Review – Moleskine Volant Notebooks (Tiny)

I’ve talked about Moleskine books in the past. And while they aren’t the greatest of notebooks I find them to be my favorite for a number of reasons. The size and sturdiness of the covers are the main thing I like, but what if both of those things were taken away and I was left with a small and flexible notebook? This time I’ll be looking at the Moleskine Volant Pocket notebooks.

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Moleskine Volant books are small, pocket sized books about 2.5×4.125in., which is a very odd size indeed. There are twenty-eight sheets or fifty-six pages. They are all perforated and standard moleskine paper with only a few lines. There is a page on which a name and address can be written, but no pocket in the back as these books are much too small. Moleskine is imprinted on the back of the books and the cover texture is similar to the regular Moleskines.

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The spine and cover are quite flexible and the binding is hidden from view. After only moderate use the edges will start to peel and bend, but do hold up very well, and any pocket book is bound to get damaged to this extent. They’re a bit plastic-y, so the amount they hold up isn’t remarkable, but it is good enough to get the job done.

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The paper is standard Moleskine. It’s thin, and you wouldn’t want to use both sides even with a ballpoint for the bleed/show through. The perforations work quite well and I’ve had no problems with mis-torn sheets. The paper is fairly strong and archival as well as smooth. So the overall experience of writing on it is not bad if one’s pen choice is correct (it’s not a liquid ink type of paper). The ruling is spaced such that not too terribly much can be placed on a page, but at its size, there isn’t much more they could do.

Overall, these notebooks are wonderful for their size. If you have a pocket that would fit one and need to carry around a notebook this is the one I’d recommend. They are a little bit pricy, but I don’t know of another notebook of similar size in a competitors range. So it might be your only option. And it’s a good, even if not the best possible, option.

Review – Zebra Sarasa Colors – Hunter, Fuchsia, Cobalt, Light Green, and Violet

After the first five colors in the ten-color pack of Zebra Sarasa pens, the colors get a bit less conventional and a bit more extreme. Let’s look at the Zebra colors Hunter, Fuchsia, Cobalt, Light Green, and Violet.

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First Hunter, which is a dark bluish-green, a bit more blue than usual hunter greens, which seem a bit warmer. The color is very deep, and in some places could easily be work-friendly. It is a very natural color and could easily fit an artist’s needs for a deep green. It lifts the most when exposed to water, but like the rest of the colors here, it doesn’t really budge to smear once it dries.

Next Fuchsia, which I’d call rose, but that’s just me. It sits on the fence for me between a deep pink and a light purple. I can’t really tell which it is. As far as either one goes, though, it is a very appealing color that, unlike other pinks or light purples, doesn’t hurt the eyes. It’s more of a flower color than anything else.

Third is Cobalt, which is a very grey blue, though I’m almost tempted to say it’s the other way around. It’s a dark and dim color that gives off a wintery feeling. Artists could find a use for it in many winter themes and its color is just subdued enough that it would likely be a good office companion and still let you stick out.

Fourth Light Green, which is almost lime. It hurts the eyes a little, but it isn’t terrible. I’ve certainly seen worse. It doesn’t look very natural, and it’s slightly hard to read. It might make a good color for marking mistakes, but otherwise its uses are limited.

And finally, Violet, which is bright and indisputably purple. It’s a flowery purple and that’s the only really natural parallel that I can think of. It also might not be work-appropriate because of its brightness. But it is superb in readability, not dark enough to blend in in low light, and not light enough to disappear on the paper. For casual writing, this one would be a keeper.

And that’s it for the ten pack of Zebra Sarasa Gel pens, I think they’re great little things, with an interesting color set in which some aren’t often seen, let alone this common. They’re nice inks, and I’d go for them if you like the pen.

Book Review – The Pig that Wants to be Eaten

The Pig that wants to be Eaten (By: Julian Baggini) is a moderately confusingly titled book that is exactly what its subtitle says it is, 100 experiments for the armchair philosopher.

I think the cover I got is the best design-wise

I think the cover I got is the best design-wise

These experiments are mostly one-page summaries of philosophical dilemmas, followed by two pages of explanation. Usually the explanation covers both sides of the problems that are usually one way in and two-ways out. There are a few of them where three options will get you out, but that is generally discouraged. And in the context of the book, if you can find four or more ways to solve the problem, you’re thinking about it too much. These experiments are meant to force you to solve a specific problem to your satisfaction, not skirt around the issue.

To the author’s credit, he does provide a generally non-biased explanation of either side, and good comparisons to reality where one is not often present in the more abstracted and fanciful way the stories are placed. They are very metaphorical, and a lot more fun to think about that way. Their parallels are oftentimes difficult to guess, and aside from a rather heavy-handed abortion metaphor, this can make guessing where this would apply in one’s life part of the fun. 
And the book is quite fun. I hope it wasn’t meant to be very serious, because if it was it failed.

