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Book Review – From Earth to the Moon (By: Jules Verne)

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I didn’t have the experience of many kids in the US of reading Jules Verne when I was growing up. Indeed this is the first novel of his I’ve read, despite knowing the plot of a few rather well. I was afraid that since From Earth to the Moon was written in the 1860’s it would be a clunky read like many other older pieces of literature and was very pleasantly surprised when it was not. Then I remembered that Verne was French, and that any of his works in English are translated. This slightly changed my view on what I was reading. I became aware that I wasn’t necessarily reading Verne’s work, but someone’s (particularly whoever translated the 19XX Scholastic printing’s) retelling of Verne’s work. That shouldn’t impact my reading too much (if the translating is better than the German that guy in Crime and Punishment wrote {I think I’m remembering that right}) but it is a necessary note as I examine the text, though one I can’t follow up on since I don’t read French. In any case, how well does it work?

There’s my standard “rare”, hard-to-find-a-good-image-of-reliably cover.

From Earth to the Moon follows the fictitious Baltimore Gun Club of artillerists in their journey from inception to firing of a humongous cannon that will send a projectile to the planet’s satellite (or from earth to the moon as it were). Despite seeming sci-fi-esque from the cover, and my knowledge of other Verne works (like Journey to the Center of the Earth or 20,000 Leagues under the Sea) it is surprisingly grounded and does indeed really only have to do with the firing of a cannon at the moon, and not travel back and forth or some other potential absurdity for the time. The basic plot is a bunch of Americans who made better and better cannons are bored after the Civil War ends and they don’t get to make cannons anymore, so they decide to make a cannon that can fire to the moon and “establish contact”. Everyone is surprisingly on board and people from all around the world (but mostly the USA) donate a lot of money. The rest of the book details the construction of the cannon and the actions of those who do not want it built along with a larger-than-expected amount of more-accurate-than-expected numbers and math about velocities, gravity, friction, metal weight, costs, casting procedures, etc. Though that makes it sound a lot more boring than it was. Because while very little happens in the technical sense, and there are a surprising number of numbers, it is all conveyed with a motion that keeps the reader advancing and interested the creation of such a fantastic device and the characters behind it.

And the characters are really the soul of the book. Mostly the Gun Club’s President Barbicane, who is the one with the idea for the cannon and apparently has it all figured out to the point that I’m not sure why the other members are involved. As Barbicane’s personality becomes boring, the book adds opposition in the form of Captain Nicholl and a more wild-card character in the form of a Frenchman (of course), Michel Ardan, who is a “(thorough ‘Frenchman’ {and worse) a ‘Parisian’(} to the last moment)”. These core men, with a smattering of other characters are all well drawn up with unique and interesting aspects, aspirations, and flaws, though it does sometimes fall back on “Barbicane is great at everything, Nicholl is a sourpuss, and Ardan is very wordy”. And I found the resolution of the conflict between them a bit flimsy (mainly from Nicholl’s end).

The overall form is very solid and understandable, including the dialog, which, while it wouldn’t be spoken today, is readable and far from something no one would ever say. There are a few moments where the words get tangled up like “…they did to others that which they would not they would do to them” and my favorite thing I still can’t understand: “hook fixed in the coving of the poop…”. I’m sure those were understandable at some point in the process, and even perhaps now but it could have used some tidying up. There are also just a few things that a man living in France in the 1860s might get wrong… like when he calls southerners “Yankees” (though only vaguely, he could be referring to the Gun Club members, who certainly are) and everyone sings Yankee Doodle when the gun is about to be fired, which I get is a patriotic song, but it’s not like it’s the national anthem, I wouldn’t suspect they’d sing it a lot when at a momentous occasion. And a few little details like the “polygon at Washington” What? I don’t understand. In any case, those are only my nitpicks as an American with the advantage of internet-based communication, and the writing is easily good enough to blaze over these minor details and get one enamored with the overall story of getting to (annexing too maybe?) the moon.

I liked the book, and I’ll probably read more Verne in the future because of it. It’s a quite upbeat and fast-moving novel of a technical marvel (with a few surprisingly melancholy moments toward the end) that presents good characters, interesting settings, and well-done research in a fun and compelling way. It isn’t quite up there in classic-ness and immersive level of interesting-ness as some more famous novels by Verne, but it does hold its own. I probably wouldn’t recommend it as an introduction to his writing, but it isn’t a bad first one either. I’d say that it’s a good starting point if you’ve read some of the more famous of his works in the US and are looking for more, or are interested in some of the earliest science-fiction out there (or if you’re looking for translated works of a proto-surrealist that have had any potentially strange bits pulled out).

