Book Review – How to Draw Fantasy Art and RPG Maps (By: Jared Blando)

How to Draw Fantasy Art & RPG Maps: A Step by Step Cartography for Gamers and Fans is a book with quite a long name that is aptly described by said title. It’s a “how-to” art book detailing the creation of fantasy or “medieval” maps for use generally with role-playing games. I picked a copy up mainly to get some inspiration from the included examples and not to actually get any solid drawing information from, as my in experience most “how-to (art)” books I’ve read don’t provide any real benefit other than that (the worst being the “Step 1: Draw a circle, Step 2: Perfectly draw a bunny then color it” kind). But does this one break the mold?

All first impressions indicate that this is a fairly standard, if nicely produced, how-to-draw book. The almost 8½ x 11” size is nice and fitting while the 128 page length is right in the middle of books of this type (most good ones at least). The cover stock is decent and the inside pages are heavy and well coated. The image quality is phenomenal; it’s all nicely printed and well laid out (and meant to look old on the covers. meaning the damage to the corners caused by shipping doesn’t show up as much)

The actual content of the book is where it seems to lose purpose. Not necessarily the art, which is very good if a bit overly specific, but in the writing, which spends most of the books length telling you “now sketch/draw/fill in X” without giving any real hints, tips or tricks. And sometimes I get that, maybe there aren’t any “tricks”, but at that point the text could just be omitted. It seems like the author was only writing most of the book because it was supposed to be a “book” and not show-and-tell, but I’m not necessarily against show-and-tell, especially in this context. The worst part is that even with all of the unnecessary text there are constantly little blocks like pop-up ads in book form that “inform” the reader of “free content” on the publishers website (that I’m sure will be around for as long as all physical copies of the book last). I personally haven’t looked to see (now I have, it’s not much) what’s there but they are used frequently enough (to fill space I’m guessing) that it almost seems like there’s a second book online I should be looking at (there isn’t, just wallpapers).

Still, there is some good stuff in the book; scattered around are helpful “aside” boxes that have useful information (generally better than the regular guidelines) and most of the information and images are on a solid foundation. The shield chapter is particularly nice (if short) one where many examples and color palettes are provided to give the reader some inspiration. This stands in sharp contrast to the previous icon chapter where little-to-no variation or creativity-inspiring options are presented, with boring text that at times (citadels) is directly in opposition to the drawing being displayed. This chapter is by far the worst example of the main problem with the book; that is, just stating the obvious about what is drawn. I have eyes and can see that that is a circle, I also know that the first step in drawing it is a circle, but the book explains that to me. I kept reading in the hope that some interesting fact or technique would be presented but none were (or very few at least). It’s still a problem, but much less so in other chapters where the drawings being directed are actually slightly complicated.

But that’s always been a problem art books have. They provide very few options because they can’t provide more. They don’t know exactly what you want, and when they start to provide the reader with options they lose their cohesiveness. Even this book, which is very straight forward and “constricting”, seems to be about how to make two very different styles of map, but they’re presented as one, in chapter order like you’re supposed to follow. But if you included each of the elements suggested in each chapter as you made the map, you’d have a hard time fitting everything in nicely and you’d end up with a graphically confused and cluttered map.

The book fulfills the purpose I bought it for in giving general inspiration and techniques for creating “fantasy” maps, and it’s an alright beginners tool. The author is a very good artist even if he wasn’t given the ability to flex his writing muscles (that may or may not be there) and the whole thing is nice looking and well produced. I think it would have been better served (like most art books) as a series of images to use as “suggestions” or to draw inspiration from, but if one knows about that (perceived) flaw in books like this going in it is no real problem. If one is looking for actual instruction, the sections on supplies, inking, and digital manipulation at the start and end of the book will do the job with little in the middle being particularly helpful. I am glad I got the book, but I’m not sure how much I could recommend it; it’s nothing special in the world of “how-to art” books and I’m not much of a fan of the (quite digital) aesthetic. So maybe take a look at all of that “free content” on the publisher’s website before making a decision (it just takes one to a page to enter their email address to get “wallpapers”, hardly worth it. I’d try and leaf through the book at the store or with an online “quick look” feature before considering it).