Its simple language and short section format make it easy to understand. And it still makes one think rather deeply about things that seem quite simple. While some of the topics may be absurd, that is the point. By eliminating a factor, and all natural variations that would occur, one can present a scenario that gets to the real heart of the problem being discussed, and since it is all in one’s mind, the usual methods for getting out of a hard decision are gone, and one has no choice but to provide an answer within the guidelines of the question.

If you read the book and do not question what each person in their various scenarios should do I’m not sure why you picked up this book. Though the limitations of presenting these “experiments” in a single page can be frustrating, the amount of complexity is surprising for the small size.

In other words I quite liked the book, and if you fancy yourself an armchair philosopher, or would like to look a little deeper into why you make the decisions you do I’d give it a try. Philosophy is something everyone can dip their toes into. I might even look into getting the sequel.

Review – Zebra Sarasa Colors Black, Blue, Red, Navy, Mahogany

I’ve talked about the Zebra Sarasa before, and it’s an alright gel pen. The saving grace of many gel pens is that most come in a variety of colors at least partially unique to them, and the Sarasa is no exception there. Let’s take a look at a few of the colors.

The colors are always a bit off in the digital space

The colors are always a bit off in the digital space

First, Black. It’s a cool black that covers well. It works in an office setting and generally doesn’t get lighter even with minimal pressure. I’d say it’s black almost as soon as it gets on the page. The drying time is moderate and it’s water smudge-able.

Next, Blue.  The blue is quite dark, darker than most office-type blue colors. This makes it easier to read and more professional. It’s also natural looking, more like a deep sea-blue than an in-between blue that doesn’t really exist in nature. It’s the least smudge-prone of the bunch, but that won’t entirely stop it from lifting off the page.

Third, Red. It is a bland red, with no real pop to it. Though it is brighter than some of the competition, it isn’t really eye hurting. It’s quite noticeable and quite red but has no character — and no real flaws, either. It’s the color that fades the most when exposed to water.

Now, Navy.  Navy is a very deep, dark blue. It’s really almost black. You’d need a good light on to tell which one is which, though you could tell that black and navy are different colors with minimal light. It’s a wonderful dark color that is almost soothing and quite free flowing.

Finally (for this set), Mahogany.  It is really more like maroon. It’s a slightly purplish red which is also very dark and quite nice. It is much more noticeable than the navy, and still quite natural, giving an almost brown appearance from far away. It’s probably my favorite of the five, though the one with the fewest applications, and while you might get away with it at the office, it could be a hard sell. Unless you work for Texas A&M University.

That’s the five colors for this week. Next time I’ll be looking at the other five colors in the standard ten color pack.

Review – Q-Pins Pushpins

Pushpins can be a problem. But they are what they are, right? There’s no getting around them. That’s what I would’ve thought until I heard about Q-Pins pushpins, which claim to have updated the pushpin to a more modern and easy-to-use design. How do they hold up?

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Full disclosure before I begin: I was sent these to review by the company. With that out of the way, let’s look at the features: Q-Pins are designed to deal with the problems one encounters when using regular pushpins. They’re shaped like a capital “Q” and use the tail to hold paper to the board, rather than the pin itself. If one doesn’t use the pin on a regular pushpin, the amount of force required to hold the document up will leave an unappealing mark. I used to get around this by using thumbtacks, which has less grip for your fingers, but more for the document. I’d best describe Q-pins as a cross between the best parts of a pushpin and thumbtack, with a little more ergonomics. The edges of the bowl on the Q are curved inwards, creating a nice grip for the thumb and index finger that is more than enough to get it out.

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They come in either packs of black and white opaque or a pack of green, blue, purple, and yellow translucent. Personally I wish there were more color sets, but these work well.

Now, it’s kinda hard to talk about what a pushpin does, even though I have done that quite a bit, it looks like. In any case, I decided to try and beat up a q-pin by throwing it across the room and at the floor with a moderate amount of force. The results were not a scratch, and I’ve seen pushpins shatter under similar conditions (though rarely). I tried bending the tail off, and my fingers began to hurt as the plastic started bending. I’m sure they can be broken, but it almost has to be intentional. And for a bit of fun, I grabbed the metal pin itself with pliers and pulled firmly in both directions. The pin and its plastic case are not easily separated.

So, are they better than pushpins? Yes. Are they perfect? No. If one is very careful or hangs up thick documents, the pin can be used to hang an object without a mark.  But sometimes even a natural amount of force can lead to a straight indent in the document being hung. This is certainly better than a hole, and in my opinion it’s also better than the circular indent coming from a pushpin or thumbtack used with friction. In this scenario, the Q-Pin also has superior holding capability, though it is quite close. Removing the Q-Pin is also much easier than either of the two other options. It’s a clear winner, but it is a bit more expensive. If you don’t lose things and want a better pushpin, possibly for life, you should try some Q-Pins.