Review – Bic 4 Color Original Pen

For as much as they are almost “looked down” upon in the world of writing implements, and for as cheap a product as they are, Bic pens are very sturdy and reliable line-making machines, with newer ink formulations making them smoother than any pen in the price range seems to deserve to be. Their simple and effective designs have endured the tests of time, making the Cristal ubiquitous, and others, like the 4 color pen, an oddity many have toyed with and some people swear by. Is combining 4 pens into one really necessary? Probably not. But does it have convenient uses for those who still write thing down? Let’s take a look.

The body of the pen is quite simple, with a retro vibe that probably comes from the design being relatively unchanged from its introduction decades ago. The main barrel is a light blue (or orange for the fine version) cylinder making up 2/3 of the length that begins to taper as it gets closer to the writing end. On top of this is a black band, which connects to the white top. This top section has a very “angular” molded-in plastic clip, a lanyard hole/rotary telephone dialer on top (rather intrusively), and 4 slots in which 4 plungers of different colors sit. When one of the plungers is depressed, a pen tip of a corresponding color pokes out of the front. Unscrewing the blue portion reveals that the mechanism here is quite simple: the 4 ink tubes (with tips) are situated equally distanced from each other inside the barrel. When one pushes the plunger, an ink tube is moved forward and bent via the barrel taper to come out the hole in the center, and a catch holds the plunger down until depressing another one causes it to spring back up. Unfortunately, the way things are constructed, the ink tubes are not replaceable, so if you run out, you’re stuck. The only other thing on the body is the Bic logo and “made in France” molded into the side of the white upper portion. It’s nice that it won’t rub off, but it doesn’t give you very much information to go on.

The performance is decent. The inks are quite smooth for a ballpoint, and don’t cramp the hand too much, but there is more blobbing than I would like and some of the lesser-used colors (like green) often have startup problems from dried ink on the tip. Despite being a shiny plastic, the pen holds well in the hand. Being a bit larger than your average pen to accommodate 4 ink tubes, it has more surface area to hold on to and it isn’t slippery. It might not fit in some smaller pencil holders, though. I’ve taken a look at the more common Bic colors before, and they aren’t changed here. All are a bit more wimpy than I would like, especially the green, followed by the red, but they go down well and are recognizable while having the standard ballpoint advantages like being water-fast. The clip is pretty bad if you ask me, having almost no flex, but it will probably do its job.

For art, this pen probably isn’t worth considering unless you’re challenging yourself. But for those that like stay organized with different colors in their planners, need a red pen and don’t want to keep track of 2 pens, or don’t want to run out of ink on the fly, this is a pretty good option. It’s got a nice retro feel if you’re into that sort of thing (understanding that it’s a little unprofessional) and even through it’s disposable, the materials are quality enough it won’t fall apart on you. For someone like me, who carries around 4 pens in 4 colors this might be a lifesaver. It’s not the end-all pen, but it’s a nice office-weight pen, designed to be inexpensive and get things done, which it does quite well at.

Book Review – Of Mice and Men (By: John Steinbeck)

I must say before getting too far into this review, that Of Mice and Men is my favorite book, and has been for quite some time. It probably has the award for the book I’ve read the most times, but for me “more than once” is a rarity. I’ve been using the book as a benchmark for what makes a good book since I first read it, but is had been some time since my last (subsequent) reading, and I felt I needed to refresh my memory. I must say I was not disappointed.

At the risk of potentially sounding more biased than I already sound, I believe I can safely say that my barometer for what is a good book has been reset so high with this one that I almost feel myself going “why do I even read other books? Couldn’t I just read this one again and again forever?” Even from the very beginning, which in and of itself is a master’s course in how to do exposition, I was wrapped up and engrossed again. Of Mice and Men does not wait to hook you, or need to spend pages of setup to allow you to understand it. At only a little more than a hundred pages it doesn’t have time for that. You are there, and it has you, and it will not let go.

The story is one of Steinbeck’s California workers’ collection, about two men: George and Lennie, who are working bucking barley in the hope of saving up enough money to buy a farm of their own. Lennie is big, strong, and “not bright”, while George is slim, quick-witted, and… harsh I guess. They were “kicked out” of the last place they worked at because of a misunderstanding with Lennie and now they’ve just come to a new place where they only have to keep a low profile for a little while in order to get their money and get out. Of course as the title alludes, these plans “often go awry”.

The rest of the cast of characters is pretty small (indeed, the book was meant to be half-novel, half-play, so it stands to reason): there’s Candy, the one-handed “swamper”; Curly, the boss’s son who’s “just mean”; Slim, the cool-headed team leader; Crooks, the “negro” stable-buck; Curley’s unsatisfied wife, and Carlson; a man who has a Luger (and a couple of other people there for convenience). Most are simply stereotypes, but instead of that being a “narrow-minded” or “easy-way-out” writing trick, here it is used as a way to introduce characters and themes without having to go into too much depth in the setup, allowing for more depth subsequently without bloating the size. For instance, Crooks isn’t just “cursed” to be black, but crippled, and his separation from the others gives him both a certain amount of freedom and a certain amount of dependence. And Curly’s wife (only identified as such) is a “flirtatious” “tart” but she had to settle for the life of a farm as opposed to the social life of an entertainer she yearned for.

