Tag Archives: paper

Comparison – Wite Out Vs. Liquid Paper

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Sometimes you make mistakes, and sometimes those mistakes need to be corrected. There are a few ways to do this, and a few brands of correction fluids to buy. Today we’ll be comparing Liquid Paper and Wite Out.

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What do they have in common? They both have similar size bottles (~20ml) and a stick with a sponge-wedge applicator. They are about the same size in application. Those are the only cosmetic similarities. The bottles themselves are very different. The Liquid Paper one is a bit larger with grooves on the side for grippyness, while Wite Out is just in a slim, standard-looking bottle. The Liquid Paper bottle has ridges on the cap that are supposed to make it easy to open, but instead they are slippery and difficult. They also get in the way when applying. The ridges on the Wite Out are much easier and less intrusive.

But now on to the substance itself. And there is no noticeable difference in the application process, as they have about the same viscosity and go on smooth. The brush on the liquid paper feels a bit stiffer. When dry the best I can say is Wite Out is a warm white, and Liquid Paper is a cool white. The are both undeniably white, but neither are true white. You couldn’t say they have tints, they are just warm and cool. After drying the Wite Out is easier to write on, so that is the only other consideration.

It really depends on what paper you have when using these, warm or cool paper. Yellowish will prefer warm. And though Wite Out is easier afterwards, it isn’t too much easier. So it comes down to price if neither of those things matter, as I can say that they both work quite well at what they’re designed for.

Speak Your Mind 124 #616-620

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QUESTIONS

1. What kind of laundry soap do you use at your house?

2. Describe your home.

3. Are you as tall as your mother?

4. Do you think it is hard to read things written out on colored paper?

5. Close you eyes. How many windows are there in this room?

ANSWERS By: Austin Smith

1. The unscented kind.

2. Craftsman, large, single story.

3. I am taller in fact.

4. Depends on the color of the paper and the writing.

5. There are two.

Review – Leuchtturm 1917 Pocket Notebook

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Notebooks again. Is Moleskine your style but you find the paper a little lacking? Well Leuchtturm claims to have you covered with the 1917 line of notebooks. Specifically I’m reviewing the black pocket (dot) hardcover version.

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Starting with the outside, the dimensions are nearly the same width- and thickness-wise as the Molsekine, but about half an inch taller. As the Field Notes and Clairefontaine pocket books are the same size (lacking thickness) you could compare it to them as well. The cover is in the black Moleskine style and is almost indistinguishable. It is also fairly flexible, something entirely absent in the Moleskine. It has an elastic band that feels slightly cheaper, but nonetheless works well. The most disappointing thing is the spine, which constantly creases, cracks and groans. The problems appears the be that the cover on the joints is separate from the binding. The binding does feel solid, so I don’t believe it will fail, but the spine will definitely encounter cosmetic damage with prolonged use.

Inside there is a standard back pocket, an address and name blank, and several table of contents pages, helpful little things if I do say so. Also the last few (six) sheets can be torn out and are as such perforated. Each page is numbered and of course there’s a bookmark ribbon. It has about the same sheet count, and same page color as the Moleskine, but with better paper. The Leuchtturm has 80 gram paper that is supposedly ink resistant. I can say it is, I didn’t even get bleed-through with a flex pen. That being said, everything shows through to the point of being annoying, even a ballpoint pen. Only pencil makes for a clean, two-sided drawing experience. Though the paper, unfortunately, is not very smooth at all, especially not as much so as the Molsekine or Clairefontaine books. You’ll get a lot of feedback on this one. The rulings are all standard and nothing to write home about.

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So, how does the Leuchtturm perform? Well. It performs well. It’s cheaper than the competition and better in some ways. Most of these things are up to personal preference. I would say the binding is a little weak on this one, but other than that it’s up to par.

Review – Clairefontaine Staple Bound Pocket 3.5″ x 5.5″

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There is a new contender in the pocket notebook category. Well, not new, but new to me. The Clairefontaine staple bound 9 X 14 cm pocket book. This is not really very comparable to the other two pocket books I’ve reviewed as it is much thicker, but it is still around the same size, so here we go. The book is twice as thick as a Field Notes book and about a millimeter wider, and the rounding on the corners is about the same.

