Tag Archives: orange

Review – Faber-Castell Pitt Artist Pen Brush Manga 6 Color Set

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I’m not a Manga artist. And I usually don’t use color in my art. Mostly because it’s hard, like using brush pens is hard. What I’m trying to say is that my perspective on this particular set of art implements might not be the view of the average person who might find them very useful. With that said, let’s take a look at this set of Faber-Castell Pitt Artist Pens, the Manga 6 Color Brush set.

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The pens themselves are fairly plain. There is an indication of the size (“B” for brush, in this case) on the top of the cap. The cap has a set of groves running around it with a shiny finished top and clip. The clip is the same piece of plastic as the cap and does its job in an unspectacular way. The body is straight until the very end, which protrudes as a fluted section for posting, at which it’s effective. The body contains all of the needed information in several languages, which makes it seems a bit too crowded, but I can’t really complain. The section is slightly textured, which is wonderful; it isn’t slippery or uncomfortable. After that is a tapering section for the cap seal and the brush point itself. The cap seals and holds well onto this point.

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The brushes themselves aren’t of the bristle variety, but are more like a flexible porous point. This makes them much less finicky, and better for a disposable item like this one, as they would wear out faster than a bristle brush. Their flexibility is nice, going from a medium point to one several millimeters wide with relative ease, and they can be bent to some pretty severe angles without any long-term damage being done. The amount of ink they lay down is good. It increases with the pressure on the tip, and makes a full line. At times it skirts on “not enough”, and layering will definitely change the color significantly. Sharp turns with the lighter colors will leave a darker area on the corner. On office paper this amount of ink will bleed though, especially at the ends, but on cardstock there is barely show through.

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The six colors themselves are a decent selection, but not great: Dark Naples Ochre is a nice, natural looking yellow. Orange glaze is a bit pale and not really a color that is found in many places. Pink Carmine is a bit too dark and is hard to use. Purple Violet, besides having a redundant name, is dark and pleasant, but again not very natural. Phthalo Blue is a great looking lake or ocean blue, but is a bit dark for most uses, and Permanent Green Olive is quite dark and olive, which is more suited to deeply forested areas or jungle than to plains or some more common areas. Still, the colors interact with each other very well, and they dry fast, but do mix on the paper, meaning one can get interesting color combinations while still having their pens keep relatively clean.

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Overall, the set is a good set to introduce oneself to the Pitt artist brush pens. It has a nice simple selection of colors that allows for experimentation and can be used for the base of a larger set. But I certainly wouldn’t consider it a complete set for creating an art work. Many more colors would be needed, and more tailored to one’s specific purpose. For instance, there is very little here to make skin tones with, which would be very important in Manga. They’re very good pens, but the set is incomplete.

Addendum: I failed to mention the water/smear proofing of these pens when I first completed this post. Both of which are very good. When interacting with other inks or materials the lines generally stay solid, which is good for resilience but bad for blending. When hit with water the lines don’t move, but they do bleed a tiny bit of pigment.

Review – Expo Ultra Fine Pink, Purple, Orange, and Brown

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I’ve looked at the 4 most common Expo marker colors (specifically in the Ultra-Fine tip) in the last few weeks, and this week I’ll look at 4 of the lesser-seen colors: pink, purple, orange, and brown.

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Pink- to start with, the pink is a nice, dark pink that looks much more pleasant than the common pinks found in writing utensils. It’s rosy, and very consistent; the line width is medium, though.

Purple- next, the purple is a very bold writer, it goes on smoothly and with a lot of ink, but there is more variance in the color when dry. It is a nice, dark purple, and unmistakably so. It might be confused with black from far away, but is generally distinguishable.

Orange- the orange is very thin, both in line and in color. It’s sometimes hard to tell it’s there at all, and there is a wide color variance within it. I’m not a particularly big fan of it.

Brown- and finally the brown, which is another wide-writer. It writes smoothly, with the only color variance being in the tips. It’s a dark enough brown to be easily read, and still distinguishable from the other dark colors.

Overall, these 4 are a nice addition, though they aren’t my favorites, either in performance or in looks. I like them, but if I were just getting these for a class I would skip them. For organization, note-taking, and art, these colors have a better purpose, but those aren’t the main purpose of dry-erase markers.

Review – PaperMate Flair Colors – Orange, Lime, Magenta, Marigold, and Pink

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Now it’s time for part two of my look at the 20 colors of the Papermate Flair. This section of five is the “Warm” colors section. Mostly some normal colors here, but a few out-liars. Nothing too crazy.

