Review – Moleskine Pocket Softcover Notebook

I’ve already reviewed the Moleskine pocket notebook in hardback, but I’ve also used the softback version, and since there are a few key differences besides the obvious, I though I’d highlight them. So this is only half a review, if you want to know about the paper you can look up my other Moleskine pocket review.

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So the cover is obviously soft. It is a lot thinner and as such you can see the binding through it, especially on the back where you can see the attachment points for the elastic band. They are a bit intrusive and noticeable. The cover is blank aside from the name Moleskine stamped rather deeply into the back cover. The look is a bit like the regular Moleskine, but the pages are cut the the same length as the cover, and it looks a bit more shiny. The front cover can roll up on itself and then bounce back, but it never fully regains its former shape. The back is much less flexible due to the back pocket that comes Moleskine standard. The cover also feels almost moist and rubbery, and any minor scratches and such simply bounce out unlike the Rhodia Webnotebook. The softness does mean that the elastic band leaves very noticeable marks on the cover and sometimes the paper. The spine in contrast to the hardcover feels much more durable and able to stand up to long, continued use.

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Which style of cover is better is a decision you have to make. This one is flexible, easily fits in a pocket, and is harder the permanently damage than the hard cover, but it offers less page protection and stability for writing, so it’s give and take.

Review – Layflat Dot Grid Composition

Sometimes lines don’t look right on drawings and grids are too intrusive. Dots can be easier to draw around and can give the general guidance that is necessary. If you want the added bonus of having a book that lays flat on your table or lap you might want to try out the Layflat Sketchbook Dot Grid Composition notebook.

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The cover has a static looking black and white style and and a black spine. There is a space to write a name and subject as well. The cover is very thin cardboard, the inside being plain white with a plastic coating on the outside. It is rather thin, and has a problem with the pointy corners getting dinged up easily. The spine does lay flat with a little prodding, though not as flat as a saddle-stitched binding, but flatter than any other types of composition books, and most other note books.

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The pages are thin as well, white with tiny grey dots at regular intervals. There are quite a few of the dots on a single page, though I don’t know how many. The paper shows through with almost every ink, though it does take a heavy amount to bleed through. Even a few fountain pens work. The corners get dinged up like the cover, and the individual pages are a lot easier to damage. The grid they form is easier to write with than many others and is fairly straight. Though many of the pages are not printed the same, so the dots are inconsistent. Each dot is made of several small dots so they are un-intrusive.

Overall it’s a good notebook for designs and sketches requiring general guidance. It doesn’t work well with larger fountain or brush pens, or heavier liquid ink pens. It can get dinged up easily, but it does lay flat. In the end it is a cheap and nice notebook. Though it has faults, it is reliable and of good quality. It’s good for students or casual designers.

Review – Pentel Sign Pen

A felt tip marker can be a useful art supply. If you want to use a high quality marker pen from a well established brand, and don’t need a particularly thick line, the Pentel Sign Pen may be the thing you’re looking for.

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The pen itself is black, fairly flat, combining the worst of matte and shiny blacks. The base has a small tan disk. It’s got a slightly hexagonal design, and both ends taper down to a cylinder. The cap is in the same design. The clip is a long piece of plastic, and it ends in a slightly sharp, shirt tearing, tip. The grip section tapers down to a metal holder and a thin felt tip.

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The ink is a nice black, and it is very black. The tip doesn’t seem to have much line variation. It looks about the same no matter the pressure. Using enough pressure to give variation would damage the tip. Tilting the tip can cause some variation. The ink is mildly waterproof. It does turn grey and does smudge heavily, though it doesn’t fully disappear and can in most cases be read.

So if you need a fine-to-medium point, water-resistant black marker, which sounds specific but really isn’t, this could be the pen for you. In my opinion it is more comfortable than a sharpie, and is a bit smaller, which is nice. It is a very good pen for line art especially on larger works.