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The cover is a fairly thick but flimsy card stock. There is a website URL, paper weight, dimensions, and page count listed on the back cover, and no other information save the logo. The inside cover is a simple white, while the outside is the standard Clairefontaine cover, which I consider to be fairly ugly. The cover also has a blank space which I assume is a subject line or a name space.

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Inside is 48 sheets of 90 gram Clairefontaine paper, which is superb. This is one of the few notebooks where the page count, rather than the sheet count, matters, as you can write on both sides, even with a fountain pen. The paper is lined with a 7mm ruling, a small margin at the top, and an infinitesimal margin at the bottom. The lines are a very pale purple and not at all intrusive. As far as I know they only come in a lined version at this size. Writing-wise, the paper is buttery smooth. Very easy to write on, but ink resistant enough to have little to no bleed through, except for the nano-liner which can bleed through tables it seems. The paper is also heavy, it takes effort to bend it along the spine to write with it, and once you have bent it, it stays there.

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Finally the binding: it’s bent over and squared with two staples each about a quarter of the way in. It seems far from the sturdiest binding, but it can take a fair amount of flex before buckling. Though with no support at the edges they do tend to get a little banged up. Because of its interesting folding style and large page count, the binding does seem a bit weak, in mine the staples aren’t even fully stapled, so pulling this book apart intentionally would be easy. But unintentionally it seems to hold up fine, more due to the paper than the binding. It will buckle and get bunged up at the edges, though. I’m skeptical about it’s ability to take some hard wear and tear for all 96 of its pages to be used.

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Overall this is a great little pocket book. I personally won’t use them as much as some other books because of the terrible, intrusive cover designs and its thickness. But for writing or drawing with fountain pens, dip pens, or ink brushes, this thing can’t be beat. It’s a great, sturdy little notebook with especially good paper.

Notebook Showdown – Moleskine Cahier Vs Field Notes

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So another notebook competition today, huh? This time I’ll be comparing the higher end of the pocket book spectrum. It’s time for Field Notes to go head to head with Moleskine Cahiers.

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Starting with the covers the Moleskine is a very heavy, single color, piece of cardboard with an imprinted logo on the back. It’s got a flap on the back that folds in and serves as the famous Moleskine pocket. This pocket is not very well secured by the glue and tears out easily, it also causes the back to be prone to creasing rather than flexing. The Field Notes book has a thin “packing brown wrap” cover with a logo on the front and some identifiers. It also has a little on the back, but on the inside is where it really shines. It’s got name, coordinents, date, and return to blanks right in the front, and the back contains may useful reference items, including a list of uses, and all the materials used in the book. It’s still fairly flimsy, though, and when it bends it stays bent rather than easily popping back into place.

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Size-wise, both books are almost identical, despite the Moleskine having 12 more sheets. The rounding on the corners is also a bit less on the Moleskine. The paper inside the Moleskine is the standard archival quality, but fairly weak, off-white paper the comes with all Moleskines. In the Field Notes is a smooth, bright white paper. The actual type of paper is listed both on the website and in the book for easy reference. Both books come in: blank, ruled, and squared or graphed paper. But some special edition Field Notes have all sorts of different rulings. There is little variation in the ruling size wise, the only major ones being the Field Notes have a wide top margin and slightly lighter lines for the ruling. They’re brownish compared to Moleskine’s grey. One feature of the Moleskine that the Field Notes lack is that the latter half of the pages are perforated for easy removal, meaning you can tear them out without destroying the binding.

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Speaking of the binding, that’s where the really major difference between these books kicks in. The Field Notes are saddle stitched with three staples. The Moleskines however are stitched with 21 signatures. I believe they are also hand bound though I could be wrong on that. The Moleskine binding and cover makes it (like other Moleskines) like a rock. It is much harder to bend, but bends and creases terribly when it does so. The Field notes is a bit more lenient, bending more, but the staples provide great pivot points for bending and creasing as well. The Field Notes binding, while sturdy, can have the book come apart on it, though this rarely happens because of their limited page count. The binding on the Moleskine is much more likely to come undone itself and leave the book behind, though again this rarely happens.

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Really it all depends on what you want. They’re both about the same price so do you want: a better cover, more pages, perforation, and a pocket, or: better paper, better binding, and some useful information? In the end that’s what it comes done to. Also the looks a little bit. Personally I prefer the look of the Moleskine, but the quality of the Field Notes, so I use both. Try ’em and find out for yourself, it’s only like twenty dollars for three of each (at the time of writing).