Tag Archives: black

Review – Black Papermate Flair Medium

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Okay, so you want to ink a drawing, or maybe just sketch with a nice bold line, but you don’t have a technical pen. Either you can’t afford them or they aren’t available in the shops you have. Well, maybe you could try the Papermate Flair. The one I’ll be reviewing is the black, medium version.

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The body of the pen is a simple matte black. Sometimes this wears off and reveals a smooth body underneath. The ends are tapered, with a bulge in the middle. The name and size of the pen are printed in fairly high quality on the side. The clip is metal, works fine, but a bit tight, and has two hearts as decoration. On the top of the cap there’s a white breather hole. Removing the cap reveals a slick, tapered grip section. Despite this it is pleasant to hold because it flares out at the end, giving your fingers a place to rest.

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The tip is a nice felt tip. The medium is a fair bit wide, but is almost uncomfortable far from the grip. It writes well but sometimes has so much feedback that it seems to drag on the paper. Its ink is a nice black, though sometimes it can fade to a deep grey. It applies easily and consistently, having very little line variation, which is good if you’re inking something. The nib does feel like it can get bent out of shape fairly easily though, so be careful.

So really, if you want an impromptu inking pen, or something to sketch or make technical drawings with, but don’t have a technical pen, this is a fairly nice replacement. It isn’t as high a quality so it won’t last as long, but it it still a superb writing instrument and a very cheap alternative, even if it doesn’t have all the same quality features.

Review – Sharpie Black Retractable Pen

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So you want to ink a drawing you did, but you can’t find Microns, or any other technical pen. You certainly don’t want to use a ballpoint. What do you do? Well, the Sharpie retractable pen may be an answer. The black version, to be precise.

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The pen itself is a shiny black that gets finger prints on it constantly, though it cleans easily. The body of the pen starts out wide and tapers toward the rear of the pen. Near the front is a rubberized grip section with some grippiness to it. Sharpie pen is written on the back near the clip in silver. The pen looks like it can be taken apart in several places, but it can’t.

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The clip is metal, it’s rather stiff and doesn’t easily go into or out of a shirt pocket. The click mechanism in the back for retracting the pen feels solid, but the plunger is loose and feels a little flimsy.

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As for the most important part: the tip. It’s a fine tip, with the standard very black Sharpie color. It puts down a fairly smooth line. I would compare it to a Micron 01 or that range, but it’s really slightly smaller. The tipping material is very stiff and doesn’t like to bend, which leads to less line variation but a longer usable life. It’s not a permanent pen, or at least permanent like the markers. It writes and sticks on most surfaces, but not on all, but it is very black on everything.

Overall is it going to replace a good technical pen? No, but it is very good for inking in a pinch or if you want a less-used line width in your art. It writes well, it looks good. The main problems for me stem from the fatness of the pen and the cheap-feeling mechanisms. Is it for you? Maybe. I’d recommend trying it out and maybe keeping a few around just in case.

Review – Leuchtturm 1917 Pocket Notebook

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Notebooks again. Is Moleskine your style but you find the paper a little lacking? Well Leuchtturm claims to have you covered with the 1917 line of notebooks. Specifically I’m reviewing the black pocket (dot) hardcover version.

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Starting with the outside, the dimensions are nearly the same width- and thickness-wise as the Molsekine, but about half an inch taller. As the Field Notes and Clairefontaine pocket books are the same size (lacking thickness) you could compare it to them as well. The cover is in the black Moleskine style and is almost indistinguishable. It is also fairly flexible, something entirely absent in the Moleskine. It has an elastic band that feels slightly cheaper, but nonetheless works well. The most disappointing thing is the spine, which constantly creases, cracks and groans. The problems appears the be that the cover on the joints is separate from the binding. The binding does feel solid, so I don’t believe it will fail, but the spine will definitely encounter cosmetic damage with prolonged use.

Inside there is a standard back pocket, an address and name blank, and several table of contents pages, helpful little things if I do say so. Also the last few (six) sheets can be torn out and are as such perforated. Each page is numbered and of course there’s a bookmark ribbon. It has about the same sheet count, and same page color as the Moleskine, but with better paper. The Leuchtturm has 80 gram paper that is supposedly ink resistant. I can say it is, I didn’t even get bleed-through with a flex pen. That being said, everything shows through to the point of being annoying, even a ballpoint pen. Only pencil makes for a clean, two-sided drawing experience. Though the paper, unfortunately, is not very smooth at all, especially not as much so as the Molsekine or Clairefontaine books. You’ll get a lot of feedback on this one. The rulings are all standard and nothing to write home about.

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So, how does the Leuchtturm perform? Well. It performs well. It’s cheaper than the competition and better in some ways. Most of these things are up to personal preference. I would say the binding is a little weak on this one, but other than that it’s up to par.

Review – Higgins Black Waterproof India Drawing Ink

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So a while back I reviewed Higgins black non-waterproof India ink for fountain pens. That’s a fine ink for fountain pens, but if one wants to do, say, an ink wash it doesn’t fare too well. There is a Higgins solution for this; Higgins black India drawing ink.

The ink comes in a tiny well with a small dropper. There is not nearly the same volume of ink, but the bottle takes up about the same amount of space.

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The ink itself is very black. Very, very black. It is waterproof and a little thin. It can be used to create a very dark line right out of the bottle, or diluted with water to make various shades of grey. Unlike the fountain pen ink, which turns a greenish color when diluted, the ink remains black or grey. It colors the water completely black no matter the solution, so measuring the amount of the mixture before hand is recommended.

Overall the ink is superb for what it is made for, which is brush inking and ink-washing. It is very dark and handles very well. It dilutes nicely to create shades, and covers well when it does. It does take a little practice to get good at using it but when you get the hang of it it works wonderfully.

Review – Toison D’or 1900 Pencil

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This is another pencil review. So I’m gonna skip all the introduction and get right into talking about the Toison D’or 1900 2B pencil.

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It’s a nice pencil, about the size of a regular No.2 pencil. It’s black with gold, easy to read lettering. It has the mildly uncomfortable hexagonal body but with rounded corners.  The end is also rounded, making it a bit slippery. It sharpens well and is high-quality wood. It writes like a regular 2B but slips in the hand sometimes.

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It’s just a pencil. The only really deciding factor here is the black color and whether or not you mind a mildly slippery pencil. It is a remarkably average pencil in every other way.