Review – Dixon “My First” Ticonderoga

I’m not gonna lie; I find reviewing wood pencils difficult. I just don’t see enough difference in them to make it seem worth my while to look at each specific one. Ones like the My First Ticonderoga are easier, but still the discussion of them ends up being brief. That being said, let’s take a look.

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The pencil is almost solid yellow, with green accents on the information on the “barrel” and the metal eraser holder. It is a little more broken up by the eraser’s pink and the wood of the sharpened end. The eraser works well enough, and is quite large since the pencils size is increased. The body is half again to double the circumference of a standard pencil, making it much more comfortable to hold, in my opinion, but harder to store. It is completely round, making rolling quite easy, but its larger mass makes it less prone to ending up on the floor.

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The lead is standard fare for #2. It works well enough for drawing and writing, providing a medium line that can be both quite dark and quite light, though the largeness of the lead skews it to dark. Personally I haven’t used it much for that, but I have used it for marking wood in lieu of a carpenter’s pencil, a job at which this excels.

It’s a good pencil, both for kids and those who don’t want to or can’t hold the smaller standard pencils of today. The quality control isn’t the finest. I’ve found some wood and paint blemishes but these are quite minor and don’t affect the writing ability at all. The set I got also came with a plastic pencil sharpener that does what it’s supposed to, but is nothing special. They’re just a simple, good option for someone who wants a larger pencil.

Review – Sharpie Highlighter

At times I feel like there is very little for me to say about certain things. And highlighters are one of those things. I use them, but not so much that I’ve extensively tested many of them to find the best. And I only use them for highlighting, and not some of the more creative applications like using them similarly to a blue pencil. Still, a product that does its job well deserves some of my time to talk about it.

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This Sharpie highlighter was a pack-in with several Sharpie pens, but I’ve seen it on the shelf by itself as well. The body is very simple, being a translucent yellow cylinder with a “cone-shaped” stopper on the end. The cap is a solid piece of plastic with an integrated clip that works well for what it is. The section is also a simple cylinder after a step down from the barrel, and then there is a slight taper and protrusion at the (chisel) tip. Sharpie is on both the cap and barrel in various forms with the only other information being a nontoxic seal and the words “smear guard”.

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When writing, the ink goes on smoothly, and is very bright. So if you want to draw attention to something, this will work. The ink also resists smearing both what it is being applied over, and itself when wet. While it does smear and spread some when dampened, it isn’t too terrible, and during my tests only fountain pen (liquid, dye-based) ink smeared even a bit. I haven’t tested the longer-term effects, but I’d like to think Sharpie has experience with these things.

It’s a highlighter. It’s a good, simple, bright highlighter. If you aren’t looking for anything special from your highlighter, but don’t want smearing, these will work.

Drawing Every Day for 1 Year

Back in May, I wrote a post about how I’d been drawing every day. Since then I have continued, until this Christmas, when I finished one year of drawing every day. I have 365 drawings that I can look back on from this year, and I must say it is wonderful. I really can’t imagine how I did it, with everything else I do. Not that I am the busiest guy in the world, but just remembering to do it every day seems like it would take a toll on my tiny attention span. And I guess it did. Some days it almost didn’t count as I was doing it after midnight, but as long as I have all of them and did one within 18 hours of any given other, then I call it a win.

Like before, I can’t attest to it doing my skill any great service. I now know I can draw things I didn’t know I could before, but that’s about it. I’m still really glad I did it. I think I improved on my time and my simple skill, such as straight lines, etc. I’m really glad I did it, and I hope to keep doing it for a very long time, just like that. I would encourage anyone else who likes drawing or art to do something similar, as having a goal (1 a day, even with no time limit, is a goal) that has easily observable milestones will make all of those other little things that are harder to measure easier to cope with, and handle. We might not see measurable effects of them in years, but I can see that on Christmas last year I started drawing every day. Now, one year later, I have done it for one year, and I have the paper to show for it, and that’s wonderful.

Speak Your Mind 134 #666-670

QUESTIONS

1. How old do you think kids should be when they stop going trick or treating?

2. Why do you think some people can draw better than other people?

3. Have you ever touched a real sheep?

4. How do you feel about being late to class?

5. What season is your birthday in?

ANSWERS By: Austin Smith

1. Whenever they want to stop.

2. Some people have better dexterity, or practice more.

3. No, I have not.

4. I used to feel bad, but I usually didn’t care.

5. It is in summer.