Tag Archives: art supply

Review – Expo Ultra Fine Red, Green, and Blue

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Last week I looked at the Ultra-Fine Expo markers as a whole, and the black color specifically. This week I’ll look at the more common colors in most dry-erase ranges in this size and brand, and see how they work.

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Red- The color red is a problem with many pens, and dry-erase markers are no exception. The red goes on smoothly enough, and is one of the thinner “sticking” inks. The lines it makes are solid, but the shading and their thin-ness is more pronounced. The color is also quite washed out and pink, which I’m not really a fan of, but seems to be a theme in reds.

Green- The green is one of the thicker and smoother colors. The lines are bold and solid. But the color, while pleasant, is also washed out. While it is definitely in the green spectrum, it’s more of a sea-green or something similar.

Blue- And finally the blue. In writing characteristics, it’s more of a mixture between the other two. The lines aren’t as bold or thick, and it’s not quite as smooth as green, but more so than red. The color is the most true and least shading of the bunch. It goes well with the black, and is easy to read even from far away, though it isn’t too dark.

The first set of colors is standard, and while lackluster, they get the job done. I can’t really complain as they weren’t created with art in mind, but rather for ease of use and low odor, which they have. Next week I’ll take a look at some of the less-standard colors available in the lineup.

Review – Expo Ultra-Fine Point Dry-Erase Markers

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When it comes to dry erase markers, Expo is almost the only brand people recognize out there. Their chisel-tip markers are almost ubiquitous in any place that requires a white board, and are generally what people replace the cheap in-package markers from home magnetic boards with. And while I like the markers and always have, I do have a problem with their tip size. Even the fine point markers are large enough to be hard to use for people who like to write fine lines, like I do. Fortunately, there are slightly-less-popular, but still easily available Expo markers with an “ultra-fine” tip. Are they much better?

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The body design is almost identical to the fine tip versions, with a slight taper from the middle to the ends. There is a step-down on the rear to allow for easy posting. There is also a step-down from where the cap is removed to the section. The cap and all of the writing on the pen is loosely in the color of the ink. The section can be a bit slippery, but it’s never a problem. It ends in a small cone with the point that is indeed very fine for a dry-erase marker. The information presented on the side is standard and useful enough.

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The tip is very fine when compared to a regular fine marker. It gets down to a medium/broad on a regular ball or fountain pen. The ink flows smoothly and erases easily, as one would expect from the Expo brand. The black is the standard Expo black, and does the job. It doesn’t start to wash out at this size and is perfectly readable.

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For anyone who needs to mark something with a bit of a finer point (like on a map), wants to write regularly on a dry-erase board, or for those who are artistically inclined and were frustrated when they couldn’t get the various line sizes they needed out of the more standard Expo markers, these work very well. They are of the same quality as the other markers in the line (which is to say as good or better than competitors) and offer a much smaller and more manageable line.

Review – Tombow Dual Brush Pens Grayscale Set

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Ink-washing is a great way to improve the look of ink drawing, but diluting India ink and using traditional brushes can be messy and a hassle at times. Gray brush pens certainly do help and the Tombow Dual pens have both a brush and marker tip to make using grays easy.

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On either end of the marker there is a cap. One is quite a bit larger than the other, in both length and circumference. Both have ridges for easy removal, and small inner caps to prevent what they’re covering from drying out. The larger cap also has a fin to prevent it from rolling too far on a desk. The caps are made in such a way the that larger cap can “post” over the smaller one, and the smaller one can post into the larger one. They’re both sturdy and work well. The section for the larger brush side is nice and tapering. It’s long and easy to hold. However, the one for the marker side is quite stubby and holding on the body is almost necessary. The body itself is plain: a cylinder with text, Necessary information is there and it works.

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The pack I have is a pack of five grays and a black. The black is fairly understandable and a bit warm. The other grays purport to be “cool” but do vary from cool to warm, in my opinion. Several of them are also far too dark to really be distinguishable, but that also is just my opinion. The N95 and N60 are the most distinctive. Being very light and easy to work with, and very warm, turning to green after a while, respectively. The 45 and 55 are barely distinguishable and the 65 is about halfway between true white and true black, but all three get very dark very quickly and none of the five easily make a smooth edge, they are too varied in color to do so. The colors are all acid free, making them archival quality. And while they are water-based and claim to be blendable, I find that once they absorb into paper or card they are almost immovable. They go on smooth, the brush has quite a bit of variance but can be fragile (it is a sponge-like and not a bristle brush) and the marker is quite consistent and rigid. They can be used for several large projects or quite a few little ones, but can’t be expected to last longer than any other felt-based markers.

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In the end, they are great for someone who is just trying to get a feel for the grayscale washed look but is frustrated with, intimidated by, or doesn’t have to time for mixing up one’s own wash. Some other supplemental brush pens might be needed to get the full effect out of the shading, but these are a good start and the double-ended aspect makes them more useful than similar pens.

Review – Fiskars Cutting Mat (12×18)

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If one is cutting things for hobby purposes for much time and one doesn’t have a table which would deal well with sharp objects, a cutting mat is really a no-brainer. But how well do the more common ones really work?

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Fiskars cutting mats are easy to find in many places. The particular one I use is 12×18 inches, but has a border of about a half-inch, extending the dimensions to about 13×19 but with rounded corners. Each edge is marked with a ruler that is accurate and the mat is divided into inch squares.  A couple of angles are also laid out in one corner. Most of the information on the mat is printed on a sticker on one of the sides (it’s double sided).

Being made of a fairly slick plastic, the mat can clean up easily after things like paint and plaster, but it has a texture that prevents the items being cut from sliding around. The mat is self-healing, but that really only applies to small nicks, anything larger might get a bit better, but will obviously never go away. Most things of this nature don’t inhibit the use of the mat. And it can take quite some beating from blades. If one is using this for hobby projects it will easily hold up to almost anything that is thrown at it (or rather cut on it). Obviously it has an upper limit, as it was cut into shape in the first place, but for normal personal (not industrial) use, it’ll work for a long time.

It does its job, I don’t know what else to say. Placing this on top of a table before cutting something for hobby, personal, or artistic use will almost ensure the safety of the tabletop. It works, and you can buy them from Wal-Mart.

Review – Excel #11 Hobby Knife Blades

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X-Acto knives with #11 blades are an art, crafting, and modeling staple. But is the brand name worth it? Will a pack of Excel blades do just as well, or should you just buy the no-name brand from eBay if you want to save money?

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To start off with, the Excel brand 5-pack that you buy in hobby stores has a tube to store the blades in. It’s nothing special, but it gets the job done, is clear so you can see your supply, and is flexible so it doesn’t shatter.

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The blades fit securely in all hobby knife and scalpel handles that I tested, and should fit in all (unless there’s a proprietary system I don’t know about). The blades come sharp enough to cut paper, and hold their edge through cutting plastic. They dull and bend at about the same rate as X-Acto blades and can easily make it through several projects before dulling or being nicked. I’ve had no rusting yet (they come oiled), but I do keep them fairly moisture-free. The tip is “flexible” in that it doesn’t shatter and has some play (bouncing back when bent), but the point and the blade are hard enough that a single blade could take weeks of daily use (depending on the use, as plastic and metal are obviously harder than paper and cardstock).

Overall, these blades are less expensive and at least as good, if not better, than the name brand competition. They cut well, hold an edge, and resist breaking. They’re a reliable blade that is at least worth a look.