Review – Pilot FriXion Highlighter

While I have reviewed highlighters before, it is a fairly rare occurrence, mostly because we all know what a highlighter is and how it works. For the most part, what brand of highlighter you buy doesn’t even matter; they all do the same thing. The companies producing these products know that, so occasionally they find a new gimmick to get you to buy their specific product. Most of these gimmicks are pretty silly, but some, like adapting the Pilot FriXion pen system to highlighter form, might actually be useful if they work.

The body of the pen is a bit ugly-looking. On top of the back end of the barrel there is a tattoo-esque design that doesn’t quite look right with the words “remove by friction” in n boring font, all in miniscule. On the very back end is a dome of frosted hard-rubber that serves as the “eraser.” The cap is a translucent plastic, matching the ink color with an integrated clip that slopes off a flattened tip. Popping it off reveals a slick black section ending in a chisel-point porous tip. The “Pilot” and “FriXion” logos are the only real information included.

My particular three-pack came in orange, pink, and yellow. The colors are about what you’d expect but when compared side-by-side are noticeably paler than your standard highlighter. They are still bright and easy to see, while allowing text to be seen through them, and keeping smudging to a minimum. The real interesting thing about the FriXion line, though, is that when friction is applied (or it’s, you know, heated) the ink is “erased.” There’s definitely still something there, but whatever was underneath shows through, so the ink becomes transparent. This actually works surprisingly well; you’ll never fully get the ink to go away without a trace, but it looks much nicer than a bright highlighted mistake staring you in the face (the originals were ballpoint pens, which are nifty but kinda defeat the purpose). Now this obviously has archive-ability problems, I was able to use a flame to make the ink disappear and I don’t think heat or sunlight will do it well, but for something like highlighting I’m not sure that’s a very big deal.

Wet ink will smudge when writing, inkjet printer ink will smudge when erasing.

I’ve had a really good time using these pens they’ll probably end up somewhere in my system. I’m not a big highlighter person (I’ve never used them in books, for instance, and I don’t plan to in the future) but I’ve turned to them for marking off items on to-do lists because they have a cleaner look than “crossing out.” And for that, these little guys work perfectly. I never have to worry about making a mistake (and I can draw silly little pictures or whatever).

Mini Review – Zebra 1.6mm Bold (F-301)

The Zebra F-301 is my favorite pen. It might not be the best pen I’ve ever used, but it is sturdy, good-looking, and reliable. Recently I was grabbing some new ones and mistakenly picked up the Bold 1.6mm version. As some of my readers may know, I’m more of a fine-tip person, so I had to go back and get another set. But a broad tip still has its place. In many cases it can make the writing process smoother, prevent hand cramps, and make the final product more legible. So how well does this version work?

The body is no different than the regular Zebra F-301 (save having “1.6mm” printed on the side) and it does not affect the function of the pen in that regard. The only real difference is the tip, which is considerably larger (being more than twice as big as the “fine” and half-again as big as the “medium”). The ink hasn’t been adjusted for the size, as becomes evident when the pen is left for a time and the tip dries. However, aside from minor startup problems resulting from that dry ink, the pen is remarkably smooth, especially if one has a firm hand.

If you’ve ever found yourself frustrated with the small size or stiff writing of a standard ballpoint, but still want the general water-fastness and convenience of one, this might be the pen for you. It’s a thick-line (thicker than I personally like), smooth-writing pen in a solid shell.

Blog 9-27-17 – Breaking Down

It is now deep in September after a wonderfully productive July and August. Over those previous two months I was able to keep up a good posting record of almost every day, with basically four art supply reviews a month. Now in September I’ve missed more than half the days and most of the posts have been comics and not written posts (not that the comics are bad: I love doing them), and I feel like I should explain myself.

The long and short of it is that I started school again, and I’m now grateful that I didn’t attempt to bring back an actual posting schedule in the last few months. My goal is still to post something every day, but lately I’ve been sort of creatively zapped. I am recovering, though, (I know it doesn’t look like it, but I am) and I should be picking up the pace soon (“should”). I hadn’t anticipated that this would be much of a problem, but I haven’t been back to school in several years, and it appears I just didn’t remember.

And on a bit of a tangent, as part of my “recovering” I am beginning to work on project for the Alpine Artwalk 2017, so be on the lookout for updates and new things becoming available.

-Austin

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Review – Daler-Rowney Simply Pocket Sketchbook (3.5×5.5) Hardback

Every time I have the time, I foolishly look in the notebook section at Walmart (both the office and/or crafts). I don’t know why, I always know that the notebooks won’t be great but I’ll be swayed to buy one anyway. In this case it was a hardback pocket sketchbook that I thought was only a dollar (it’s about 5 times that). The book basically has the same dimensions and look as a Moleskine Pocket notebook, but with 72 sheets of 100 gsm (65lb) “sketch” paper (heavier than the Moleskine notebook, lighter than their sketchbook, and with fewer sheets than either) at a discounted price. But is it a worthy “replacement”?

The cover is very Moleskine reminiscent, being a black sort-of faux leather wrapped around cardboard, but in this case much more shiny and plastic-y. There are visible creases on both the front and back because the spine has been stiffened to remain flat, meaning the covers more or less “hinge” open. There is an elastic band attached to the back cover that does its job of holding the book together when wrapped around and warps the covers a little bit. Also on the back cover, stamped slightly off-center is the Daler-Rowney logo.

Inside there is no strict “this book belongs to:” or logo page before getting right into the 72 sheets of “ivory” sketching paper, augmented by a very cheap looking/feeling black ribbon bookmark. Inside the back cover is a page-size pocket with cloth folds for strength, and I never use these so I can’t tell you much more than that.

The paper itself is good. It is indeed fairly thick and heavy, with a grain that is smoother than most sketchbooks I’ve encountered but more toothy than any “notebooks” I’ve used. Aside from telling you that it’s “acid free”, the sticker on the front cover also has a picture of a pencil and a nib (I assume standing in for all ink pens) and it handles these two quite well. If you use pencil, there is a little bit of show-through if you go looking for it, but you could easily use all 144 “pages” of the book. The show-through becomes much more prominent with ink, especially from felt tip, brush, or fountain pens. There is also some minimal bleed-through with the more intense ink pens, but I never got it to actually mark on the next sheet. Still, it reduces the usable space of the sketchbook to 72 pages when using inks. Feathering is also a bit of an issue. There isn’t much of it, but when it happens (mostly with fountain pens) there are long thin lines of ink stretching away from your mark that almost look like little hairs. They’re pretty hard to see from far away, but when you notice them it’s hard to un-see.

For the price it’s a nice little sketchbook (even if it cost more than I thought). It’s held up to a few months of moderate use from me with virtually no battle-damage, and while I suspect it to be less durable than a Leuchtturm or Moleskine it is short enough that it’ll probably last until you finish with it. The paper is good quality and pleasant to write on, and the handy pocket is there with an elastic band closure to keep every thing tidy. It’s a pretty good, if unrefined, option if you want a black pocket sketchbook.