippery, the clip holds, and the retro styling makes it look kinda trendy (not that I care). If you want a simple, solid pencil or want to buy a set with easily distinguishable lead sizes, these would fit the bill.

Review – Huion 17.7” Light Pad (L4S)

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There have been some huge leaps in lightbox technology in recent years. I’ve owned 3 lightboxes in my time, one being a repurposed dental x-ray box, the second being a traditional style box and the third being this which I bought as a possibly temporary replacement for my more traditional-style box. But I might not be swapping back so soon.

Their photos look a lot better than mine

Their photos look a lot better than mine

The Light Pad itself is a rectangular prism that measures 17 7/8” diagonal and 14 1/8” x 10 5/8” x 3/16”, meaning it covers quite a large area, but is very slim. The workable white/translucent area has markings on the side indicated in centimeters 12 ¼” (31cm) x 8 ¼” (21cm) with a ½cm margin. The non-workable black margin is about ¾“ all the way around the pad and it’s only features are the power button and a logo. On the side of the device next to the power button is a micro USB port that is only used for power (this version has no internal batteries), and a red LED will come on when the device is correctly connected. On the back of the device there is some modest information and nicely padded feet that prevent the pad from sliding around when being used.

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Using the Light Pad is a breeze. Simply touching the power “button” lights up the entire workable area to the highest brightness setting (which isn’t very bright, and being shone through a white plastic makes it much less glaring on the eyes). Touching and holding the button will start the pad lighting up, and releasing the button during this will keep the pad at the current brightness setting. This setting is remembered and the next time one starts the device it will light up at the chosen setting unless you hold the button down again. The working area accommodates A4 and Letter sizes well, and the light on the brightest setting easily works with 2 sheets of 110lb cardstock. The plastic the surface is made from is very smooth, but resists sliding and scratches. The feet are also very nice and the device is stiff enough that it doesn’t bend around them under normal use (I still wouldn’t go stacking things on it).

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I don’t think I’m going to be going back to the more traditional lightboxes anytime soon. In my opinion the only advantage they offer is an angled working surface, which is a feature I never really used. The Huion Light Pad is a great lightbox; it’s sufficiently lighted and durable enough to be easy to work with, thin enough that is stores easily, and draws very little power. Its overall workspace footprint is very small, and its job is done almost flawlessly. I do find the red LED indicator light to be annoying but I can’t think of a better way to do things and it is much less troublesome than other indicator lights I’ve had to deal with. I also have no use for the multiple brightness settings but I suppose it’s better to have it than not. Still, the device has become a permanent feature of my workplace and I would recommend anyone looking for a lightbox to look at these cheaper and thinner LED alternatives to the traditional boxes.

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Review – Poppin Fineliners

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Poppin is a company that I don’t know much about, but their pens definitely catch the eye. When I saw this set of fineliners (felt tip pens) from them, I knew I had to pick a set up. The packaging and the feeling of the pens themselves appears quality, but do they live up to their first impressions?

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The outsides themselves are very nice looking. At the bottom is a small inset for posting the cap, which connects via a visible seam to a very smooth and featureless barrel. Underneath the cap are a series of step downs that are quite short and would be uncomfortable to hold, leading quickly to a standard-looking felt tip point, making it more comfortable to hold the pen by the barrel when writing. The cap, when on, has a slight step up from the barrel but is equally pleasantly smooth, and its only features are a dimple in the top and a rather unique u-like clip that looks like a Lamy wire clip that has been flattened.

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Functionally, the clip is about useless. It doesn’t have any dimple with which to grip, and is spaced farther from the cap than the width of most fabrics, meaning friction won’t be holding it in. The tips themselves aren’t that great, either. Like most fineliners, they do write with minimal pressure, but unlike most they do not give a consistent line. Dots very quickly form when writing or drawing due to having a very fluid ink not well controlled, and when writing fast at times skips can even develop, though this is rare.

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The colors of black, blue, and red are very standard, but the two extra colors are very washed out, blue especially. The blue is very pleasant sky blue when controlled well, but becomes darker quickly. But it still sticks out compared to other office blues. Red is nice and vibrant, though its tone is closer to that of a pink. It’s the least prone to problems as the ink is a bit thinner and less likely to dot. The black is fortunately a black and not a very deep purple or gray as some are. It is slightly on the cool side, which is unusual. The colors do match their corresponding pen bodies fairly well, but the inclusion of a 4th pen that has a white body, but also black ink, is slightly confusing. They unfortunately do bleed through the paper, but have minimal shading and resist water (while they do spread slightly when wet, they remain easily readable).

Overall I think the pens aren’t really up to par with what one can get for their office. They are sturdy and the ink works well, but without functional clips, they must remain at the desk or in a case, and their writing performance leaves much to be desired. The user just ends up with a pen that feels slightly rough and dry. If style and durability are your main concerns (and potentially ease of writing as the ink almost jumps from pen to page on contact) these might work for you. But for those looking for the superior, super-smooth and comfortable writing experience, or a portable reliable writer, these can be easily passed up.

Review – Parker Jotter Stainless Steel

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There are many pen brands out there, specializing in various things. Most Americans who know more than nothing about pens would recognize the Parker brand as a longtime quality maker. One of the least expensive, most accessible, and longest running products they make is the Jotter ballpoint/gel/rollerball pen that utilizes Parker’s own refill type. I have here the “all stainless steel” version, how does it hold up?

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The pen itself is obviously all stainless steel. At the back is a very pleasantly tapered click button, followed immediately by the clip shaped as the famous Parker arrow. The pen from there slowly bulges and then tapers down to the end where it almost seamlessly meets with the pen’s point when it is not retracted, with only a slight seam 1/3 of the way down the pen where it is unscrewed to be refilled.

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Now I can’t speak to the Parker brand refill this pen came with as I don’t remember how it wrote and I currently have a Monteverde refill inside (that writes very well, as I said in my review). But I can talk about the feel and sturdiness, both of which are superb. The click mechanism is a bit different and it just feels not as advanced as some of the more modern pens, but it is very solid and satisfying. There’s nothing wrong with it, it just feels older (like using one of those drafting pencils that have been in production for 60 years). And the steel finish is very easy to grip, while beings stylish and well-wearing. Scratches and such barely show up, keeping the pen looking nice and professional for some time.

Overall it’s a great pen, and for the price (a little more expensive for the “all stainless” one) it is easily a great value as one pen could last a lifetime (though refills might not be cheap). It’s hardy, with a time tested, solid mechanism, and while it doesn’t look as nice or handle as well (or have as many expensive materials) as the more expensive ballpoints out there it still looks professional, fits in with both modern (stainless) and retro (colors) styling, and can take a rough and tumble life. It’s a tough little trooper.