Notebook Showdown – Moleskine Cahier Vs Field Notes

So another notebook competition today, huh? This time I’ll be comparing the higher end of the pocket book spectrum. It’s time for Field Notes to go head to head with Moleskine Cahiers.

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Starting with the covers the Moleskine is a very heavy, single color, piece of cardboard with an imprinted logo on the back. It’s got a flap on the back that folds in and serves as the famous Moleskine pocket. This pocket is not very well secured by the glue and tears out easily, it also causes the back to be prone to creasing rather than flexing. The Field Notes book has a thin “packing brown wrap” cover with a logo on the front and some identifiers. It also has a little on the back, but on the inside is where it really shines. It’s got name, coordinents, date, and return to blanks right in the front, and the back contains may useful reference items, including a list of uses, and all the materials used in the book. It’s still fairly flimsy, though, and when it bends it stays bent rather than easily popping back into place.

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Size-wise, both books are almost identical, despite the Moleskine having 12 more sheets. The rounding on the corners is also a bit less on the Moleskine. The paper inside the Moleskine is the standard archival quality, but fairly weak, off-white paper the comes with all Moleskines. In the Field Notes is a smooth, bright white paper. The actual type of paper is listed both on the website and in the book for easy reference. Both books come in: blank, ruled, and squared or graphed paper. But some special edition Field Notes have all sorts of different rulings. There is little variation in the ruling size wise, the only major ones being the Field Notes have a wide top margin and slightly lighter lines for the ruling. They’re brownish compared to Moleskine’s grey. One feature of the Moleskine that the Field Notes lack is that the latter half of the pages are perforated for easy removal, meaning you can tear them out without destroying the binding.

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Speaking of the binding, that’s where the really major difference between these books kicks in. The Field Notes are saddle stitched with three staples. The Moleskines however are stitched with 21 signatures. I believe they are also hand bound though I could be wrong on that. The Moleskine binding and cover makes it (like other Moleskines) like a rock. It is much harder to bend, but bends and creases terribly when it does so. The Field notes is a bit more lenient, bending more, but the staples provide great pivot points for bending and creasing as well. The Field Notes binding, while sturdy, can have the book come apart on it, though this rarely happens because of their limited page count. The binding on the Moleskine is much more likely to come undone itself and leave the book behind, though again this rarely happens.

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Really it all depends on what you want. They’re both about the same price so do you want: a better cover, more pages, perforation, and a pocket, or: better paper, better binding, and some useful information? In the end that’s what it comes done to. Also the looks a little bit. Personally I prefer the look of the Moleskine, but the quality of the Field Notes, so I use both. Try ’em and find out for yourself, it’s only like twenty dollars for three of each (at the time of writing).

Mini Composition Showdown

A while back I reviewed the Dolgen Inspira mini composition book. I have quite a few books like this and instead of reviewing them all I decided to just compare them all together. So here’s the mini composition showdown. Mead vs. Inspira vs. Top Flight.

First off, covers and binding. All the covers are the standard composition marble pattern, with the Inspira being the most crowded followed by the Mead and then the Top Flight. The binding on the Top Flight is a sturdy fold stitch with eight signatures, while the Mead and Inspira are weak, simple glue binding. All notebooks lie flay fairly well, though the Top Flight takes more breaking in. Cover durability again goes to the Top Flight with the other two tied. The cover corners are straight on some of the Mead, clipped on the Top Flight, and rounded on the Inspira, meaning the Mead with the square corners will most likely tear up quickest. Other Mead notebooks have rounded corners.  If you want color the Mead and the Top Flight are the way to go.

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Their dimensions are about the same, with Inspira being slightly taller and Mead being slightly wider. The Mead and Top Flight both have eighty pages, while the thinner Inspira has sixty. The smoothest paper belongs to the Mead, the roughest to the Inspira, and the Top Flight is very akin to newsprint, unfortunately, not very high quality. All are not archival quality paper and fade rather quickly on the shelf, though they are bright white out of the package. None are very good at holding ink, but the Inspira is best without bleeding, followed by Mead and Top Flight.

What will really make or break these books, though, is their large price difference. The Inspira are three for one dollar (U.S.) the Top Flight are five for three dollars, and the Mead are one to two apiece.

So if you can organize all that and determine the best for you you’ll end up with a very nice pocket book. Each one is suited subtly to a different task so the main challenge is finding out what is best for you. They are certainly not the best memo books by any means, but they’ll certainly work, especially in a pinch.

Using Different Notebooks

Quite a few people still use notebooks, it seems. I use them more than most. Unfortunately, most people use them for school. Composition and spiral bound notebooks are the most common everywhere. For most of the people using them, the only distinction between their notebooks is the class they’re used for and maybe the amount of subjects or the color of the cover. I use my notebooks differently. For starters, they are of all different shapes and sizes. Colors and bindings, too. I do have preferences, but I also want to find new preferences.

I use my notebooks based on their type. By that I mean I have a different one for every task. I have one for stories (several actually), one for sketches, one for my “drawing every day” drawings, one for story notes, one for general notes and cartoons, and many others. I’m not sure how many people do this or something similar, but I find it handy to be able to grab a notebook and know exactly what is in it. This over-specialization has backfired and it resulted in me combining several notebooks into one, leaving a few books without a home.

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Those instances are few and far between, though. In general I’ve found it good to specialize my notebooks. If I am doing a certain task I can take a small notebook that is suited for the task instead of a large one that covers everything. It also enables easy referral since I don’t have to constantly search the one and only notebook for something on a specific topic.

It doesn’t just come down to using different same-brand notebooks or even differently sized notebooks. I use completely different brands with completely different styles for my various books. I use Mead, Moleskine, Field Notes, Top Flight, Bienfang, Strathmore, Rhodia, Clairefontaine, and even military-grade Memorandum books. I use all different rulings from blank to dot grid, and I’ve even found a hex grid notebook.

I’m not sure where I’m going with this, I just think it’s weird that I use notebooks like this. Is it? How do you use notebooks? Most of the people I know seem to use them in the way I described above, where they just have one that holds every thing. Or a large one and a pocket one. Either way, my giant bag of notebooks I take with me and cycle through my satchel will continue that way. And I will continue to write on paper notebooks. And I will love doing so. And I hope all of you writing on paper notebooks will love it as well.