Papermate flair colors part 2

This scan didn’t work the best

 

Orange – The orange is a deep, red-ish orange that is surprisingly natural looking. It’s very subdued, but noticeable, good for organization, but not for documents. It’s dark enough that it can be read at a glance. It fades significantly, but doesn’t really smear when wet.

Lime – The lime likely has the most variance in color, when written with fast it is a surprisingly standard bright lime color, but when taken slowly it is rather dark and subdued. It wouldn’t make a great office color but it is less harsh than a normal lime green, and the variances in tone make it good for art. Another plus is water hardly affects it.

Magenta – I find magenta colors had to classify, this one is pretty, nice to look at, and readable. It wouldn’t suit the office well but it does look like I could see it out my window. Heavy bleeding and smearing when wet with this one.

Marigold – At first glance this pen looks like another yellow, which it is, but much less harsh and more readable. It has a tinge of orange that is very pleasant and flower-like. There’s a lot of smearing, but almost no fading when exposed to water. Perhaps it could be used as an alternative to red to use when marking something important. Just as noticeable, but less aggressive.

Pink – I don’t like this color, it’s a hot-ish pink, not blinding, but not pleasant. It’s standard all things considered, it barely moves when wet and is inappropriate for anything but personal organizing. I’m not judging you if you like it, but I won’t be using if for anything.

And that’s part two. I like the warm colors, but I struggle to find uses for them. Next time I’ll take a look at five more, but this time “Cool” colors.

Review – Papermate Inkjoy Green, Pink, Orange, and Light Blue

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In a previous entry I looked at the more standard Papermate Inkjoy colors, now it’s time for the less standard colors, like light blue, pink, orange, and green.

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The light blue is a sky-colored blue. It is the hardest to read of any of the Inkjoy colors, though it is still fairly visible when not cluttered. It has a very natural feel and is very sky-like. It is very neutral anyway. It doesn’t look like a color that takes a stance, if that makes any sense. It’d make a nice color for both drawing and work.

Next pink, which thankfully isn’t a very aggressive pink. It’s definitely not hot, it’s more of a magenta color, but not quite. It is not a very natural color, though, as it doesn’t look like a rock or a flower. Might be good for a personal thing, or some corrections or something similar.

Third is orange, which I must say looks almost exactly like Pilot G-2 Orange, which I have previously reviewed. Subtle, but not very useful, perhaps flowers or the fruit, but it could be work-friendly, if you’re in a less formal office setting.

Finally green, which is a quite deep, more forest color. A very natural and neutral color. Again a fine informal office color, and a nice forest or swamp color. Though very limited in its natural colors. One of the least useful, but most usable, colors in the set.

Overall these four colors are unintrusive and subtle, with various office and home applications, but very little artistic applications save a few specific places.

Review – Pink, Orange, Turquoise, Burgundy, and Lime

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And now for five more Pilot G2 colors! These are the the more “regular” colors, but just a bit different, so let’s go.

pilot pen comparison

The first is pink, which is very pink. It’s probably the brightest and most visible color in the set, though it fortunately isn’t an eye-searing hot-pink. It runs fairly thick and as pinks go, is quite deep, closer to red than to rose.

The second is orange, which is fairly bright, the second hardest to read of the bunch. It is plainly orange though, and will be a stark contrast to any other color in the set. Like most of the other colors, though, it is done well, and is not painful to look at or too difficult to read.

Next we have turquoise, which is a greenish-blue color. Honestly, it just looks like turquoise, which is a very pleasant color. It’s appealing and subdued, it almost looks like sky or clear “caribbean” sea. It’s a fantastic color, especially if you want a bluish color, but a bit lighter and happier.

Fourth is burgundy, which is a deep, purplish red. It’s almost like a red-black. It is very readable on the page, but gives writing a bit of flair not seen in a red, black, or purple ink that would be close. The ink is a bit thick though, and has some starting problems, but that just means it should be used more often.

And lastly for this set is lime, which is obviously a very light green. It actually looks nothing like a lime (like most colors called lime). It is the hardest to read of the bunch, but still isn’t quite offensive to the eye, though I wouldn’t write with it. I think it’s still the worst here, though, as it doesn’t match the nice qualities of the rest of these inks, and it’s a bit dry on the page.

Next up are the more uncommon colors.