With very few words, the stereotypes turn into people, understandable and empathetic people. One could suppose that there is an antagonist, and most would call our main characters protagonists, but in the end it’s just a story that happens to have them as the center. The book really gives the impression that things are happening because things happen, bad and good, to people, bad and good. There isn’t anyone malicious planning everything or being a villain “because”. It feels real, like you know these people and this actually happened.

And in my mind, my words don’t do it justice. I keep mulling over time and time again what exactly it is I have to say about this book, or how much there even is to say. really, and I come up with so many things that just never go down on paper quite right. It’s hard to express how much I enjoy it. Even with its flaws (both typographical and narrative) it just stands head and shoulders above any of the competition for me. It works, and it works as a story that is relatable on so many different levels for so many different people: for farmers, for workers, for friends and family, for planners and dreamers. It’s a cautionary and sad tale, but realistic. It doesn’t wallow about in its misery, it moves forward, as people tied to time are forced to do. Sometimes it’s a bit fast, and the transitions don’t always feel like they’ve adequately explained the amount of time that has passed (if any), but if picks it back up so fast after that little fumble that one barely notices it.

With my opinion already fairly obvious, I’ll say I’d recommend this book to most people. There are a selection of people who prefer very specific genres, books about non-serious topics, and who really don’t like less-than ecstatically happy endings. Those types of people I would not recommend this book to, but it’s not often I find one of them around. And even if one doesn’t enjoy the book it can be finished in a few hours and you’ll likely take away something major from it.

Rainbow Peephole – In the Collection

As a toy, kaleidoscopes were fun for a little bit but they never really amounted to much. Depending on the type, they were fun to look through for a moment, and then they just went back in the drawer for me. So I don’t know if it’s worse or better that the Rainbow Peephole makes things cheaper by just being a plastic lens in a bit of cardboard.

I guess comparing it to a kaleidoscope is a bit much, even. It’s really just a diffraction lens and it doesn’t distort things. It makes weird outlines of rainbow colored light around them. They’re still for sale for about a quarter a piece (which almost seems a bit much) but God knows when mine was made by Rainbow Symphony, a 3D glasses (the old kind) company.

The reason for their existence is mostly of course to illustrate a scientific principal to children (while being cheap), and they do accomplish that goal in their chintzy glory.

Mini Review – Museum Siam Pencil

I’ve looked at quite a few triangular-shaped pencils recently; they seem to be a trend attempting to make writing more comfortable. While they are obscure, I had heard about them and they make sense. Trending in the opposite direction I have here a pencil from the Museum Siam that is square (with rounded edges). One would think that would be uncomfortable, and maybe that’s why it’s a much less readily available design. Let’s take a look.

The body of the pencil is super simple. It’s a rounded off 5mm rectangular prism with a nice matte black paint. On the side, stamped, in nice red letters are “Museum Siam” and a pictograph of a worker. The back of the pencil is capped with a red material but this is covered with a quite large eraser that is also in the shape of the logo/worker dude.

This pencil is obviously a novelty or keepsake, and while it writes like a fairly normal #2, being a bit toothy and on the soft side, it probably wasn’t meant to be written with very much and most of the normal information you’d find on a pencil is absent. The body of the pencil is surprisingly easy to hold, and allows for a good grip without much cramping, though it will dig in a little more than more standard pencil shapes. The biggest problem is the eraser, which makes the pencil massively back-heavy and almost unusable when attached. I didn’t test its performance because I didn’t want to damage its aesthetics but I suspect, like most shaped erasers, it would perform poorly.

It’s a pretty neat little gift shop item if you’re a fan of weirder pencils, and there isn’t much else to say about it really.

Review – Apsara Extra Dark Triangle Pencil

I’ve been looking at a lot of international pencils recently, and these are no exception. While Apsara pencils aren’t necessarily “hard” to come across in the US, these particular pencils, the Extra Dark Triangular, are virtually nowhere to be found. Are these Indian pencils worth getting your hands on, or nothing special?

The pencil almost couldn’t be simpler. They have a rounded triangular body coated in yellow paint. The back end is also rounded off and capped with a thin amount of shiny black material. Most of your necessary information is stamped on the side and filled in with black paint, though in lieu of a hardness number (they’re 2B by the way) there is instead the vague “Extra Dark”.

They are darker than the average #2 pencil, and quite soft/smooth, losing their point very quickly. I wouldn’t call them “extra dark” but you could certainly get away with it. And it’s nice for sketching or filling in scantron bubbles. The wood that the main body is made of is very light and cheap, with paint that is shoddily applied (it isn’t a nice, even coat, and you can see through it in places) but the triangular shape is comfortable and there’s enough friction to keep it in your hand nicely.

It’s far from the king of all pencils, but it’s comfortable, doesn’t like to roll off tables, and feels like nothing when holding it. It’s a decent test-taking tool (though it lacks an eraser) and an inexpensive* way to get those darker lines when sketching. Personally, the darker lines and triangular shape aren’t my style, but if that interests you and you find one out in the wild you might want to take a serious look. But I wouldn’t go seeking them out until they become more widely available.

*I assume