Review – Masterpiece Odorless Paint Thinner

When looking for something as simple as paint thinner (mineral spirits), it can be tempting to go for the cheapest option in a given item’s range. And for odorless mineral spirits at my local store, Masterpiece was the cheapest brand there. Should I have gone with the more expensive option? Let’s see.

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The container is fairly standard for a quart size bottle. The front label doesn’t have much art but gives enough information, and the back label gives enough “if you destroy property or yourself with this it isn’t our fault” warnings that you get the point. I’m not here to give safety advice but it should be said this stuff is very flammable and could do damage to you if used in a non-ventilated area.

There is a handle on the container for east carry that works fine. The only problem I have with it is the seal and handle conspire to make pouring difficult. It tends to “glug” which is something I’d be wary of.

The thinner itself works very well. When used on colored pencils (a trick I just found out about recently), it dissolves the wax and allows for easy blending. When used with paint, it does indeed thin oil-based paint quickly and is good for cleaning brushes and facilitating mixing. In regards to it being odorless it is, basically, though you will be able to tell if you’re in a room with an open container of the stuff, which is good to prevent too much inhalation.

Overall, it works, and I don’t regret going with the least-expensive option. I like it, and it’s far superior to turpentine (which is the stuff of the devil). It might not be the purest form of mineral spirits, and some are likely better. But for a beginner it certainly is effective at what it is advertised to do.

Book Review – The Big Book of Weirdos

The “Big Book” series of comic books is weird one. I’ve seen a few, but only ever read this one in full. The Big Book of Weirdos is about various historical figures and their antics, which range from quirky to insane (it’s mostly insane). In general, the book goes by type of person (actor, dictator, etc) and in chronological order, though not always.

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The book starts with Caligula (basically), which is never a good choice if one wants a book to remain nice and/or sane. Continuing on from there is a whole host of personalities: Hitler, Tesla, Ford, Kafka, Dali, on and on. Most of these characters get around 6 pages of harsh black-and-white drawing. Many don’t shy away from being repulsive in various ways, and the many artists who took part in the work all have unique ways of looking at things. Some are quite minimalist and attractive, where others are hard to follow, and in many the people just look ugly. I know this is by design in many cases, but there are ways of making people look insane without disfiguring them and disturbing the reader.

Some of the stories are interesting, some a gross, some slow, some fast, some well-known, and some untrue. Syphilis is blamed for many things, and alcohol is a demon. Overall, the storytelling is nice, but too vague, and one is simply told things. The other things that are going on are not even allowed to the imagination, and as I said many things are untrue. Facts weren’t verified entirely for the book, which is fine. It doesn’t try to present itself as a reference, and it shouldn’t be. Its art indicates that it was an exercise, like many of the books in the series, to have many different artists contribute to a common theme. And the art does work well together. The stories and pictures are not jarring, nor badly crafted. They both show the utmost of technical skill, if not the grasp of facts.

But technical skill does not make for pleasant reading, and while the book is a great reference for different art styles, in many cases the art is unattractive. Even the best-rendered visual of people being torn apart isn’t fun to look at (that doesn’t explicitly happen).

The book is interesting, both to read and to look at, but I’m not sure I can recommend it. The various historical figures explored don’t have the time to be more than one-dimensional, insane puppets. There is very little to attach you to them, which may be a good thing in many cases. It’s a fun read at times, and a crazy read, and an interesting read. But I can’t say it’s a good book. Beyond being on a coffee table to start conversation, it isn’t that great. Or perhaps (the reason I keep my copy) it can be used as a reference for different art styles and ways to tell a story.

Review – Hot Concepts Illumix 4 in 1 Stylus

Every once in a while you run into a gimmicky, cheap product that’s still a bit of fun. For instance, I wanted a laser pointer (for me and my cat) and was in Walmart one day. On that day I found the “Hot Concepts Illumix 4 in 1 Stylus”. It’s a funky little pen with a light, laser, and touch-screen stylus. And it’s only a couple bucks! Let’s see how it works:

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The light is really just a white LED that’s stuck in the end of the pen. There’s no focus, so it dissipates rather quickly. You could get an idea about the shape of a small room, find a key, or perhaps locate something stuck behind some furniture, but that’s about it. Nothing far away can be seen, and nothing in great detail. But it still works alright. Interestingly enough, both the light and laser can be turned on at the same time. The laser is dimmed significantly by this, but the light seems unaffected.

