Category Archives: Consumables

Review – Staedtler Mars Plastic Eraser

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Interesting tidbit with this review; I was ordering a replacement for this product (because spoiler: I liked it) and I ended up with something that I wasn’t expecting. While my original Mars Plastic eraser came in a humble card sleeve (as most still do) my new ones came in a fancy plastic swivel case. So this review will really be two parts. One for the eraser itself, and another for the upgraded container they can come in.

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The eraser is a standard seeming white plastic/rubber rectangular prism that measures about 2½ x ¾ x ½ inches and is marked in a regular pattern subtly with the Staedtler logo on two sides; the four smaller sides are essentially flat. Since it is an eraser there isn’t much more to say about the looks, but how does it work? Well, I really like it. I go back and forth between hard and soft (kneaded rubber) erasers. I’ve currently moved back to the hard erasers because I can see when their ability to erase starts to be diminished more clearly (by being shorter rather than slightly darker). In my experience it has erased almost every pencil line I’ve asked it to, and it is better than the ones usually found at the store (save Magic Rub), but comparing higher end erasers is very difficult. They all do their jobs well and it’s mostly a matter of personal preference (and sometime pencil choice) as anything else, but that’s where a fancy plastic case might stand out and make a difference.

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The case is slightly larger in every dimension (duh) than the eraser. The top and bottom are made to resemble the traditional card-wrapped eraser, with a white bit extending from the blue eraser identification part. A larger Staedtler logo covers the pivot on one side in this white area. On this white end attached to the pivot on the inside is a cut-out box that is about an inch on one side and an inch and a quarter on the other. This box has eight small ridges on the inside to grip the eraser, and it pivots 180 degrees from having the eraser tucked inside the rest of the case to being fully exposed. It can go farther, but at risk of breaking the back of the case. This allows for easy dispensing of the eraser with one hand and provides a nice sturdy handle when erasing. It also protects the eraser from getting gunky or gunking up other things (the inside does get a bit dirty/gunky sometimes, though). I’m a fan of the case (but being nitpicky the two smallest ends are rounded off and the eraser will not want to stand up on them).

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So in the end the Staedtler Mars Plastic is a good, but not exceptional, eraser. It’s not like it erases every pencil line in one stroke, or is virtually crumb-less, but it does get most pencil lines with relatively few crumbs. It works well, and I really like the case for the convenience and protection it provides. I’ve been using it (and flipping it open compulsively) for a bit and it doesn’t show any signs of breaking soon. Though it does make the eraser a considerable bit larger and limits use of about half of it. It’s a nice change of pace and experiment if one wants to spice up their eraser life.

Review – Faber-Castell Pitt Artist Pen Brush Manga 6 Color Set

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I’m not a Manga artist. And I usually don’t use color in my art. Mostly because it’s hard, like using brush pens is hard. What I’m trying to say is that my perspective on this particular set of art implements might not be the view of the average person who might find them very useful. With that said, let’s take a look at this set of Faber-Castell Pitt Artist Pens, the Manga 6 Color Brush set.

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The pens themselves are fairly plain. There is an indication of the size (“B” for brush, in this case) on the top of the cap. The cap has a set of groves running around it with a shiny finished top and clip. The clip is the same piece of plastic as the cap and does its job in an unspectacular way. The body is straight until the very end, which protrudes as a fluted section for posting, at which it’s effective. The body contains all of the needed information in several languages, which makes it seems a bit too crowded, but I can’t really complain. The section is slightly textured, which is wonderful; it isn’t slippery or uncomfortable. After that is a tapering section for the cap seal and the brush point itself. The cap seals and holds well onto this point.

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The brushes themselves aren’t of the bristle variety, but are more like a flexible porous point. This makes them much less finicky, and better for a disposable item like this one, as they would wear out faster than a bristle brush. Their flexibility is nice, going from a medium point to one several millimeters wide with relative ease, and they can be bent to some pretty severe angles without any long-term damage being done. The amount of ink they lay down is good. It increases with the pressure on the tip, and makes a full line. At times it skirts on “not enough”, and layering will definitely change the color significantly. Sharp turns with the lighter colors will leave a darker area on the corner. On office paper this amount of ink will bleed though, especially at the ends, but on cardstock there is barely show through.

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The six colors themselves are a decent selection, but not great: Dark Naples Ochre is a nice, natural looking yellow. Orange glaze is a bit pale and not really a color that is found in many places. Pink Carmine is a bit too dark and is hard to use. Purple Violet, besides having a redundant name, is dark and pleasant, but again not very natural. Phthalo Blue is a great looking lake or ocean blue, but is a bit dark for most uses, and Permanent Green Olive is quite dark and olive, which is more suited to deeply forested areas or jungle than to plains or some more common areas. Still, the colors interact with each other very well, and they dry fast, but do mix on the paper, meaning one can get interesting color combinations while still having their pens keep relatively clean.

