Review – Micron Orange, Yellow, and Fresh Green Colors

It’s that time again, the time I review Micron colors. The three I have this time are the bright colors: orange, yellow, and fresh green.

Starting with the orange: It’s a very bright color, brighter than the fruit of the same name. It’s also a little bit on the light side, looking a bit washed out on the paper. It’s less pleasant than most of the other Micron colors. The pigment does apply evenly and there is no doubt it is orange, though.

On to the yellow, which is super saturated. It’s almost illegible on white paper, on off-white it’s not much better, even though it is still rather subdued and looks quite like the yellows presented in nature. In large patches it loses its illegibility and actually looks quite pleasant. It’s probably the closest to a natural yellow you’ll find in a pen.

Now the fresh green. This one looks like lime green. It is also super bright, and comes the closest to hurting my eyes of the bunch. The pigment tends to pool, creating some shading when drawing. This can be both advantageous and disadvantageous depending on the effect you’re going for. It is the most likely to bleed of any of the colors, but with this selection that isn’t too bad. I would also say this is the least realistic and useful of the bunch.

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Overall, these three bright colors have some issues, but are fairly good. They write well and are entirely servicable, but finding jobs for them seems difficult to me. I’m not sure if they are the must-haves of the other Microns, but they are quite good.

Review – Micron Rose, Brown, and Sepia Colors

So now we get to the final group of the Micron colors that came in the 8 pack of Micron colors. These are the weird or non-standard colors, in my opinion.

The first is Rose, which is a pink: they just call it Rose to make it fancy. It’s a very deep, pleasant, pink color, not like the very vibrant, in-your-face pinks that dominate what is considered pink these days. It doesn’t really approach purple, but it is darker than most roses I’ve ever seen. It’s surprisingly nature-y for a pink, though. It does have some problems with bleed-through on thin paper, but not a lot.

Next we have Brown, which I would call light brown. I would say it’s sort of a fertile, soft, earth color. Again, for a light color it’s fairly subdued, not like a Crayola pencil or anything. Again, it’s surprisingly real looking. It has no problems with bleed-through at all really, and goes well in a landscape.

Finally we have Sepia, which I call dark brown. It’s very mud-like. Another deep, saturated color. It can get very saturated though, and end up looking like black in the final product, so it does take careful application. It also tends to pool, resulting in spots of darker color. Some skill is required to get it to look right. Surprisingly, though, it has very little bleed-through even on thin paper.

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These ‘non-standard’ colors are very nice overall. If one is looking to do nature sketches, landscapes, etc. these are quite nice. They are very subdued and blend in nicely. I find them much more pleasant than the bright reds and blues of the other Microns. If you just want standard colors for organizing or technical things, these are not the pens you need.  However, if you’re drawing a lot of the outside, or in cool colors, these are fantastic.

Review – Micron Red, Blue, Purple, and Green colors

I have reviewed several Micron pens in the past. But in case you were wondering if they could add a little more color to your life, here are some Micron Colors in .05.

It is an eight-pen set of colors from Micron that I’m looking at. It includes black so that’s out. The first four colors I will look at are what I call the ‘standard’ colors. They are red, blue, green, and purple.

I have already talked about the blue and the red so I’ll cover those quickly first. These pens are larger than the ones I reviewed previously so the ink is a bit more saturated. They aren’t as glaringly red and blue as before, but they are still some of the brightest and most vibrant of their colors on the market, aside from the awful nano-liner. Getting this large also makes them more prone to bleed-through, of which there is a slight hint in the blue.

Next we have the purple, which, in the Micron style, is a very aggressive purple. It is very deep, and in low lighting could be mistaken for black. It is very highly saturated, and changes little to none when applying pressure for some time to just tapping it on the paper. Amazingly at this darkness it isn’t very prone to bleed-through.

Finally the green. This is, surprisingly, a fairly sedate green, falling in the middle of forest and lime. It is unmistakably green, but rather unremarkable. It doesn’t jump like the other inks in this set. It just sits there, making it rather like greens in real life which you have to look closely to appreciate. Again, surprisingly enough this color is the most prone to bleed-through in the entire set, even writing fairly fast it leaves dots on the other side of fairly thin paper.

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So overall the ‘standard’ colors in this Micron package are great. They’re not really the best for sketches of nature or the outside world, but for labeling and organizing they are great. For example, different color parts in a schematic. It’s nice to have colored pens around and these hold up the Micron standard. I can definitely find a use for them.

Review – Micron Red and Blue Technical Pens

I’ve talked about Microns in the past. They are basically THE technical pen. But those are just the black ones. Are the colors any good? Do they hold up to the standard and more importantly are the colors usable in any real way? How will these red and blue 02s stack up?

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The bodies are standard Micron bodies. Slick but still grippy. With hard to rub off, easy to read information in convenient places on them and a number on the lid. The color of the base of the pen where the cap clicks in and the ink on the top has been changed to the pen’s color for easy find-ability.

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The particular pen I’m using here is an 02, so it’s far from both the stiffest and weakest nibs, though it’s closer to the weaker side. It does bend a little while writing. It’s not large enough to provide much variation, either in line weight or color density. The ink is good, standard Pigma ink, archival, stands up to almost anything. It rarely bleeds and the nib seems to give off just the right amount of ink to have a fast dry time.

But on to the color. They are unmistakably blue and red. They are bright and vibrant, even on a fairly off-white paper, such as Moleskine notebooks and the like. It is brighter than any other pen or marker I have used previously. Almost unusably bright, unfortunately, as I can find no drawing scenario where it would be useful. They are good for organization, though, especially on the aforementioned off-white paper where they don’t look so jarring. They can make handy divider writings and are good for color coded text.

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Overall these are superb pens with little purpose. They work great, are incredibly sturdy and last quite a while, though I can find no way to work them into any drawing. Notes and technical sketches are the best place for these. Or, if you just want to have a nice pen in an interesting color.

Review – Pigma Brush

Do you like the flowing lines and moderation of a brush, but want the simplicity of a pen? The makers of Micron have a solution. The Pigma brush.

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The ink is the same as the Micron ink. It is a very deep black that applies smoothly to the page and rarely bleeds. It is waterproof and fadeproof archival ink. It marks just as well or better than any pen around.

 

The body of the brush is the same as the Micron’s, as well. It is slick and glossy, but fortunately easy to hold, and never once felt like it was slipping in my hand. The cap locks in place firmly and snaps haphazardly onto the back. The clip attached to the cap works das designed. The writing on the body is easy to read and rub resistant, and the identification on the cap is easy to read.

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But now for what this item is about: the brush. The brush is fairly short, no longer than the nib of the regular Microns or most other pens. The brush at its finest is super thin, and goes up to an above average pen thickness. The line range is roughly equivalent to the Micron 005 to 05 and everywhere in between. The application is buttery smooth and never splutters or splatters. Even when the brush begins running out of ink you will only begin to get a grey line instead of a patchy one. And it takes a long time to get it to run out.20121102-235937.jpg

 

For fine detail work this item is perfect, it is a perfect addition to the Pigma family and suits the audience it was created for perfectly. But it is for a specific audience. Very large or multimedia projects will find the product ill suited to create most desired effects. But that does not diminish the fact that it is a very good pen.