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The laser pointer works fine. It’s one of the standard cheap ones that can be found almost anywhere. It will hurt your eyes, but isn’t very bright on anything else. It isn’t very well focused and will spread out over long distances. But inside a regular sized room, it is very functional as both a people and cat toy.

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The stylus works with modern touch screens, and it’s fine. It’s so easy to make a stylus that works with these screens now it’s unremarkable. It’s a bit cheaper than the norm and seems like it might wear out, but I’d say the worst thing about it is that you have to watch out and not hit the buttons and blind yourself when using it.

Finally, the pen part. It works, actually quite well. The tip is very fine, but despite that, it writes quite smoothly with little pressure. The inks a standard, almost-black ballpoint ink that’s water-resistant. The cartridge can’t be replaced as far as I can tell, though the batteries can be. So when you run out of ink you’re out and just left with the other features. That would seem to indicate the pen is not a primary function. The sleeve with the stylus has to be removed to access the pen, and this is not held on very well.  It slips and can come off with a bit of a shake. There’s also nowhere to put the sleeve when using the pen, meaning it’s a two-handed operation.

A couple of other things: the clip works well, there’s a warning under the laser but otherwise no information printed on the pen, and the white smooth color with “chrome” trim looks nice, but not very professional, and it’s quite slippery.

Overall, every action it performs is done passably, but not well. It’s a fun device to mess around with or have if you want any or all of the 4 uses, but won’t use any of them that much. The batteries don’t last that long, the ink cartridge is small and not replaceable, and the overall tolerances aren’t very tight. The metal construction is nice, but the product seems to be made with disposability in mind. It’s fun, and good for the money. Just don’t expect much out of it.

Book Review – The Rejection Collection Vol 2

The second Rejection Collection is very similar to the first in that it is a wonderfully funny collection of cartoons that didn’t make it into the New Yorker magazine for various (and obvious) reasons. There are a few returning artists, and a few new artists featured, and one is bound to like quite a few of them. This makes it, cartoon-wise, a wonderful look at what cartoonists and editors think shouldn’t be published, and it’s hilarious.

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My problem with this second volume is in the more “book” part. There is a questionnaire filled out by each cartoonist, and unlike the first book, where such a paper was very open-ended and allowed for a lot of creativity, this one seems more locked down and contrived. This is ironically (I used the word correctly here, just watch) because it is trying to do the opposite. In trying to intentionally create an open-ended and interesting form, the result is a form that makes the authors’ humor seem forced. Only those who really break all of the form’s rules are very entertaining to read. Only a few are complete duds, and in general they are a bit of fun. They also tend to provide a less-insightful look at the cartoonist, in my opinion. I guess the form had to be different, because some of the artists return, but I do wish that it was more like the original.

That being said, there are certainly some funny and informative moments in the book, and the paper and humor are of a high-enough quality that I don’t feel ripped off. I’d say if you came for the cartoons, the book is great, but if you came to get a closer look at the minds of some of the New Yorker cartoonists, some heavier considerations might be weighed, and the first collection might be better. It’ll take longer to read than the first, and it’s certainly funny, but I just don’t think it’s quite as good.

Review – Papermate Eagle

All pen companies have a simple, cheap round pen. Bic has the round Stic, Staples has its… pen, and Paper:mate has its Eagle. And it’s the Eagle I’ll be looking at today.

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The body of the Eagle is nothing spectacular. It’s simply a semi-transparent cylinder which tapers down slightly just after the section to a tip/refill insert that can technically be removed, but which shouldn’t be because replacing it would be as expensive as replacing the pen. The cap is a standard friction fitting affair, which covers the tip so ink doesn’t get everywhere, and has a clip that’ll keep it in your pocket for a little bit, though I wouldn’t trust it. The information printed on the side of the barrel is minimal but works.

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The writing is surprisingly smooth for a ballpoint, at least for the red one I’m using. I guess they’re just getting better over the years. The ink is the same color as in the Paper:mate Write Bros pens. It’s fairly dark and unaggressive as far as reds go. And it’s waterproof almost instantly, though I wouldn’t wager on it being fade resistant. Writing comfort is minimal, as one still has to push down a considerable amount when compared to liquid or gel pens, and there is no grip other than the plastic of the barrel. But it’s still quite tolerable and causes no excess discomfort when writing.

Overall it’s a fine office pen. It works, and it’s cheap. It’s sturdy and fairly reliable. Is it great? No. But they’re fine for what they are, and virtually indistinguishable from similar Bic pens. If you lose a lot of pens, or need to get some for students or coworkers, these should do just fine.