Review – Swingline Personal Pencil Sharpener

Some people might not consider a pencil sharpener an art supply. But we’re using my definition of an art supply and if it in any way helps you with art it is now an art supply. Okay, maybe not exactly, but let’s just get into this Swingline Personal Pencil Sharpener.

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The sharpener itself is a chunky bubble of plastic with unappealing curves. It’s designed to be different rather than practical. It’s got a dust- and scratch-attracting polish on the front and a pleasing matte finish on the back. Also in the back are several fairly useless pencil holders. Back on the front is a dent that guides your pencil into the sharpener, or more likely just breaks your lead as you try. There is also a clear plastic shaving container that can be easily removed from the front.

The entire assembly is heavy and barely moves when one is sharpening. It feels solid and almost unbreakable. And with some nice rubber feet on the bottom it stays where you put it.

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The sharpening itself is alright. There is no swaying or destroying of the pencil. It sharpens fast and without any clogging problems. The point, however, is not as fine as it could be. It gets the job done and definitely counts as a sharpened pencil, but I generally prefer the finest of pencil tips for my work. These are simply sufficient for me.

Overall it’s a pencil sharpener, what do you expect nowadays? The build quality is nice if misguided, and the sharpening is good but lackluster. It’s sadly one of the better sharpeners on the market, beating the X-ACTO sharpeners you see in schools and offices. It doesn’t come close to a good Boston sharpener though and if you really want to get some sharpening done that’s what I’d recommend. This is only for people who just want a decent sharpener.

Review – Office Depot 20-Pound Copy Paper

By: Austin Smith

When one is starting to review art supplies, it’s difficult to find a starting place. So I picked the thing all art is put on; paper. More specifically I’m starting with Office Depot, 20-pound copy paper. The kind of thing that everyone has access to. And the kind of thing you’re most likely to start making art on. (or at least preliminary designs)

20-pound paper isn’t that thick, take it off the table and you can see right through it (not clearly, but you can). It obviously won’t hold much and buckles almost instantly in moisture. Thus it won’t be useful for anything more then pencil or light ink. Although it being copy paper and 8.5″ X 11″ it probably won’t be what your finished piece is on.

 

The paper is slick, mostly, it’s got enough grip and texture to not feel glossy and go sliding around on you. It takes both ink and pencil very well. When using a good eraser, pencil almost completely disappears. The ink shows through the paper, the pencil does not. And the texture is fine enough that it is barely noticeable to the naked eye. Which is something good if you’re planning on creating a workable draft of something and not just sketching.

The fact that this type of paper is almost universal and its small size make it great for sketches and drafts. Its main limitation is that, aside from copy paper, its dimensions are almost never used. Most printed and official online “art” documents use different aspect ratios from copy paper, making it almost exclusively for drafts and amateur art projects (in the art world).

It’s always good to have some around, to sketch or to find out how things fit together, and it can always be scanned and posted on a Blog with ease. It’s obviously a starting material, but one that never really leaves the desks of experts.

It’s also really cheap, which is a bonus.