Tag Archives: yellow

Review – Crayola Triangular Crayons

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Are regular crayons too small for your hands or prone to rolling off your table and getting all over the floor? Don’t worry, Crayola has your back with triangular crayons that “promote proper writing grip” and are “anti-roll®” (that registered sign isn’t a joke by me, it’s actually on the box). They are available in your standard pack of 8, or, as in my case, 16 (and maybe larger packs, but I can’t find any), and I’ve been seeing them pop up in stores recently*. But are they the right fit for you?

From what I can tell, the colors here are exactly the same as in all other Crayola crayons so I won’t be going over them here (Colors–Review). The pack comes in a standard cardboard box (a little rough around the edges) with a cardboard tray inside and two plastic dividers to hold the crayons in place. It’s a pretty sturdy system and none of my crayons were broken or significantly worn.

The bodies of the crayons themselves are quite a bit larger than your average crayon, being triangular in shape (with rounded corners) with each face being just shy of a half an inch wide. They’re wrapped with a craft-paper-esque standard Crayola wrapper and have a step down about a half-inch from the front followed by a triangular point. From the box they are super comfortable, resting nicely in the hand with the paper being both warm-feeling and giving enough friction to prevent the hands from slipping. They work well both for children without fine motor skills and adults with larger hands (though the grip is actually surprisingly small). And they perform just as well as any other Crayola crayons (that is to say, very consistently and pretty good for a wax crayon, but not much use for blending or layering).

I’d say the gimmick works, if you (or whoever you’re buying them for) were having problems with regular crayons being uncomfortable, held wrong, or in a constant state of rolling off the table. They are a fairly inexpensive solution, though that shows: imperfections in the wax mixture and paper application are readily apparent (with several noticeable chunks of crayon missing in some places). Maybe that’s just my pack, maybe Crayola’s manufacturing standards are going down, or maybe they were always like that and I didn’t notice. In any case, they are effective in design for both children and adults, and probably worth the little extra cost in crayon mass alone.

 

*Despite the fact that I peruse office/art supply aisle frequently I miss things just as frequently, so they might have been there before.

Review – Art & Parcel (September 2016)

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Art & Parcel is a monthly subscription service for art supplies from H. Blyth & Co. It’s like a Lootcrate, but for art supplies; so it’s way better than a Lootcrate (my opinion). But with so many of these monthly-blind-subscription-service things around, what makes this one special enough to look at? (Answer: Art supplies) And is it worth it to get one?

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(Couple of notes here: I got this parcel for free {and even though I got to pick one, I didn’t get the one I picked, so the picking part won’t influence the review} for review, and I live in the US where the “subscription” part of this service is unavailable. From what I can tell that means that I would have to pay up front as a lump sum to get my parcels, instead of being able to pay by the month, this also means that shipping cost is terrible to get them here, £16 (About $20) is a steal for these products, and the shipping in the UK is a great deal too, even throughout the rest of Europe it doesn’t exceed the price of the items like it does coming to the US)

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The one I am going to be looking at today is September’s parcel, which is focused mainly on colored pencils, but first I’ll talk quickly about the packaging. Mine was shipped in a bubble envelope, inside of which was a very nice cardboard box that was very well sealed with brown tape. On the top the Art & Parcel logo is printed very plainly, and on the bottom in pencil there is the month. (My box was a bit dented, but this is likely from the post office as, due to my schedule, the box had to be sent through the post twice) Inside is a nice packing slip that explains everything that is in the box along with its regular retail price (if that’s anything to go on you save a pound or two from buying the items individually in this set). All of the materials are neatly and securely wrapped in a newsprint/tracing paper that is sealed with a sticker of the Art & Parcel logo. It is all very well executed and nothing got damaged.

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The first items in this box were four Faber-Castell Polychromos pencils. I am no stranger to these pencils (they were the subject of one of my first {and not as well written} reviews), though I don’t have these particular colors: Naples Yellow, Light Phthalo Blue, Chrome Oxide Green Fiery (wonderful name that), and Red-Violet. I think the choice of colors is a bit strange, but they are definitely useful, and give a better representation of the pencils abilities than a plain RGB or RYB would have. There’s not much more to say there since they are some of the best colored pencils around. One thing I do really like about them is the fact that they layer so that some colors can somewhat be on top of other colors, unlike the cheaper colored pencils where they’re pretty mutually exclusive.