(And one final side note: there is a part in the story after they decide to put people in the projectile {great idea?} and they test it out on earth by putting a man in it for more than a week with nothing to even read. That was the most unrealistic part of the story for me, even with food and air you’d go crazy spending a week alone inside that thing.)

Book Review – Queenie (By: Alice Munro)

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Queenie is a short story published in book form written by the “greatest living short story writer” and Nobel laureate Alice Munro. It was first published in a magazine and then on its own as a mini-book for some reason. I picked it up because I’ve been looking into how short stories are published as stand-alone items, but reading it was fun, too, and it barely took any time at all.

I got a better version of the cover

As with many short stories, the basic plot is simple. The narrator goes to see her older stepsister “Queenie” in Toronto ostensibly because she is preparing to go there for university and is looking for a job, but more so that she can be a part of her sister’s life again. Her sister (actual name Lena) ran off with a much older man years previous and is both excited to see her, but emotionally distant. That’s about as far as I dare go, and if that beginning sounds mundane that’s because it is. The story has a few interesting turns but it’s mostly about the characters, their struggles and some interesting dynamics between them. To that point the story is effective: it makes it easy for you to become emotionally invested with the main character and brings you down a well-crafted path. The ending especially is superb and resonant to the point that I had to read something else to be able to get to sleep the night I finished it (I read the 1774 Declaration of Rights if anyone cares).

But the other characters are… “hard” to empathize with, or even understand. The title character in particular I find… a scumbag. Her methods for pursuing her desires are entirely foreign to me and there is almost no character arc: she learns nothing, our main character learns something, everyone else is surprisingly stoic about it. That isn’t to say the character doesn’t feel real, most of those in the story do, (save for a woman running the food counter in a drugstore. And the excursion that lead to meeting her seemed pointless) but (almost) everyone else in the story likes her, and that certainly didn’t mirror my feelings. It would seem that’s the way the story is supposed to be, she is liked because she is “likable” and no character has as complete a knowledge as the reader does, until you get to the end and feelings on it change slightly. Of course everything is wonderfully set up for that, the paragraphs are well crafted and everything (except the previously noted drugstore sequence) has a place in getting you to feel the emotion of the story, and going through the different phases.

Despite that seemingly glowing endorsement I merely enjoyed the story. It is a well crafted and emotionally resonating piece by a master of the art, about people just ever so slightly out of everyday life, but it’s not one I’d give as a recommendation to many people. It just isn’t “solid” enough to be “great” from my perspective, but maybe that’s the mundane topics it covers talking. To put it one way, I don’t thinks it’s the reason she won any of her awards. It is a good short story, and fairly inexpensive on its own. If your interest has been piqued, or if you’re a fan of Alice Munro and/or short stories in general it is likely worth looking into.

I always get the version where no good cover image is readily available

Review- Ritepoint Chromatic

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Every once in a while I like to take a look at something vintage and see how well it stacks up. Plus I’ve got a soft-spot for slim, fine (line) writing pens. Now I’m not entirely sure as to the status of the Chromatic (or Ritepoint, or whoever) but it does seem these pens (and refills) are discontinued, but easy to find online. Is it worth it to snag one?

The pen body is very slim and stylish, reminiscent of the Cross Century. It’s a smooth cylinder, with a gold-banded break for the twist mechanism and tapers at the back and front. At the fron,t a third of the taper is in the form of a gold-colored metal cone, from which the point extends when the mechanism is engaged. The back taper terminates more abruptly and affixed to it is a fairly solid, basically flat clip that runs almost the length of the back section.

The action of the pen is strange enough that I’m not sure it’s working properly. Turning the back half of the pen clockwise a quarter turn will extend the ballpoint and lock it into place. From there twisting will do nothing until enough force is applied counter-clockwise and the pen “clicks” at which point the tip will slowly retract completely. It’s an interesting compromise system and it works quite well. It’s just that everything feels a bit still and awkward. I can’t quite tell if it needs oil, is broken, or that’s just how it’s supposed to be.

As for the writing, it’s quite good. My pen has a blue “microtip” cartridge installed. The ink is smooth enough coming out that I can write in cursive, though the lines themselves have some start-up and shading problems (oddly reminiscent of fountain pens). The line width is equivalent to, or slightly thinner than, most “fine” points and the ink properties are fairly standard. The only other function; the clip is better than average but nothing to write home about.