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Overall, the set is a good set to introduce oneself to the Pitt artist brush pens. It has a nice simple selection of colors that allows for experimentation and can be used for the base of a larger set. But I certainly wouldn’t consider it a complete set for creating an art work. Many more colors would be needed, and more tailored to one’s specific purpose. For instance, there is very little here to make skin tones with, which would be very important in Manga. They’re very good pens, but the set is incomplete.

Addendum: I failed to mention the water/smear proofing of these pens when I first completed this post. Both of which are very good. When interacting with other inks or materials the lines generally stay solid, which is good for resilience but bad for blending. When hit with water the lines don’t move, but they do bleed a tiny bit of pigment.

Review – Sanford Peel-off Magic Rub

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These days most pencils have their own erasers, but some still don’t, especially older models that have been in production for years and are still very good at their jobs. And even many of the new pencils don’t have enough eraser for the life of the pencil. Separate erasers are still a large market. But what if the eraser came in a more convenient package? The Sanford Peel-off Magic Rub intends to solve that problem.

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The main body is simple: it’s a tube of paper that is continuously wrapped around itself and sealed with a sticker. On the sticker is the main information for the product. There is a string attacked to break the sticker seal and allow for the paper to be peeled back when the product is used. The paper and eraser tip can also be sharpened, but I wouldn’t recommend this. The core of the utensil is a tube of Magic Rub, which is a very good white eraser. Sanford’s Magic Rub erasers are easy to use, resist drying out, remove quite a bit of graphite, and aren’t as hard on the paper as some other erasers. They aren’t the best erasers out there, but they are very good ones.

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And that’s really it. The entire “pencil” is slightly thicker and shorter than a standard pencil. But it fits in most of the same places and works very well. If you have a lot to erase, and don’t like the potential of breaking mechanisms with a mechanical eraser, I’d give this one a shot.

Review – Piccadilly Sketch Book

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There are quite a few sketchbooks out there, and it can be hard to choose. If one isn’t the “pick one and stick with it forever”, or the “grab the nearest one off the shelf when a new one is needed” type of person, it can be overwhelming. Which ones on the shelf are worth it? Piccadilly is a brand of notebooks that has been making inexpensive Moleskine-type books for some time. Are their sketchbooks any good?

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The books have a super-plain brown cardboard cover with only the word sketch thinly lettered on the front. This cover is more of a wrapping, as it’s only attached at one point on the back, wrapping around and folding in the front like a dust jacket would. The binding is a series of small, sewn signatures glued together on the spine. It’s similar to most other binding methods; the spine cover just isn’t glued to the actual spine. At 120 sheets it’s a nice length, and isn’t too bulky or heavy. The construction, while sturdy, wouldn’t, I suspect, hold up to more than its complete page count if heavily used, and the cover-cover might even fall off or be rendered unusable before then. For a non-spiral it’s good, but it won’t last forever.

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The paper is blank 100gsm, textured and acid-free. It’s quite thick, almost seeming like card stock, but this provides a stable writing service even deep into the book. The texture isn’t great, in my opinion, but isn’t intrusive either. It holds graphite and pigmented ink well. If one is using wet, dye-based inks, though, feathering can be quite severe. The thickness leads to very little bleed-through (although it couldn’t stand, say, sharpies) and almost no show-through in most cases. It’s very well behaved and makes writing and drawing a pleasure, especially with pencil.

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It’s a good sketchbook, quite a good one, if you’re not going to put it in extreme conditions. It’s on the lower price side of average sketchbooks and does the part. Most people won’t have a problem with it and I certainly haven’t. If you’re looking for something to beat up, a different book might be needed. But if you’re looking for a minimal, handsome medium-use sketchbook, I’d have a look.

Review – Masterpiece Odorless Paint Thinner

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When looking for something as simple as paint thinner (mineral spirits), it can be tempting to go for the cheapest option in a given item’s range. And for odorless mineral spirits at my local store, Masterpiece was the cheapest brand there. Should I have gone with the more expensive option? Let’s see.

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The container is fairly standard for a quart size bottle. The front label doesn’t have much art but gives enough information, and the back label gives enough “if you destroy property or yourself with this it isn’t our fault” warnings that you get the point. I’m not here to give safety advice but it should be said this stuff is very flammable and could do damage to you if used in a non-ventilated area.

There is a handle on the container for east carry that works fine. The only problem I have with it is the seal and handle conspire to make pouring difficult. It tends to “glug” which is something I’d be wary of.

The thinner itself works very well. When used on colored pencils (a trick I just found out about recently), it dissolves the wax and allows for easy blending. When used with paint, it does indeed thin oil-based paint quickly and is good for cleaning brushes and facilitating mixing. In regards to it being odorless it is, basically, though you will be able to tell if you’re in a room with an open container of the stuff, which is good to prevent too much inhalation.

Overall, it works, and I don’t regret going with the least-expensive option. I like it, and it’s far superior to turpentine (which is the stuff of the devil). It might not be the purest form of mineral spirits, and some are likely better. But for a beginner it certainly is effective at what it is advertised to do.