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Next is the KOH-I-NOOR Hardtmuth Magic pencil, which is basically a fat colored pencil that has a “lead” made up of the 3 RYB colors. This means that as you write or color with the pencil it changes, and the colors mix together to create a nice gradient effect. In practice the yellow mixing with both the red and blue works great, but the purple almost looks black and rarely shows up, and getting a nice solid version of one of the primary colors is very difficult, so the gradient looks more green and orange than anything else. I would bet that with some practice and odorless mineral spirits with a blending stick that it could produce wonderful effects, but I would still have trouble finding a use for it.

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Third up is another Faber-Castell product; one of their Pitt Artist Brush Pens, another item I’ve looked at in the past, though this is a different version. It’s a “big brush” and the body of the pen is over a half inch in diameter, a bit chunky for me but still very easy to hold on to and surprisingly comfortable. The color is “Cold Grey IV” which seems to be in the middle of the grey family, and the brush is very fat, going from lines of about ½mm to almost 5mm. It’s also got all of the stuff you want out of an ink: waterproof, lightfast, and archival quality. But I’m not really sold on how it fits with the rest of the stuff here. It is a grey, which makes it more like a pencil when sketching, but going over the same place multiple times does make it darker. It’s just strange to me, but then again I have a very different style to most people, and playing around with a new brush pen is always fun.

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And the final item included is a 10-sheet pad of watercolor paper. It’s made by Fabriano but has the Art & Parcel logo again on the front. It’s A5 size, which is about 6” x 8” and is a hefty 300gsm. It handily took everything I threw at it without flinching, bleeding, or feathering. Sharpies, calligraphy pens, and brush pens push most papers to the limit, but this stuff is truly meant for paint (watercolor at least), which I don’t have too much of lying around (in accessible areas, I did have some tempera and it handled that very well), but it seems easily capable of handling it. A liberal application of water will turn it in to one big slight buckle, but that’s about it. My only complaint is that there are only 10 sheets.

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Overall I’m very satisfied with this box. It’s well worth the money and provides several products that work in tandem, allowing you to start creating right out of the package without having to look for more materials. From what I can tell, this is true of the previous parcels as well, but each one comes based in a different medium. The subscription would be relatively inexpensive way to try out something that might not be in your comfort zone without having to do a lot of research or spend time picking out and ordering products. It was honestly really hard for me to try and pick out a parcel I wanted. The recent ones at least were all super cool (and they can be purchased even after the subscription goes out, so nobody needs to miss out like with other sub boxes) and I’d be signing up right now if shipping to the US didn’t more than double the price (damn the postal service(s)). I really like this box. It’s given me a bunch of cool stuff to play around with (and a Haribo candy to eat*) and if the idea of getting a bunch of high quality art goodies in the mail every month appeals to you I would recommend it.

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*I ate it; it was good (like a softer laffy-taffy).

Review – Bic Xtra-Fun Pencils

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Sometimes I’m a sucker for buying new things for the novelty, and I think that’s what Bic is counting on (except I think their target market is children) with the Xtra-Fun series of pencils. At first (and second) glance they appear to be regular #2 pencils in wacky, fun colors. But are they usable?

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For the most part these pencils are pretty standard: a “wooden” hexagonal body with general information stamped and inked into one of the facets (each pencil also appears to have a unique number stamped but not inked into it; I am unsure of its significance). The most obvious differences between them and regular pencils is the bright-colored paint on the outside with the inside dyed a different (usually mismatched) color, and that the standard metal eraser holder has been replaced with a much larger diameter plastic one. The body looks and feels at first like a regular wood pencil, but after sharpening and handling it for a bit I would say that if it isn’t a type of plastic it is a “flaked and formed” wood that uses a different process than most pencils to give it more plasticity.

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The performance of the lead is as expected, on the soft side of middle-of the road. Not much precision is possible, nor shading; it’s good for scantrons and notes. The eraser is of the white variety, and actually very decent, erasing most typical writing lines without seeming to disappear before your very eyes. In fact, the most disappointing thing about this pencil is its structural integrity. It bends very easily, and much more so than a regular pencil. Simply handling it will result in finding out how easily it bends, which is worrisome in general, but added to by the fact that when I was using these pencils I began to sharpen one, and the tip broke off every time I was just getting to a point, down until there was no more pencil to put in the sharpener. Thus, one of my pencils was rendered entirely useless, and I hadn’t really played with the plasticity of that one, so I would definitely call it a defect, and one that makes it hard to recommend these pencils, especially for children.

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I probably won’t be buying any pencils from this range again, but that would’ve still been the case had they been good pencils. But with such an easy to encounter (albeit not in the intended usage case) flaw that essentially ruins the pencil’s penciling ability, I have to say I wouldn’t be able to recommend them to anyone. The colors are also terrible but I suppose some have different (perhaps more X-treme) tastes than I, so I can’t particularly fault it there.