It’s a decent little interesting piece of history, but I wouldn’t say it’s essential for any collectors. And the impracticality of having to hunt down new-old-stock or second-hand refills or fashion your own out of whatever might fit makes it not a good choice for the regular user. If it sounds interesting to you I’d say go for it, but it’s nothing to run out and hunt down.

Book Review – Politically Correct Bedtime Stories (By: James Finn Garner)

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I’m slightly surprised that Politically Correct Bedtime Stories was published in 1994, but I guess the politically correct joke bit has been going around for quite some time. The book is a humorous re-imagining of 13 “fairy-tales” by James Garner, of whose other work I have no familiarity with, but he seems to be riding this one pretty well and perhaps for good reason. The joke, of course, being that he has rewritten these classic tales for a more “enlightened” modern audience with higher standards of… something. But is it successful?

The book is fairly short; 80 pages for 13 stories, including several blank pages. The average story is about 5 pages and Snow White takes up most of the rest. Going over the stories wouldn’t be very helpful because you and I probably already know them. And even ones like Rumplestiltskin and The Pied Piper that I’ve never actually read or watched have been absorbed through a kind of cultural osmosis. The cultural awareness of these stories also helps with the brevity of their retelling, which is a strength of the book. Garner has it down which parts of the stories to overrun with political correctness for maximum effect, but had he continued at the length of the original stories it would quickly have grown stale (Snow White was almost too long for me). And, of course, the humor comes from seeing these culturally-engrained stories changed by modern cultural preferences dialed up to the extreme. In some cases the moral is lost and in some it is retained; in some cases the plot is as predictable as the story we know, and in others it jumps off the tracks and heads spiraling down a cliff of ridiculousness, but in all cases they are recognizable.

The vast array of areas from which we get our folklore means that the only common thread between these stories is Garner’s extremely “politically correct” veneer and as such the book isn’t really a cohesive experience. Again its brevity helps here, making it easy to pick up and put down, reading a story at a time; or to make the massive changes in pace fly by. It knows what it wants to be, and that is an overblown parody of political correctness juxtaposed with stories never meant to fit that mold. And it is quite funny, not outrageously my-favorite-humor-book-ever funny, but more than funny enough to justify its reading time (and probably its price too). Exaggerated political correctness is just funny when applied well and not overdone. So is the idea that when using language that supposedly offends no one to tell a story, so many people will become “offended”. Most fairy tales are based on common sense (if perhaps containing outdated moral practices simplified for ease of retelling) and as one reads on they get the feeling that their common sense is being assaulted. And that, as so often it is, is funny. Still, I was consistently (and pleasantly) surprised by the directions the stories took (the 3 little pigs setting up a “porkinista” government after violently retaking their homeland is my favorite). It seems so easy to simply replace the language with “politically correct” alternatives, but continuous story variations keep one guessing and the book interesting.

I liked the book, and if you read the title and thought “that sounds funny”, you probably would, too. It’s well-written satire that is just offensive enough to both parties to be a bestseller while not alienating its audience. If the sequels are about as good I might have to pick them up as well, but until then, this one was a short, fun read that should appeal to anyone looking for its type of humor.

Mini Review – TxDOT Highlighter

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This review is going to be a bit different than my normal ones (hopefully quicker). I found this highlighter for almost nothing in a charity shop where it seems someone donated whatever they didn’t give away. It’s got no branding save a message not to drink and drive (fine advice) and such a strange shape that I wanted to take a look.

The body is a very large cylinder that bubbles out in the front and has 3 flattened areas that are ribbed for grip. It’s mostly smooth, save for a coarse area in the back where messages can be printed, so obviously it’s from some bulk-online company and the only logos are the ones that are being advertised. At the back, there is a giant, super-satisfying click mechanism and a surprisingly robust clip. The mechanism is a standard one (that you can see through the translucent body) that should perform all right and keep the tip from drying out immediately. The ink is a very pale, lackluster orange that doesn’t have a good smudge-resistance but does what one would expect.

I just think it’s a nice, chunky, fascinating thing. It isn’t very practical but it gets the job done and it shouldn’t be possible to lose. And it’s made of a sturdy (and thick) enough plastic that if the refill is any good it should last for years. And hey, if you managed to get one, it was probably free! (Also it comes in one of those terrible plastic bags that I think is supposed to prevent it from drying out and which I can’t imagine working.)