Review – Sharpie Colors Part 6 – Orange, Peach, And Yellow

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And now, it is time for the final (for now) part of my look into the various colors of Sharpie markers (that I own). This section isn’t quite a “nice” as the others as I didn’t have another place to put the yellow that seemed appropriate, and there aren’t many oranges. Nevertheless, let’s take a look.

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Orange – The standard orange is, like all standard Sharpie colors, quite dark. It doesn’t quite resemble the fruit enough for most renderings but is close enough. It’s not too bad on bleed-through, feathering, or shading. It’s well behaved, just not that useful.

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Peach – Peach doesn’t quite look like a peach either. It’s more of a weird skin tone. But it is perhaps a bit more natural looking than the orange. It’s pretty bad on bleeding and feathering, with shading being noticeable. But it is pretty so if you like the look you might be able to find a use for it.

Yellow – And finally yellow. It isn’t something really spectacular. It is indeed stereotypically yellow, without much of a natural bent. It is hard to read in the dark and bordering on eye hurting in the light. It bleeds through, but feathering and shading are minimal. I would struggle to find a place for it due to its unnatural hard-to-read-ness but if yellow is your thing, it certainly gets it done.

And that’s the last set of the Sharpie colors that I have. It’s probably the most lackluster set (figuratively. Literally would be the neutrals). I would struggle to find a place either in art or at the office for them, but they do help round out any personal collections and would make eye-catching signs I guess.

Most of the Sharpie colors are more useful, though. The set I have would work both in the artistic and office realm. And it offers a large enough selection of colors to keep most people happy.

Review – Faber-Castell Pitt Artist Pen Brush Manga 6 Color Set

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I’m not a Manga artist. And I usually don’t use color in my art. Mostly because it’s hard, like using brush pens is hard. What I’m trying to say is that my perspective on this particular set of art implements might not be the view of the average person who might find them very useful. With that said, let’s take a look at this set of Faber-Castell Pitt Artist Pens, the Manga 6 Color Brush set.

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The pens themselves are fairly plain. There is an indication of the size (“B” for brush, in this case) on the top of the cap. The cap has a set of groves running around it with a shiny finished top and clip. The clip is the same piece of plastic as the cap and does its job in an unspectacular way. The body is straight until the very end, which protrudes as a fluted section for posting, at which it’s effective. The body contains all of the needed information in several languages, which makes it seems a bit too crowded, but I can’t really complain. The section is slightly textured, which is wonderful; it isn’t slippery or uncomfortable. After that is a tapering section for the cap seal and the brush point itself. The cap seals and holds well onto this point.

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The brushes themselves aren’t of the bristle variety, but are more like a flexible porous point. This makes them much less finicky, and better for a disposable item like this one, as they would wear out faster than a bristle brush. Their flexibility is nice, going from a medium point to one several millimeters wide with relative ease, and they can be bent to some pretty severe angles without any long-term damage being done. The amount of ink they lay down is good. It increases with the pressure on the tip, and makes a full line. At times it skirts on “not enough”, and layering will definitely change the color significantly. Sharp turns with the lighter colors will leave a darker area on the corner. On office paper this amount of ink will bleed though, especially at the ends, but on cardstock there is barely show through.

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The six colors themselves are a decent selection, but not great: Dark Naples Ochre is a nice, natural looking yellow. Orange glaze is a bit pale and not really a color that is found in many places. Pink Carmine is a bit too dark and is hard to use. Purple Violet, besides having a redundant name, is dark and pleasant, but again not very natural. Phthalo Blue is a great looking lake or ocean blue, but is a bit dark for most uses, and Permanent Green Olive is quite dark and olive, which is more suited to deeply forested areas or jungle than to plains or some more common areas. Still, the colors interact with each other very well, and they dry fast, but do mix on the paper, meaning one can get interesting color combinations while still having their pens keep relatively clean.

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Overall, the set is a good set to introduce oneself to the Pitt artist brush pens. It has a nice simple selection of colors that allows for experimentation and can be used for the base of a larger set. But I certainly wouldn’t consider it a complete set for creating an art work. Many more colors would be needed, and more tailored to one’s specific purpose. For instance, there is very little here to make skin tones with, which would be very important in Manga. They’re very good pens, but the set is incomplete.

Addendum: I failed to mention the water/smear proofing of these pens when I first completed this post. Both of which are very good. When interacting with other inks or materials the lines generally stay solid, which is good for resilience but bad for blending. When hit with water the lines don’t move, but they do bleed a tiny bit of pigment.